One of the 20th century's greatest painters, Francis Bacon (1909-1992), was at the height of his celebrity during London's swinging '60s. Bacon, however, a fiercely cruel artist suffers from the malady of obsession: his passion for his work is nearly exceeded by his obsession with George Dyer--a darkly handsome petty thief who .. Read more
| Starring | Derek Jacobi, Daniel Craig, Tilda Swinton, Adrian Scarborough |
|---|---|
| Director | John Maybury |
| Genres | Drama, Gay/Lesbian |
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One of the 20th century's greatest painters, Francis Bacon (1909-1992), was at the height of his celebrity during London's swinging '60s. Bacon, however, a fiercely cruel artist suffers from the malady of obsession: his passion for his work is nearly exceeded by his obsession with George Dyer--a darkly handsome petty thief who becomes his lover and the model for many of his most reknowned paintings.
| Starring | Derek Jacobi, Daniel Craig, Tilda Swinton, Adrian Scarborough, Anne Lambton, Annabel Brooks, Karl Johnson, David Kennedy, Tracey Emin, Sarah Lucas, Gary Hume, Pam Hogg, Rifat Ozbek, Anita Pallenberg, Lucy Ferry |
|---|---|
| Director | John Maybury |
| Studio | BFI |
| Run time | DVD: 1 hr 30 mins Watch now: 1 hr 26 mins |
| Certificate | DVD: |
| Genres | Drama, Gay/Lesbian |
| Language | DVD: English |
| Released | DVD: 27 Mar 2006 Watch now: 31 Jul 2009 Production year: 1998 |
| Watch now | Subscribe and watch this as part of an unlimited package. |
| Format | DVD |
This biographical drama from director John Maybury is a highly stylised account of Francis Bacon's abrasive affair with reformed thief George Dyer. Portraying lovers divided by culture and class, Derek Jacobi gives a remarkable physical impersonation of Bacon, while Daniel Craig is a model of repressed anger and bemused despair. The director's use of distorting lenses, reflective surfaces, angular close-ups and split-screen devices to convey both the couple's dislocated world and the style of Bacon's paintings is bold and inspired. However, the vignette structure deprives the film of some much-needed momentum, while the dialogue is pretentiously epigrammatic.
A wittily artificial biopic of Francis Bacon, which, in the absence of any of Bacon's paintings, contrives to imitate their style; it is blessed with a brilliant performance from Jacobi as the self-absorbed artist.
DANIEL CRAIG'S CO*K IS THE ONLY THING GOOD BOUT THIS FILM