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Jesus' Son Reviews

1999 Certificate 18 Certificate 18 (TBC)
  • Rated:
  • 60
  • from 1613 members

Alison Maclean's exhilarating adaptation of Denis Johnson's acclaimed short story collection is a deeply compassionate portrait of one man's descent into drug addiction, filled with a potent blend of surreal imagery and gritty realism. Remaining true to Johnson's original text, and in keeping with the film's substance-soaked .. Read more

Starring Holly Hunter, Denis Leary, Dennis Hopper, Will Patton
Director Alison Maclean
Genres Drama

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  • Critics' reviews (3) of Jesus' Son

    View all
  • 3 stars out of 5

    The hero of Alison Maclean's rambling road movie, based on stories by cult author Denis Johnson, is known merely as “FH”. Suffice to say that this is not exactly a term of endearment — more an indication of Billy Crudup's cluelessness as he embarks on a drug-fuelled odyssey through seventies America. Less a coherent drama than a collection of bizarre vignettes, the bitty narrative introduces a rogue's gallery of misfits — Samantha Morton's fiery junkie, Holly Hunter's broken ex-alcoholic, Denis Leary's wife-hating barfly — whose unpredictable behaviour embroils FH in all manner of criminal activity. Not as hip as Gus Van Sant's Drugstore Cowboy, this is still an accomplished follow-up to the director's eye-catching debut feature, Crush.

    • Radio Times
  • 2 stars out of 4

    Downbeat and often grim drama, set among layabouts and drug-addicts in the 70s, that manages to suggest a sweet sense of humanity.

    • Halliwell's Film Guide
  • Its been a long time since Crush, but New Zealander Maclean's first US film is a frisky adaptation of a collection of... read more on Time Out

    • Time Out
  • Most helpful members' reviews (3) of Jesus' Son

    View all
  • 18 out of 25 people found this review helpful

    Rated - 5 stars

    An Unsung Classic

    The title comes from the Velvet Underground song "Heroin": "When the smack begins to flow/And I feel like Jesus' son." Jesus' Son is a Möbius-strip film with a coda. In voice-over, one of life's punching bags, tells a tangled-up story about his random adventures on the road from Iowa City to Chicago.

    Director Alison Maclean directed the 1992 New Zealand lesbian-noir drama Crush. Although she's less well known than the other Anzac directors--Gillian Armstrong and Jane Campion--she's just as talented, a lot less spiritual and a lot more pragmatic.

    Crudup's enjoyment of the ride and zonked-out humour give the grubby goings-on liveliness. The film is also lightened by the eclectic soundtrack, which includes Joe Henry and Wilco.

    Mostly, Jesus' Son evinces the authentic feel of the 1970s, the broke-down, defeated side. The consolation of the age was that the malaise stretched evenly from coast to coast.

    While Jesus' Son gets the funny, grotty side of the decade, it also shows what it was like not to have any serious yearnings. Not since Trainspotting has there been such a merry story about people with suicidal habits, such a small miracle of a film about beatific sordidness and redemption.

      • Goatboy from Stirlingshire
  • 10 out of 14 people found this review helpful

    Rated - 3 stars

    Rambling drug movie with a few brief highs

    This intermittently entertaining film follows FH(Billy Crudup, superb) as he encounters a number of bizarre characters and falls in love with junkie Michelle(Samantha Morton).

    Director Alison MacLean adapted this screenplay from a number of short stories and it shows. The tone of the film is all over the place, scenes of knockabout humour jarring uncomfortably with the grim reality of drug abuse elsewhere. But when 'Jesus Son' works, it really hits the mark. This is especially true of Jack Black's inspired cameo as a drug-addled hospital orderly. The sequence where the hospital's night staff have to deal with a knife in the eyeball is one of the few times the film handles the black comedy correctly.

    In fact the whole cast excel themselves here with Crudup and Morton both performing well. Denis Leary is good in an all-too-brief role, and there's a couple of understated parts for Dennis Hopper and Holly Hunter late in the film.

    MacLean has obviously worked very hard to try and form the source material into a coherent whole, but the joins are too apparent and it often seems like a series of sketches only tenuously linked, making the film ultimately unsatisfying. It's undeniably amusing but it's only in the final third, with the perfectly pitched performances of Hopper and Hunter, that 'Jesus Son' finds the sense of compassion and humanity it's been searching for all along.

      • Philip Concannon from London
  • 7 out of 12 people found this review helpful

    Rated - 1 star

    Sorry but no.

