In Paris in the 1980s, a man, fresh from his release from prison, is rejected by his wife. After a violent confrontation he throws himself from his apartment window, witnessed by his three young daughters. In present day Paris, the sisters, now grown up, live their own lives. The family bonds are broken. Sophie, the eldest, .. Read more
| Starring | Emmanuelle Beart, Karin Viard, Marie Gillain, Carole Bouquet |
|---|---|
| Director | Danis Tanovic |
| Genres | Drama, World Cinema |
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In Paris in the 1980s, a man, fresh from his release from prison, is rejected by his wife. After a violent confrontation he throws himself from his apartment window, witnessed by his three young daughters. In present day Paris, the sisters, now grown up, live their own lives. The family bonds are broken. Sophie, the eldest, is married with young children, but suspects her photographer husband of having an affair. The youngest sister, Anne, is a student involved in a messy relationship with one of her tutors. Middle sister Celine lives a solitary and joyless life, caring for her difficult mother. When a young man starts to take an interest in her, she little suspects the true motive behind his approaches.
| Starring | Emmanuelle Beart, Karin Viard, Marie Gillain, Carole Bouquet, Jacques Gamblin, Jean Rochefort |
|---|---|
| Director | Danis Tanovic |
| Studio | MOMENTUM PICTURES HOME ENT |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | DVD: French |
| Subtitles | DVD: English |
| Released | DVD: 21 Aug 2006 Production year: 2005 |
| Format | DVD |
In a previous film with the same French title (Claude Chabrol's 1994 film L'Enfer) Emmanuelle Beart played a woman stalked by her own obsessively jealous husband, who is convinced that she is having an affair. In the present film, Emmanuelle Beart plays a woman, who is obsessively jealous of her husband, who she believes is having an affair! However, here the similarities end. Hell is about far more than the failings of one marriage. It's not really about relationships either. Although there are three sisters who are each involved in their own 'love story', the core of the film is the children's attitude toward their parents; in particular their father who was mysteriously jailed for doing something which their mother cannot forgive. The mother is a cripple who has been put in a nursing home. She cannot speak and communicates by writing on a notepad. Only one of the three sisters, Celine, regularly visits her and this seems to be done purely out of a sense of duty. The relationship between the sisters is not much better. They live separate lives and have not seen each other in years. Sophie, the oldest of the three is a housewife with two of her own children. Anne, the youngest sister is a philosophy student who is involved with her middle-aged tutor. We meet the professor as he is giving a lecture about the differences between chance and fate in literature and life, and hear his view that on aesthetic considerations alone, fate should always be preferred ahead of chance. Therefore to die as a result of an accident is the worst death possible. Yes, this is a typically existentialist French film, all about death and the far-reaching consequences of making choices.
Fans of French Cinema, especially those who have liked previous Emmanuelle Beart films such as LEnfer, Un Coeur En Hiver, La Belle Noiseuse and Nelly and Mr Arnaud will probably enjoy this one.
A really enjoyable film that delivers on many levels. From the tell tale start in the opening sequence you have to pay attention to catch the subtleties of the plot. The three sisters stories - of failed relationships - engage our interest. The central theme of their relationship with their parents is also compelling. This film will draw you in. Equally good is the cinematography and the clever use of colour as the film evolves from hell - to well something else. Watch this with a friend who likes to discuss film - there is plenty to talk about here.