Christopher Lee portrays Mohammad Ali Jinnah, the founder of Pakistan, in this biopic. Read more
| Starring | Christopher Lee, James Fox, Maria Aitken, Indira Varma |
|---|---|
| Director | Jamil Dehlavi |
| Genres | Drama |
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Christopher Lee portrays Mohammad Ali Jinnah, the founder of Pakistan, in this biopic.
| Starring | Christopher Lee, James Fox, Maria Aitken, Indira Varma, Shashi Kapoor, Shireen Shah |
|---|---|
| Director | Jamil Dehlavi |
| Run time | DVD: 1 hr 50 mins |
| Certificate | |
| Genres | Drama |
| Released | DVD: 27 Sep 2004 Production year: 1998 |
| Format | DVD |
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Despite the politico-cultural implications this entails, Christopher Lee turns in a towering performance in this sincere tribute to Mohammed Ali Jinnah, the founder of Pakistan. Set either side of the Partition of India, it's a necessarily episodic biopic. But the decision to use a Christmas Carol-like conceit to link the story (in which Lee tours key moments in his life with celestial scholar Shashi Kapoor) is a preposterous miscalculation. Yet, director Jamil Dehlavi co-wrote the factually impeccable screenplay with Cambridge academic Akbar Ahmed. With James Fox stiffly uncomprehending as Mountbatten, this is less effusive, but also less impressive than Gandhi.
If you found Gandhi a bit too 'holier than thou' to appreciate either the man or the film, then Jinnah is for you. Introverted, imperious and imperfectly trying to do what he thinks is best for his people, Lee's Jinnah comes across as far more human than Kingsley's Gandhi. In fact, I actually think it gives far more likely portrait of what key political players such as Gandhi was like. True, it does lack the epic sweep of 'Gandhi', and the modern framing device is irritation itself, but its not often that a film rewards the patient viewer with a truly intimate and unglorified view of the father of a nation.
If you found Gandhi a bit too 'holier than thou' to appreciate either the man or the film, then Jinnah is for you. Introverted, imperious and imperfectly trying to do what he thinks is best for his people, Lee's Jinnah comes across as far more human than Kingsley's Gandhi. In fact, I actually think it gives far more likely portrait of what key political players such as Gandhi was like. True, it does lack the epic sweep of 'Gandhi', and the modern framing device is irritation itself, but its not often that a film rewards the patient viewer with a truly intimate and unglorified view of the father of a nation.