    Sorry but no I did not like this film, and I love all films. The story line was far too all over the place. So wierd and off the wall while tring to be a serious film. The Jack Black camio bit was probably the best bit but didn't make up for a drab film overall. I recomend you learn how to speak klingon instead of watching this film because it would make more sence and be more fun.

      • David Powles from Liverpool,England
  • Most recent members' reviews (2) of Jesus' Son

    View all
  • 1 out of 1 person found this review helpful

    Rated - 4 stars

    Great Film

    I didn't know what to expect from this but the opening credits had some reassuringly familiar names. If you have seen Drugstore Cowboy then this is like an updated version.

    The 70s scene is realy well represented, there isn't any made up psuodo retro nonsense, its the 70s of long hair and dirt. You can really get into the life that the characters are living.

    The drug taking in the film is well done, its not in your face in a shocking way and shows the mystical drug induced world of the junkie in different way to most films. Pretty messed up things go on but they don't seem to have much consequence, the main character just continues on regardless. The romantic relationship is also well done, the characters are very believable.

    I would recommend this film if you are looking for something a bit different.

      • DunkH from Leicester
  • 1 out of 1 person found this review helpful

    Rated - 3 stars [Highly rated reviewer]

    Didnt watch it all

    To be honest I only watched about an hour of this one and fell asleep, so say no more.

      • snap from Redditch
  • 18 out of 25 people found this review helpful

    Rated - 5 stars

    An Unsung Classic

    The title comes from the Velvet Underground song "Heroin": "When the smack begins to flow/And I feel like Jesus' son." Jesus' Son is a Möbius-strip film with a coda. In voice-over, one of life's punching bags, tells a tangled-up story about his random adventures on the road from Iowa City to Chicago.

    Director Alison Maclean directed the 1992 New Zealand lesbian-noir drama Crush. Although she's less well known than the other Anzac directors--Gillian Armstrong and Jane Campion--she's just as talented, a lot less spiritual and a lot more pragmatic.

    Crudup's enjoyment of the ride and zonked-out humour give the grubby goings-on liveliness. The film is also lightened by the eclectic soundtrack, which includes Joe Henry and Wilco.

    Mostly, Jesus' Son evinces the authentic feel of the 1970s, the broke-down, defeated side. The consolation of the age was that the malaise stretched evenly from coast to coast.

    While Jesus' Son gets the funny, grotty side of the decade, it also shows what it was like not to have any serious yearnings. Not since Trainspotting has there been such a merry story about people with suicidal habits, such a small miracle of a film about beatific sordidness and redemption.

      • Goatboy from Stirlingshire
  • 10 out of 14 people found this review helpful

    Rated - 3 stars

    Rambling drug movie with a few brief highs

    This intermittently entertaining film follows FH(Billy Crudup, superb) as he encounters a number of bizarre characters and falls in love with junkie Michelle(Samantha Morton).

    Director Alison MacLean adapted this screenplay from a number of short stories and it shows. The tone of the film is all over the place, scenes of knockabout humour jarring uncomfortably with the grim reality of drug abuse elsewhere. But when 'Jesus Son' works, it really hits the mark. This is especially true of Jack Black's inspired cameo as a drug-addled hospital orderly. The sequence where the hospital's night staff have to deal with a knife in the eyeball is one of the few times the film handles the black comedy correctly.

    In fact the whole cast excel themselves here with Crudup and Morton both performing well. Denis Leary is good in an all-too-brief role, and there's a couple of understated parts for Dennis Hopper and Holly Hunter late in the film.

    MacLean has obviously worked very hard to try and form the source material into a coherent whole, but the joins are too apparent and it often seems like a series of sketches only tenuously linked, making the film ultimately unsatisfying. It's undeniably amusing but it's only in the final third, with the perfectly pitched performances of Hopper and Hunter, that 'Jesus Son' finds the sense of compassion and humanity it's been searching for all along.

      • Philip Concannon from London
  • 7 out of 12 people found this review helpful

    Rated - 1 star

    Sorry but no.

    Sorry but no I did not like this film, and I love all films. The story line was far too all over the place. So wierd and off the wall while tring to be a serious film. The Jack Black camio bit was probably the best bit but didn't make up for a drab film overall. I recomend you learn how to speak klingon instead of watching this film because it would make more sence and be more fun.

      • David Powles from Liverpool,England
  • 1 out of 1 person found this review helpful

    Rated - 4 stars

    Small budget gem

    Very enjoyable small budget gem. Characters nicely acted with very good lead performances from Billy Crudup and Samantha Morton.

