Quentin Tarantino returns to the director's chair with KILL BILL after a six-year hiatus. The movie proves once again that he is a hyperactive visionary and the master of cinematic coolness. Split into two volumes by Miramax in order to ensure that Tarantino's vision would not be compromised (and presumably to sell more tickets).. Read more
| Starring | Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah |
|---|---|
| Director | Quentin Tarantino |
| Genres | Action/Adventure, Thriller |
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Quentin Tarantino marshals a bewildering amount of multi-genre references into a hypnotically entertaining whole in this violent martial arts revenge drama. The former video shop worker's love of everything from Brian De Palma split screens and Eurotrash horror to Hong Kong exploitation and Ennio Morricone music finds its way into this guilt-by-association cinematic celebration. Giving a searing performance, Uma Thurman plays one of the Deadly Vipers, a crack assassination squad led by the eponymous Bill (David Carradine). Left for dead on her wedding day, she falls into a coma, only to awaken four years later swearing revenge on her traitorous co-workers. Vol 1 deals with two members on her Death List Five: Vernita Green (Vivica A Fox) and O-Ren Ishii (Lucy Liu). Dripping with bloody ultra-violence and using startling flashbacks, knowingly fake dubbing and a quite brilliant animé section, Kill Bill is both a daring experiment in sampled cinematic language and scrounged style, and a gloriously enchanting work of neo-art in itself.
Tarantino takes his audience back to the martial arts movies of the 1970s, with gushing blood and severed limbs, a bigger budget and American actors. This first part is just one fight after another, culminating in a spectacular blood-fest which, because o
Fun and games from Tarantino, firmly in fanboy mode here. Kill Bill is 'not about real life, it's just about other... read more on Time Out
Kill Bill is an visually impressive film, and clearly displays Tarantino's impeccable taste for influential cinema. The jury is still out on whether Tarantino is adept at ripping off various genres or providing a flawless homage. In any case, let's hope a few of his fans hunt down the source of his inspiration.
The main flaw of Kill Bill is an unforgivable decision to release the film in two parts. I suspect this is disgraceful profiteering on the part of Miramax.
What could have been a genuinely accomplished film is flawed but an unexpected and illogical halt in story (to pick up in Kill Bill 2). Whatever you think of Tarantino, his films are never boring. The audience would have sat down for the entire movie and he should have let them. Can you imagine Scorcese releasing Casino Part 1 and Part 2, or Lord of the Rings as six movies? Tarantino should have stuck to his original plan. Then again, now there's twice the box office, twice the DVD sales, twice the album sales etc.
Sadly, in my humble opinion, this obvious gain has halved Taratino's ability to deliver a masterpiece.
The excellence and commercial success of Tarantinos first two films have allowed him to indulge in his early video store fantasies.
Kill Bill is a testament to good mix of simple story (basic revenge) and all the things an individual loves about film. The directors fondness for Manga, cheesy martial arts, superhuman samurai, music, era costumes and 70s cool are abundantly obvious all the way through each fighting set piece in Kill Bill.
For someone who writes real dialogue (up there with the Coen Brothers for humour for gripping down-the pub-conversations) there is precious little of note in Kill Bill. Once one has seen past the visual content (conversions to Manga and the street fighter-esque changes from city to city capture are notable) and marvelled at how someone has successfully merged a collage of film styles and techniques, Kill Bill is a pretty vacuous film; certainly not on a sophistication par with Dogs nor as eminently re-watchable as Fiction.
It reminded me of that it tries to 'borrow' from, unsuccessfully, too much. Bruce Lee fighting his way up the tower in Game of Death will always be better than sword fight after sword fight. And Shogun Assassin would beat it in a straight, well ....sword fight.
Looks great but I don't think I need to see it again. Watch it satisfy curiosity but its too predictable to be vintage Tarantino.
Now wheres that Reservoir Dogs DVD
Tarantino's most recent BIG project was Kill Bill, a two-hour epic of blood and hate. From the opening credits to the final cliffhanger, this flick has Tarantino written all over Uma Thurman's triangular-shaped forehead. He's resurrected his trademarks like the jumpy time-sequence, very deep morals found only between the lines, crime bosses, that kooky dialogue we've all come to know and love, and even some newer tricks have come out of his sleeve like the amazing anime sequence and homage to even more obscure film genres we've never heard of.
There is, of course the issue of violence and gore associated with this film. Anybody who can laugh at Monty Python's infamous Black Knight scene can cope with it but even so, some will be shaking their heads in a mix of emotions somewhere between sheer horror and pure hilarity.
