Inglourious Basterds begins in German-occupied France, where Shoshanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema. Elsewhere in .. Read more
| Starring | Brad Pitt, Diane Kruger, Melanie Laurent, Christoph Waltz |
|---|---|
| Director | Quentin Tarantino |
| Genres | Action/Adventure, Drama |
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Inglourious Basterds begins in German-occupied France, where Shoshanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.
Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own...
| Starring | Brad Pitt, Diane Kruger, Melanie Laurent, Christoph Waltz, Daniel Brühl, Eli Roth, Samuel L. Jackson, Mike Myers, Michael Fassbender, Julie Dreyfus |
|---|---|
| Director | Quentin Tarantino |
| Studio | UNIVERSAL PICTURES UK |
| Run time | DVD: 2 hrs 27 mins Blu-ray: 2 hrs 27 mins |
| Certificate | |
| Genres | Action/Adventure, Drama |
| Language | DVD: English Blu-ray: English |
| Released | DVD: unknown Blu-ray: unknown Production year: 2009 |
| Format | DVD |
Quentin Tarantino, the man behind classics like Pulp Fiction and Reservoir Dogs, scores a 5 star review with his highly anticipated World War II movie. read more »
this looks like a very good film and i can see it doing very well. it is a war film and its well worthe watching the traler it is shaping up to be better than saving privat ryan(worth watching).
Saw this at the cinema and was mighty disappointed. Have liked most of Tarantino's previous offerings and was interested to see his most recent but ended up wishing I hadn't bothered.
The film starts with the Nazi's interrogating a farmer reference hiding Jews (which begins one storyline of a woman owning a cinema and fraternising with the Nazi's), with the Basterds running alongside within their own storyline (generally running amok and making any Nazi that comes face to face with them regret it instantly), both of which do tie up neatly at the end. Unfortunately the overly long middle was kind of mind numbing.
There didn't seem to be any trademark Tarantino snappy dialogue, although I'm guessing the era it was set in wouldn't really support it the same way Pulp Fiction or Reservoir Dogs does. The characters were pretty bland, I think this was probably because there were quite a few that they were all a bit diluted. I didn't really care what happened to any of them, and if something did then you didn't miss them as they didn't bring anything to the film anyway! Out of the Basterds there are only two or three I can remember and I only saw this yesterday!
Another problem for me was the running time. This did not need to be so long. I don't know what it is with his recent projects he seems to be unable to edit anything! This wasn't some epic picture full of great scenery shots and a story to get you thinking, it just made it unbearable. I sincerely think if this was even half an hour less in time I would have liked it better.
I realise Tarantino die hards are going to praise this film til the cows come home but for me this is his worst outing yet and two and half hours wasted!
A Tarantino film is always a notable event, even when (as with his last, Death Proof) it turns out to be a non-event for most people. I mean, at least it was a spectacular non-event. So far, the reactions to Inglourious Basterds, his atrociously-spelled WWII epic, have run from hot approbation (especially from the American press in Cannes) to Peter Bradshaw’s 1-star review in The Guardian. Playing catch-up, I had no idea which side of the fence I’d come down on, but two and a half... Read more