Laurence wants Alain. So does Christophe. Alain doesn't know what he wants. Men, women, commitment and freedom are luring him in every direction, but he is incapable of choosing. Or unwilling... When he encounters sexy, dangerous Marc, the only way to get close to him is to become the messenger of Marc's passion for Babette, an .. Read more
| Starring | Pascal Greggory, Nathalie Richard, Julie Gayet, Alain Bashung |
|---|---|
| Director | Duran Cohen |
| Genres | Drama, World Cinema |
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Laurence wants Alain. So does Christophe. Alain doesn't know what he wants. Men, women, commitment and freedom are luring him in every direction, but he is incapable of choosing. Or unwilling... When he encounters sexy, dangerous Marc, the only way to get close to him is to become the messenger of Marc's passion for Babette, an entrancing woman whose charms Alain cannot resist...
| Starring | Pascal Greggory, Nathalie Richard, Julie Gayet, Alain Bashung |
|---|---|
| Director | Duran Cohen |
| Studio | PARASOL PICTURES RELEASING |
| Run time | DVD: 1 hr 34 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | DVD: French |
| Subtitles | DVD: English |
| Released | DVD: 09 Oct 2006 |
| Format | DVD |
If only the filmmaker had noticed his trial audience's eyes glazing over, we might have been spared this affected, tiresome tosh.
'The knot in my stomach's getting bigger.'
'You're lovesick - it's as old as the world.'
Man f**cks his (female) boss. She becomes pregnant.
Man gets f**cked by his last girlfriend's manic-depressive young brother.
Man becomes obsessed with an intellectually-challenged but cute murderer he's defending, to the point where he becomes involved with the prisoner's hairdresser girlfriend.
Viewer keels over with inexpressible but overpowering boredom.
Some types of dialogue and filmmaking simply don't translate well across cultural borders, and this is a particularly egregious example. If there really are French people who behave like this bunch of improbable prats, they should be put down ASAP.
As should this film.
Actually, I shouldn't be expressing my views since I couldn't get beyond 45 minutes. But, believe me, that required a heroic effort.
If only the filmmaker had noticed his trial audience's eyes glazing over, we might have been spared this affected, tiresome tosh.
'The knot in my stomach's getting bigger.'
'You're lovesick - it's as old as the world.'
Man f**cks his (female) boss. She becomes pregnant.
Man gets f**cked by his last girlfriend's manic-depressive young brother.
Man becomes obsessed with an intellectually-challenged but cute murderer he's defending, to the point where he becomes involved with the prisoner's hairdresser girlfriend.
Viewer keels over with inexpressible but overpowering boredom.
Some types of dialogue and filmmaking simply don't translate well across cultural borders, and this is a particularly egregious example. If there really are French people who behave like this bunch of improbable prats, they should be put down ASAP.
As should this film.
Actually, I shouldn't be expressing my views since I couldn't get beyond 45 minutes. But, believe me, that required a heroic effort.