Gabe and Judy Roth (Woody Allen and Mia Farrow), a long-married couple, find their relationship starting to crumble when their best friends, Jack and Sally (Sydney Pollack and Judy Davis), announce that they are separating. Allen's use of a hand-held camera and jump-cuts adds immediacy to a brilliant display of ensemble acting. .. Read more
| Starring | Woody Allen, Mia Farrow, Blythe Danner, Judy Davis |
|---|---|
| Director | Woody Allen |
| Genres | Comedy |
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Gabe and Judy Roth (Woody Allen and Mia Farrow), a long-married couple, find their relationship starting to crumble when their best friends, Jack and Sally (Sydney Pollack and Judy Davis), announce that they are separating. Allen's use of a hand-held camera and jump-cuts adds immediacy to a brilliant display of ensemble acting. Pollack delivers an Oscar-worthy performance.
| Starring | Woody Allen, Mia Farrow, Blythe Danner, Judy Davis, Juliette Lewis, Liam Neeson, Sydney Pollack, Lysette Anthony |
|---|---|
| Director | Woody Allen |
| Studio | SONY PICTURES HOME ENTERTAINMENT |
| Run time | DVD: 1 hr 43 mins |
| Certificate | |
| Genres | Comedy |
| Language | DVD: English |
| Dubbed | French, German, Italian, Spanish |
| Subtitles | DVD: Arabic, Bulgarian, Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish |
| Released | DVD: 15 Apr 2002 Production year: 1992 |
| Format | DVD |
Throughout this excellent enterprise, Woody Allen employs a hand-held camera (familiar from news reports on location and Oliver Stone movies) to convey the intensity and instability of the key relationship on screen, that between himself and Mia Farrow as a successful but troubled media couple. Sadly, the technique has the effect of nailing you to your seat and leaving you gasping for air. Otherwise this dissection of two relationships (the other is between Sydney Pollack and Judy Davis) is piled high with wit, vim and vigour as it comments on the foibles of the artsy self-obsessed of midtown Manhattan. In a film released at the time of Woody and Mia's own troubles, rich ideas and strong performances abound.
One of Allen's best films, a clever and insightful examination of the insecurities and often self-destructive behaviour of couples, though the nervy camera-work irritates.
This is one of the most accessible of Woodys movies and hits the target with every aspect of the complex relationships on show. As smart as anything he's written, this is priceless and deserves a wider audience.
A more serious film from Woody Allen which chronicles the relations of two couples. Genuinely giving some insight into the trials and tribulations of marriage; it maintains enough of Woody's quirky, original and entertaining approach to cinema to be worth a viewing.
An attempt, somewhat halfhearted, to include interviews with the characters giving us better insight into their relationships and feelings breaks continuity and doesn't quite work, despite being an interesting device. Perhaps an attempt to make us engage more closely with the functioning of relationships, it jars with the somewhat charicatured personas on display.
Allen himself is an exception to this; breaking away from his comic type, as in Annie Hall or Manhattan, he plays a much straighter character and shows himself to be a fine actor.
Sydney Pollack 1934-2008 Sydney Pollack, the American actor and filmmaker, passed away after a battle with cancer, Monday. He was 73. Pollack won the Academy Award for Best Director and Best Picture for Out of Africa in 1985, and was nominated on three other occasions, for Tootsie, They Shoot Horses, Don't They, and as producer on last year's Michael Clayton. Pollack was perhaps more familiar to filmgoers than most directors on the strength of several notable supporting roles including Eyes... Read more