Avery (Jones) returns to college as a competitive swimmer after getting his life back on track. But his life takes another unexpected turn when he and his two friends (Bonds, Casseus) are wrongly accused of murder and end up in prison Read more
| Starring | Richard T. Jones, Master P, Gabriel Casseus, Anna Maria Horsford |
|---|---|
| Director | John Luessenhop |
| Genres | Drama |
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I love prison movies and had high hopes for Lockdown, but unfortunately I was not impressed. Lockdown is about three friends who get framed for armed robbery and sent to a brutal New Mexico prison. So far, so good. But any film based on a wrong conviction had better handle the trial skillfully or run the risk of glibness. Sadly Lockdown brazenly glosses over the trial, so we're forced to accept the verdict without any details whatsoever, and important questions loom large. For example, what about the friends' alibis? What about CCTV? What about forensic evidence? These questions bugged me throughout the whole film.
Once in prison, the film has an even bigger problem, which is that the 'friends' practically disown each other for no apparent reason. I was expecting the relationship between the three to be the emotional drive in the movie but was sorely disappointed. The youngest and most vulnerable of the three, Dre, is virtually held hostage by a psycho cellmate yet the other two don't even acknowledge his absence. This is even more puzzling when you realise that Avery (one of the friends) is dating Dre's sister. Yet halfway through the film, we're supposed to root for Avery when he suddenly decides to protect Dre and takes on a vicious gang to do it...?
Meanwhile, Avery's girlfriend and a college scout (Avery was a promising athlete on the outside and seemed to be headed for college), are conducting their own investigations to overturn the verdict. Why a busy college scout would put so much time and effort into clearing Avery's name is never adequately explained, and it's also pretty laughable when you learn that the scout's niece is a defense lawyer. What luck! But, really, even that silly development is arbitrary because the investigation depends on an oh-so-convenient plot device anyway.
Lockdown does have some good things going for it. The gritty day-to-day life depicted in the film is gripping enough, provided you're willing to ignore all the obvious plot holes. There's some memorable dialog ('Grab a cig, nig!'), and the film does a decent job of conveying the hate and violence that simmers under the surface of the prison. Some of the characters are genuinely frightening too. Shark Fralich is particularly effective as 'Graffiti,' a tattooed thug with an unmistakably psychopathic look in his eyes.
By far the biggest problem with Lockdown however is that this film doesn't have anything to say about its subject. In a country where one in every eight black men between the ages of 20 and 34 is currently behind bars--seven times the rate for white men of the same age--you'd expect a film like Lockdown to confront the racism in the American (in)justice system for what it is. Yet Lockdown seems inexplicably silent on the issue, which to me is a great shame as it could've been a good vehicle to address these issues.
Lockdown has got to be one of the best films I've seen in a long time. It was very touching and hit home in some parts. What a cracking piece of entertainment.
I love this film, its one of the best prison films ever.
Lockdown has got to be one of the best films I've seen in a long time. It was very touching and hit home in some parts. What a cracking piece of entertainment.
its like a black modern day shawshank. makes me wanna stay out of jail.worth a watch for sure
I love prison movies and had high hopes for Lockdown, but unfortunately I was not impressed. Lockdown is about three friends who get framed for armed robbery and sent to a brutal New Mexico prison. So far, so good. But any film based on a wrong conviction had better handle the trial skillfully or run the risk of glibness. Sadly Lockdown brazenly glosses over the trial, so we're forced to accept the verdict without any details whatsoever, and important questions loom large. For example, what about the friends' alibis? What about CCTV? What about forensic evidence? These questions bugged me throughout the whole film.
Once in prison, the film has an even bigger problem, which is that the 'friends' practically disown each other for no apparent reason. I was expecting the relationship between the three to be the emotional drive in the movie but was sorely disappointed. The youngest and most vulnerable of the three, Dre, is virtually held hostage by a psycho cellmate yet the other two don't even acknowledge his absence. This is even more puzzling when you realise that Avery (one of the friends) is dating Dre's sister. Yet halfway through the film, we're supposed to root for Avery when he suddenly decides to protect Dre and takes on a vicious gang to do it...?
Meanwhile, Avery's girlfriend and a college scout (Avery was a promising athlete on the outside and seemed to be headed for college), are conducting their own investigations to overturn the verdict. Why a busy college scout would put so much time and effort into clearing Avery's name is never adequately explained, and it's also pretty laughable when you learn that the scout's niece is a defense lawyer. What luck! But, really, even that silly development is arbitrary because the investigation depends on an oh-so-convenient plot device anyway.
Lockdown does have some good things going for it. The gritty day-to-day life depicted in the film is gripping enough, provided you're willing to ignore all the obvious plot holes. There's some memorable dialog ('Grab a cig, nig!'), and the film does a decent job of conveying the hate and violence that simmers under the surface of the prison. Some of the characters are genuinely frightening too. Shark Fralich is particularly effective as 'Graffiti,' a tattooed thug with an unmistakably psychopathic look in his eyes.
By far the biggest problem with Lockdown however is that this film doesn't have anything to say about its subject. In a country where one in every eight black men between the ages of 20 and 34 is currently behind bars--seven times the rate for white men of the same age--you'd expect a film like Lockdown to confront the racism in the American (in)justice system for what it is. Yet Lockdown seems inexplicably silent on the issue, which to me is a great shame as it could've been a good vehicle to address these issues.
Lockdown has got to be one of the best films I've seen in a long time. It was very touching and hit home in some parts. What a cracking piece of entertainment.
I love this film, its one of the best prison films ever.
if you like and know hip hop this is a great film. Its about prison life the bad bits and the very bad bits. Three men go to prison as friends but how many of them walk out not just friends but alive.......
Not usually my type of film with men and guns, but this one wasn't just about that! It had a real storyline and turned out to me a bit of a tear jurker. Worth a watch!
I loved this film, but it is the type of movie I like when you see the dark side of prison...
The film started off well & I settled in for a good film. However, when the guys get sent down, the movie became quite predictable. I wouldn't say that this film is anything remotely better than ok.
Thrilling adventure throughout from the start to the finish. Sorry 2 out of the 3 boys locked down for what they do not know. Warning to others to choose your friends carefully. justice was served at last.
A typical black movie. Black man wrongly accused - Goes to prison, keeps out of trouble, gets into trouble - drugs-swearing- macho- blood- gang warfare- happy ending. Seen loads similar to this and im sure there will be loads more aswell. Okay if you have nothing else to do but certainly no oscars for this film.
its like a black modern day shawshank. makes me wanna stay out of jail.worth a watch for sure