Allen plays an aging film director that is suddenly afflicted with temporary blindness. However, mid way through production on his latest film, he must soldier on without letting his producers know. Read more
| Starring | Woody Allen, Tea Leone, George Hamilton, Treat Williams |
|---|---|
| Director | Woody Allen |
| Genres | Comedy |
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Allen plays an aging film director that is suddenly afflicted with temporary blindness. However, mid way through production on his latest film, he must soldier on without letting his producers know.
| Starring | Woody Allen, Tea Leone, George Hamilton, Treat Williams, Debra Messing, Mark Rydell |
|---|---|
| Director | Woody Allen |
| Studio | Dreamworks |
| Certificate | |
| Genres | Comedy |
| Language | DVD: English |
| Released | DVD: not available Production year: 2002 |
A stupendous pratfall, made all the more hilarious by its sheer unexpectedness, is the highlight of Woody Allen's golden bathed, but overly gentle dig at the ethics and aesthetics of mainstream moviemaking. As ever, the ensemble is exemplary, with Téa Leoni particularly impressive as the estranged wife of Allen's washed-up director, who takes a chance on him for her Hollywood producing debut. But the central conceit that Allen is stricken psychosomatically blind just before shooting begins, yet still manages to muddle through, strains to breaking point and is only partially rescued by a sharp payoff about French interpretations of cinematic genius.
Val Waxman (Allen) is so down on his movie-directing luck that when Hollywood offers the chance for a comeback, he's... read more on Time Out
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He's made (at least!) a film a year since 1970, a record that's all the more remarkable when you realise that he's written and directed all of them, and starred in most. They include some of the best-loved and most quoted comedies in cinema history: Annie Hall, Manhattan and Hannah and Her Sisters take some beating, and that's to ignore "the early, funny ones" (Sleeper, Love and Death, Bananas); the lovely miniatures from what I consider his finest period (the early 80s gave us Broadway Danny... Read more