There is a certain magic about it that's almost impossible to explain. From the deep benevolent yearning to pick up The Bride and cuddle her with her bloody teeth, to the way you can truly relate to those times when hate has surged through your body like a powder keg as it does hers: you can feel this movie. Not in a Braveheart sort of way with naught but bagpipes to carry the emotion, but in a true and real way.
mrs therman slices all limbs heads you name it she slices the fight scene with the 66ers is breathtaking i was litterally stunned with the chrography (sorry cant spell that) of this film definatly one for the lads this film sit back and ready 2 be amazed at what the slow motion button on your remote makes everything that bit more intresting a truly legend of a film have 2 rent the next one to see if she kills bill (of cause she will).
Slightly less enjoyable than the other films although set to have a cult following in its own right. As a purist I felt that Kill Bill 1 was too incredible with the fight scenes and the fact that the comatose star managed to escape certain a rape.
With the other films there was always a hint of "this could be realistic" however horrific. Reservoir Dogs being an example.
Kill Bill is almost a spoof of the great Tarrentino which, if you watch it as a rediculous, nonsensical film with the standard gratuitous violence then you will like Kill Bill.
I liked it, and it may grow on me BUT watch with an open mind
Kill Bill is an visually impressive film, and clearly displays Tarantino's impeccable taste for influential cinema. The jury is still out on whether Tarantino is adept at ripping off various genres or providing a flawless homage. In any case, let's hope a few of his fans hunt down the source of his inspiration.
The main flaw of Kill Bill is an unforgivable decision to release the film in two parts. I suspect this is disgraceful profiteering on the part of Miramax.
What could have been a genuinely accomplished film is flawed but an unexpected and illogical halt in story (to pick up in Kill Bill 2). Whatever you think of Tarantino, his films are never boring. The audience would have sat down for the entire movie and he should have let them. Can you imagine Scorcese releasing Casino Part 1 and Part 2, or Lord of the Rings as six movies? Tarantino should have stuck to his original plan. Then again, now there's twice the box office, twice the DVD sales, twice the album sales etc.
Sadly, in my humble opinion, this obvious gain has halved Taratino's ability to deliver a masterpiece.
The excellence and commercial success of Tarantinos first two films have allowed him to indulge in his early video store fantasies.
Kill Bill is a testament to good mix of simple story (basic revenge) and all the things an individual loves about film. The directors fondness for Manga, cheesy martial arts, superhuman samurai, music, era costumes and 70s cool are abundantly obvious all the way through each fighting set piece in Kill Bill.
For someone who writes real dialogue (up there with the Coen Brothers for humour for gripping down-the pub-conversations) there is precious little of note in Kill Bill. Once one has seen past the visual content (conversions to Manga and the street fighter-esque changes from city to city capture are notable) and marvelled at how someone has successfully merged a collage of film styles and techniques, Kill Bill is a pretty vacuous film; certainly not on a sophistication par with Dogs nor as eminently re-watchable as Fiction.
It reminded me of that it tries to 'borrow' from, unsuccessfully, too much. Bruce Lee fighting his way up the tower in Game of Death will always be better than sword fight after sword fight. And Shogun Assassin would beat it in a straight, well ....sword fight.
Looks great but I don't think I need to see it again. Watch it satisfy curiosity but its too predictable to be vintage Tarantino.
Now wheres that Reservoir Dogs DVD
Tarantino's most recent BIG project was Kill Bill, a two-hour epic of blood and hate. From the opening credits to the final cliffhanger, this flick has Tarantino written all over Uma Thurman's triangular-shaped forehead. He's resurrected his trademarks like the jumpy time-sequence, very deep morals found only between the lines, crime bosses, that kooky dialogue we've all come to know and love, and even some newer tricks have come out of his sleeve like the amazing anime sequence and homage to even more obscure film genres we've never heard of.
There is, of course the issue of violence and gore associated with this film. Anybody who can laugh at Monty Python's infamous Black Knight scene can cope with it but even so, some will be shaking their heads in a mix of emotions somewhere between sheer horror and pure hilarity.
There is a certain magic about it that's almost impossible to explain. From the deep benevolent yearning to pick up The Bride and cuddle her with her bloody teeth, to the way you can truly relate to those times when hate has surged through your body like a powder keg as it does hers: you can feel this movie. Not in a Braveheart sort of way with naught but bagpipes to carry the emotion, but in a true and real way.