    Slow paced but at times both touching and humorous. Interesting cameos from Dennis Hopper, Jack Black and Dennis Leary.

    For my money a great soundtrack too!

      • rubyt from G66 1NU
  • 1 out of 1 person found this review helpful

    Rated - 4 stars

    Gentle Giant

    This is a gentle giant of a film. Dispite the lack of a story and the narrated jumps in time, this film is a wonderfull look at the gentle change that takes place in the life of a man on a mission to get high. Look out for his fellow orderly when he takes a job at a hospital, you may recognise him from the more main stream movie "School of Rock". He is his usual manically funny self in this movie. Although the central character meets him as result of trying to live a more responsible life, together they have moronic fun. If you don't like films that force you to use your imagination don't bother.

      • Felipo from West Yorkshire
  • 1 out of 1 person found this review helpful

    Rated - 4 stars

    Great Film

    I didn't know what to expect from this but the opening credits had some reassuringly familiar names. If you have seen Drugstore Cowboy then this is like an updated version.

    The 70s scene is realy well represented, there isn't any made up psuodo retro nonsense, its the 70s of long hair and dirt. You can really get into the life that the characters are living.

    The drug taking in the film is well done, its not in your face in a shocking way and shows the mystical drug induced world of the junkie in different way to most films. Pretty messed up things go on but they don't seem to have much consequence, the main character just continues on regardless. The romantic relationship is also well done, the characters are very believable.

    I would recommend this film if you are looking for something a bit different.

      • DunkH from Leicester
  • 1 out of 1 person found this review helpful

    Rated - 3 stars [Highly rated reviewer]

    Didnt watch it all

    To be honest I only watched about an hour of this one and fell asleep, so say no more.

      • snap from Redditch
  • 1 out of 2 people found this review helpful

    Rated - 2 stars

    Shame.

    Could have been good. Sadly, us mere film watchers are not allowed to change an ending, as much as i wanted to see this film, it did not live up to it`s expectations.

    Goodish acting but bad film shots and stunted scripting make this a time waster( You`re time I mean)!!

      • A customer from Oxfordshire
  • 2 out of 4 people found this review helpful

    Rated - 5 stars

    What a good laugh and good acting

    Billy Cruddup and Jack Black are an unlikely pair, but boy do they make this film funny or what!

    The two of them working in a hospital constantly stealing all different types of drugs and therefore contiually high as kites resulting in a lot of laughs.

    |have seen this film 3 or 4 times and it's still hilarious. Dennis Leary has a cameo...........also hilarious and bittersweet all at the same time.

    I recommend this wonderful film to everyone.

      • A customer from Paisley, Scotland
  • 1 out of 2 people found this review helpful

    Rated - 2 stars

    Could be Better

    Crudup and Morton give good performances in this tale of drug addiction in the 70's. Although the actors do a good job with the material they have, the film is flawed by the look which is not very retro and the skipping back and forth which is becoming more common thanks to the likes of 'Memento'.

    The film characters are not very likable and there seems to be a lack of heart to the proceedings. I have to admit that Jack Black's cameo is worth watching. There are worse films out there but there are certainly plenty which are a lot better.

    A film to watch if you have an interest in the actors only.

      • KChawgo from London
  • Critics' reviews (3)

  • 3 stars out of 5

    The hero of Alison Maclean's rambling road movie, based on stories by cult author Denis Johnson, is known merely as “FH”. Suffice to say that this is not exactly a term of endearment — more an indication of Billy Crudup's cluelessness as he embarks on a drug-fuelled odyssey through seventies America. Less a coherent drama than a collection of bizarre vignettes, the bitty narrative introduces a rogue's gallery of misfits — Samantha Morton's fiery junkie, Holly Hunter's broken ex-alcoholic, Denis Leary's wife-hating barfly — whose unpredictable behaviour embroils FH in all manner of criminal activity. Not as hip as Gus Van Sant's Drugstore Cowboy, this is still an accomplished follow-up to the director's eye-catching debut feature, Crush.

    • Radio Times
  • 2 stars out of 4

    Downbeat and often grim drama, set among layabouts and drug-addicts in the 70s, that manages to suggest a sweet sense of humanity.

    • Halliwell's Film Guide
  • Its been a long time since Crush, but New Zealander Maclean's first US film is a frisky adaptation of a collection of... read more on Time Out

    • Time Out

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    • Alison Maclean's exhilarating adaptation of Denis Johnson's acclaimed short story collection is a deeply compassionate portrait of one man's descent into drug addiction, filled with a potent blend of ...

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