IN THE LAND OF WOMEN is a surprisingly sombre yet funny coming-of-age tale from director Jon Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the night-time teen soap THE O.C. Brody, playing a character his own age, breezily inhabits Carter, a loveable but somewhat directionless .. Read more
| Starring | Olympia Dukakis, Kristen Stewart, Meg Ryan, Adam Brody |
|---|---|
| Director | Jon Kasdan |
| Genres | Comedy, Drama, Romance |
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IN THE LAND OF WOMEN is a surprisingly sombre yet funny coming-of-age tale from director Jon Kasdan, and stars Adam Brody in a role not too different from his beloved Seth Cohen on the night-time teen soap THE O.C. Brody, playing a character his own age, breezily inhabits Carter, a loveable but somewhat directionless screenwriter (if you count soft-core porn films) who is dumped by his beautiful but shallow starlet girlfriend Sofia at the start of the film. In crisis mode, he packs up and heads to the Detroit suburb where his senile grandmother (Olympia Dukakis) lives, in an attempt to help her out and get some perspective. While desperately trying to make sense of his grandmother's incoherent ramblings, Carter slaves away at a long-coming screenplay and creates confusing friendships with the mother (Meg Ryan) and daughter (Kristen Stewart) next door.
While the film sometimes seems to be grasping for something it can't quite find, it is entertaining throughout, especially for fans of Brody. Thanks to some clever dialogue, quirky characters, and Brody's oddball line delivery, IN THE LAND OF WOMEN manages to get more than a few laughs. That said, the film also deals with serious issues like sickness and death in a light-hearted way. Ryan and Stewart both add depth to what could be one-dimensional characters, and while Brody's performance doesn't feel like much of a stretch, it's nice to see the actor moving towards some slightly more adult material. Kasdan packs the film to the brim with indie pop songs, providing a hip soundtrack for a story that feels contemporary by refusing to fit the traditional romantic-comedy mould.
| Starring | Olympia Dukakis, Kristen Stewart, Meg Ryan, Adam Brody |
|---|---|
| Director | Jon Kasdan |
| Studio | WARNER HOME VIDEO |
| Run time | DVD: 1 hr 34 mins |
| Certificate | |
| Genres | Comedy, Drama, Romance |
| Language | DVD: English |
| Hearing-impaired | English |
| Released | DVD: 25 Feb 2008 Production year: 2007 |
| Format | DVD |
This stridently tender dramedy by the elder son of director Lawrence Kasdan (The Big Chill) stars Brody (The O.C.) as... read more on Time Out
This film has completely misleading promotion. I was expecting a tender love story between Carter Webb (Adam Brody) and Lucy Hardwicke (Kristen Stewart). The way the Trailer and posters have presented the film I was expecting a traditional age-gap romance.
However it's more about how the different women he meets during his stay with his Grandmother effect his life. It's far from a traditional love story. It's really a drama, and it was so much better than I expected. This film raises questions about if women and men can be friends without romantic undertones, and includes themes of forgiveness and living life fully.
Story starts with Carter being dumped by his famous girlfriend. So he decides to go to Michigan to live with his grandmother (this character seems a little miscast) and ends up becoming really close to the both the mother and daughter who live across the street.
It was moving, touching and I would highly recommend it. However do not rent the film expecting what I did. Don't hope for a traditional romance between Carter and Lucy. That is not what the story is about. It's a film about real people with many flaws and weaknesses.
Not bad if you're aware this is a CHICK FLICK in capital letters (and I hate that term so you can imagine how strongly I feel about this label). You can tell because the male lead is good looking and has all the answers to his friends problems yet, gosh, can't find the right woman for himself.
It's ok til about halfway through when a decent mid-life crisis movie descends into cliche'd life-lessons & shmaltz and the ending is just plain patronizing. It's forgettable guff then, but I'll acknowledge you could do far worse.