Winner of the International Critics Prize at Cannes in 1974, Lancelot Du Lac, Bresson's masterpiece, has lost none of its power and continues to cast a mystical spell. In this compelling and hypnotic film about the Arthurian legend, the Knights of the Round Table, their numbers depleted by their bloody and fruitless quest for .. Read more
| Starring | Luc Simon, Laura Duke Condominas, Humbert Balsan, Vladimir Antonek-Oresek |
|---|---|
| Director | Robert Bresson |
| Genres | World Cinema |
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Winner of the International Critics Prize at Cannes in 1974, Lancelot Du Lac, Bresson's masterpiece, has lost none of its power and continues to cast a mystical spell. In this compelling and hypnotic film about the Arthurian legend, the Knights of the Round Table, their numbers depleted by their bloody and fruitless quest for the Holy Grail, return to King Arthur's court. Once there, Lancelot's passionate relationship with Queen Guinevere causes the Knights to fall out amongst themselves, eventually leading to their downfall.
| Starring | Luc Simon, Laura Duke Condominas, Humbert Balsan, Vladimir Antonek-Oresek |
|---|---|
| Director | Robert Bresson |
| Studio | ARTIFICIAL EYE |
| Run time | DVD: 1 hr 21 mins |
| Certificate | |
| Genres | World Cinema |
| Language | DVD: French |
| Subtitles | DVD: English |
| Released | DVD: 28 Apr 2008 Production year: 1974 |
| Format | DVD |
The film takes up the Arthur theme where Monty Python left off: the first scene is very reminiscent of the loony knight sketch. However it son goes downhill from there it seems that medieval Brittany was populated by gloomy existentialists who spend all their time clanking around in armour and brooding moodily like sulky Gallic teenagers (as in other Bresson films nobody laughs or cracks a joke throughout the entire film). I can't understand how this ever won an award, i just couldn't get over Lancelot's lilac tights.
The film takes up the Arthur theme where Monty Python left off: the first scene is very reminiscent of the loony knight sketch. However it son goes downhill from there it seems that medieval Brittany was populated by gloomy existentialists who spend all their time clanking around in armour and brooding moodily like sulky Gallic teenagers (as in other Bresson films nobody laughs or cracks a joke throughout the entire film). I can't understand how this ever won an award, i just couldn't get over Lancelot's lilac tights.