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Law Of Desire (1987): At its core 'Law Of Desire' features a fabulous trio: the famous Madrid director Pablo (Poncela) for whom men are prepared to die, his new love-crazed boyfriend Antonio (Banderas) and Pablo's flamboyant and gorgeous transsexual sister Tina. Pablo is suffering because Juan, his lover, shares his steamy .. Read more
| Starring | Eusebio Poncela, Carmen Maura, Antonio Banderas, Miguel Molina |
|---|---|
| Director | Pedro Almodovar |
| Genres | Comedy, Drama, Gay/Lesbian, World Cinema |
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Why do middle names sound so much grander in Spanish? Joe Anthony Bands doesn’t sound like a movie star to me, but Jose Antonio Dominguez Banderas? You can see where he gets that Puss in Boots swagger. Born in Malaga just over 51 years ago, Banderas was brought up in a conservative household. His father was in Franco’s Civil Guard, his mother was a schoolteacher. Both were practicing Catholics. Antonio rebelled and joined a theatre company as a teenager (apparently he was inspired... Read more
Perhaps the most famous Spanish director of his time, Pedro Almodóvar’s passion for cinematic representation began in the early 1980s. Experimenting with themes of desire and identity, Almodóvar’s work is largely expressive in both content and style. Penélope Cruz’s involvement in his 1997 film Live Flesh marked a significant turning point for Almodóvar, who went onto re-cast her in three more of his films. We chatted to the star about his latest project, Broken Embraces and... Read more
The name of Pedro Almodóvar’s production company is El Deseo: Desire films. It’s a quality much in evidence in the vividly carnal, erotic, outrageous and anguished melodramas in which he specializes. Desire – a word that contains lust, love, venality, revenge and ambition – propels his characters as they careen from crisis to crisis, which must be why Almodovar’s heroes and (more often) heroines are almost always in a state of heightened agitation. If we had an... Read more
There's something about zombies that has caught moviegoers' imagination in the last years - something to do with the fear of viral epidemics and social breakdown, probably. A zombie's major handicap would traditionally be its speed, or the lack of it. Danny Boyle got around this by giving them a fuel-injection of adrenaline in 28 Days Later, to George Romero's reported disdain. The undead in [Rec] aren't particularly quick on their feet. But it's no longer an issue when everyone is locked into Read more