George Sanders and Ingrid Bergman play Alexander and Katherine Joyce, a bored married couple in Naples, waiting around for an inherited house to be sold. With time on their hands the cracks begin to show in their marriage. Rejecting Hollywood norms, Rossellini uses periods of pure cinematography, in this case of Naples and Mt .. Read more
| Starring | Ingrid Bergman, George Sanders, Leslie Daniels, Natalia Ray |
|---|---|
| Director | Roberto Rossellini |
| Genres | Drama, World Cinema |
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George Sanders and Ingrid Bergman play Alexander and Katherine Joyce, a bored married couple in Naples, waiting around for an inherited house to be sold. With time on their hands the cracks begin to show in their marriage. Rejecting Hollywood norms, Rossellini uses periods of pure cinematography, in this case of Naples and Mt Vesuvius, to illustrate the passage of time and moments of ennui. The director also deliberately kept the actors uninformed about the script and story, and with this enforced improvisation, he was able to bring out a realistic disorientation in their performances befitting the nature of the film. Interestingly, George Sanders had recently won an Oscar for ALL ABOUT EVE.
| Starring | Ingrid Bergman, George Sanders, Leslie Daniels, Natalia Ray |
|---|---|
| Director | Roberto Rossellini |
| Studio | BFI VIDEO |
| Run time | DVD: 1 hr 20 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | DVD: English |
| Released | DVD: 17 Nov 2003 Production year: 1953 |
| Format | DVD |
After both Stromboli and Europa '51 had met with a less than rapturous critical reception this Rossellini/Bergman collaboration saw their careers and their marriage at a low ebb. So this film about an English couple (George Sanders and Ingrid Bergman), whose marriage is in crisis, travelling by car to Naples, could be seen as semi-autobiographical. On its release, the film was attacked for being clumsily made and sentimental but those of a more romantic inclination find it beautiful. If one accepts the narrative simplicity and that the journey is both physical and spiritual, the film offers many rewards.
A very original movie about a marriage in trouble but I cant say it drew me in - it seemed quite self conscious.
The Sanderson character is an arrogant bore and there doesnt seem to be much complexity to the conflict other than that theyre bored with each other.
The environment plays an important role but that doesnt come across very w ell in black and white on a small screen.
Roberto Rossellini had long been dissatisfied with conventional methods of cinema story-telling and had, in his films with his then-wife, Ingrid Bergman, (and those around them) been trying to experiment with something new. 'Viaggio in Italia' is the fruit of those experiments, a film which tells its story almost entirely by indirections.
On the face of it, it's a simple tale about an eight year old marriage which has reached its natural breaking point as each party realises their fundamental incompatability. But rather than simply state that, Rossellini elects to show it to us, with the husband trying to find sensual diversions (and failing), and the wife retreating into the history and culture of Napoli region (and being smothered by it all).
Rossellini clearly loves the area, and his camera positively swims in the locations, but he isn't so swept away not to realise that the past is just as mummified as the central marriage. It needs something more, something living and (to its participants) real to rekindle the spark.
The ending, which some find controversial, is much more ambiguous than just a rediscovery of romantic love, though. How many viewers think that these two will survive once back in the chillier climes of England?