Two men are planning to make a lot of money quickly and easily by committing a robbery. But the problem is hiding the money. As an undertaker burying the money seems to be a good idea but an inquisitive nurse and a dedicated Police Inspector seem to have other ideas. Read more
| Starring | Lee Remick, Richard Attenborough, Hywel Bennett, Milo O'Shea |
|---|---|
| Director | Silvio Narizzano |
| Genres | Comedy |
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Two men are planning to make a lot of money quickly and easily by committing a robbery. But the problem is hiding the money. As an undertaker burying the money seems to be a good idea but an inquisitive nurse and a dedicated Police Inspector seem to have other ideas.
| Starring | Lee Remick, Richard Attenborough, Hywel Bennett, Milo O'Shea |
|---|---|
| Director | Silvio Narizzano |
| Studio | CINEMA CLUB |
| Run time | DVD: 1 hr 38 mins |
| Certificate | |
| Genres | Comedy |
| Language | DVD: English |
| Released | DVD: 20 Jun 2005 Production year: 1970 |
| Format | DVD |
Joe Orton's mordant play is about a bundle of stolen money hidden in a coffin that gets buried in the churchyard. The body is hidden somewhere else. It's a ruthless satire on authoritarianism as well as a send-up of the Agatha Christie-style whodunnit which had kept the British theatre ticking over for decades. The play had gone from disaster to prize-winning success but the film version flopped badly. Reworked by TV writers Galton and Simpson, it's wholly faithful to Orton's surreal sense of humour and the extreme tackiness of the characters, especially Richard Attenborough who clearly delights in playing the creepiest, kinkiest detective you'll ever see. A movie of embalming fluid, garden gnomes and wallpaper that's violent enough to upstage a nuclear war.
A sad example of the process of literary castration. By the time Galton and Simpson's script (which adds 'comic' scenes... read more on Time Out
This adaptation of Joe Orton's stage-play totally fails to make a convincing transition to the big-screen. The claustophobia of the original was a vital necessity for bringing out Orton's anarchic take on life, here hopelessly diluted with additional scenes that border on a 'Carry On' film. The actors seem hopelessly out of touch with the main intention of the piece, reducing the overall effect to little more than a weak farce. What was a great play in it;s time is here manglked and left for dead. Don't bother.
A poor adaptation of one of Orton's best plays. Very dataed in the updated Austin Powers style dialogue, with Attenborough hamming it up to the point he must look back on the whole thing with regret. Lee Remmick and Mil O'Shea are the only ones who redeem themselves. I doubt anyone would buy this after seeing it. Try Sloane instead for a more faithful realisation of the Orton's talent.