Assisted by a cane, the unidentified lead (Alejandro Ferretis) of JAPON limps through a desolate canyon in his trademark red flannel jacket searching for deeper meaning. He has arrived at this remote Mexican location, escaping the city to paint and find the kind of serenity only nature can provide. Here he stays with Ascen (.. Read more
| Starring | Alejandro Ferretis, Magdalena Flores, Carlos Reygadas Barquin |
|---|---|
| Director | Carlos Reygadas Barquin |
| Genres | Drama, World Cinema |
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Assisted by a cane, the unidentified lead (Alejandro Ferretis) of JAPON limps through a desolate canyon in his trademark red flannel jacket searching for deeper meaning. He has arrived at this remote Mexican location, escaping the city to paint and find the kind of serenity only nature can provide. Here he stays with Ascen (Magdalena Flores), an elderly woman who cooks for him and cleans his shirts. Ascen has lived on the land for forty years, but her nephew Juan Luis (Martin Serrano) is now reclaiming the land. Juan Luis intends to demolish a building which protects Ascen's modest dwelling, so he can collect money for the stones that hold up the structure. As the unidentified painter tries to get Ascen to fight for her home, he develops a sexual desire for his elderly host.
The importance of nature is prevalent throughout Carlos Reygadas' meditative work. Long, luminous takes allow thoughtful reflection as the film takes both its viewers and its protagonist on an existential journey. Adding to the languid beauty of the film is Arvo Part's moving score.
| Starring | Alejandro Ferretis, Magdalena Flores, Carlos Reygadas Barquin |
|---|---|
| Director | Carlos Reygadas Barquin |
| Studio | ARTIFICIAL EYE |
| Run time | DVD: 2 hrs 9 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | DVD: Spanish |
| Subtitles | DVD: English |
| Released | DVD: 28 Jul 2003 Production year: 2002 |
| Format | DVD |
There is much to admire in writer/director Carlos Reygadas's debut feature, from the strikingly photographed landscapes to the considered exploration of both faith in modern Mexico and human frailty in isolation. The disparate elements don't quite coalesce into a satisfying story, but the relationship between widow Magdalena Flores and artist Alejandro Ferretis (who has ventured into the wilderness to commit suicide) is both touching and powerful in its simplicity, as she seeks to save his soul and he strives to prevent her grasping nephew from repossessing the hillside shack that's become her world. It's occasionally too smart for its own good, but this is essentially compassionate and involving cinema.
"...A blast from the art-house movie past, inspired by Andrei Tarkovsky with a spiritual jolt of Robert Bresson, Reygadas' stunning first feature, JAPON, is about love, death, sex, redemption and mankind's domination over nature..."
Rather strange Mexican film about a man who goes to a village in a remote valley to kill himself. Naturalistic acting from (I presume) a mostly non-professional cast. The cinematography is great, although it isn't trying to make everything look all picture-postcard, it has a much grittier feel than that. Reminiscent of Tarkovsky.
Very, very slooooooooow. Don't watch it if you're at all sleepy, as you will doze off. However, it's beautifully shot and understated, meditative and deep.
BFI London Film Festival gets underway Thursday, with opening gala Eastern Promises (which we'll be covering when it goes on general release next week). At this stage I've seen just over 30 of the films in the programme. That's a mere drop in the ocean in a festival of this size, but it's enough to be able to pass on a few tips, as well as the odd warning! first films to sell out are always the Galas, in part because less tickets are available to the general public (this is where the festival... Read more