What a waste of time! A plot you could write on the back of a fag packet and lots of stylised violence.
Forget about the morality of such a violent film - it was just dull. When you've seen heads and limbs chopped off and fountains (yes fountains) of blood shooting out at high pressure, more of the same is just plain boring. I was bored after the first half hour.
Don't waste your time viewing it. ...and they made a sequel!
I've read all the other reviews and think pepole should stop pretending to be Johnathan Ross. I'm not interested in the cinematic qualities although QT has done a fantastic job and the sound track is great. If you like QT you'll like the movie...take it for what it is, simple escapism, where you can forget about all the boring everyday stuff at work and just enjoy yourself. Its violent ...sure. But thats what you expect. If you want arty pictures your in the wrong area, go watch some french subtitled film dealing with unresolved angst from a lost childhood in some mountians somewhere...but if you want some good old kick ass entertainment look no further !
This film made me laugh a lot, mainly because it reminded me of the Black Knight scene in 'Monty Python & the Holy Grail' and the Monty Python sketch 'Sam Peckinpah directs 'Salad Days'' ('I say Algie, anyone for tennis?' - arm drops off and an improbable amount of blood spurts out of the stump). Unfortunately, I don't think I was meant to laugh at those bits.
The dialogue is unbelievably poor, and has none of the sizzle of Tarantino's earlier films, and the actors look embarrassed to be spouting this sub-Dragon Ball Z chest-beating nonsense. As in Dragon Ball-Z and all those other cartoons aimed at 10 year old boys, the ritual taunting is accompanied by cod-mystical moments, where tribute is made to the concept of honour.
Give Tarantino credit for some interesting ideas - the mixing of anime cartoon and live action, the blending of samurai and Sergio Leone - and the music is good, as per usual in QT's films. Of course, it is just a comic book story (but not a very good one) so it's not meant to be taken that seriously. My 14 year old son would probably love it, but then he'd probably love 'The Water Margin' too.
High production standards but that's about it. A boring fantasy that comes nowhere near RD or PF and all the little 'homages' to other movies are just tedious. Struggled to watch it once and wouldn't bother a second time (Part II is even worse). Sorry - I was looking forward to it too!
There's only one way to chop off someones limbs with a samarui sword, unfortunatly Mr Tarantino treats us to an hour & a half of this..
A dissapointing pile of pony.
What a shame that Tarantino has indulged his violent fantasies to make this shallow piece of work.
Ok, maybe it does contain lots of clever tributes to past films. If that's what you're into then rent it. If you prefer a plot and well written dialog then try his earlier films, they're way better. All you'll see here is endless swordfights dressed up in a revenge type 'plot'. Yawn.
VIOLENT, YET IT DIDN'T SEEM VIOLENT.
ACTION, THRILLER, ESCAPISM, BLOOD & GORE, YET BEAUTIFUL AT TIMES. I DID NOT KNOW WHAT KILL BILL WAS ABOUT OR THAT QT HAD DIRECTED IT. I ENJOYED IT VERY MUCH. FROM AN OLD FA*T (OVER 50 & FEMALE).
Quentin Tarantino marshals a bewildering amount of multi-genre references into a hypnotically entertaining whole in this violent martial arts revenge drama. The former video shop worker's love of everything from Brian De Palma split screens and Eurotrash horror to Hong Kong exploitation and Ennio Morricone music finds its way into this guilt-by-association cinematic celebration. Giving a searing performance, Uma Thurman plays one of the Deadly Vipers, a crack assassination squad led by the eponymous Bill (David Carradine). Left for dead on her wedding day, she falls into a coma, only to awaken four years later swearing revenge on her traitorous co-workers. Vol 1 deals with two members on her Death List Five: Vernita Green (Vivica A Fox) and O-Ren Ishii (Lucy Liu). Dripping with bloody ultra-violence and using startling flashbacks, knowingly fake dubbing and a quite brilliant animé section, Kill Bill is both a daring experiment in sampled cinematic language and scrounged style, and a gloriously enchanting work of neo-art in itself.
Tarantino takes his audience back to the martial arts movies of the 1970s, with gushing blood and severed limbs, a bigger budget and American actors. This first part is just one fight after another, culminating in a spectacular blood-fest which, because o
Fun and games from Tarantino, firmly in fanboy mode here. Kill Bill is 'not about real life, it's just about other... read more on Time Out
"...Quentin Tarantino has made the most exciting film of the year..."
"...Without doubt one of the greatest films I have ever seen..."