In one of his strongest performances, John Travolta plays Sam Baily, a museum security guard who holds visitors hostage in an attempt to win back his job when he falls foul of museum cutbacks. Dustin Hoffman co-stars as Max Brackett, a local news reporter who seizes the hostage situation as a chance to revive his flagging .. Read more
| Starring | Dustin Hoffman, John Travolta, Alan Alda, Mia Kirshner |
|---|---|
| Director | Costa Gavras |
| Genres | Action/Adventure, Thriller |
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In one of his strongest performances, John Travolta plays Sam Baily, a museum security guard who holds visitors hostage in an attempt to win back his job when he falls foul of museum cutbacks. Dustin Hoffman co-stars as Max Brackett, a local news reporter who seizes the hostage situation as a chance to revive his flagging career and get back into the big time. Within minutes he is broadcasting live, within hours the entire nation is watching with baited breath. A timely, poignant examination of the role that the media plays in day to day lives in contemporary America, director Costa Gavras' Mad City is truly engaging in its search for and manipulation of the truth. Unrelenting, the film will make the viewer re-examine the way they watch the news on television.
| Starring | Dustin Hoffman, John Travolta, Alan Alda, Mia Kirshner, William Atherton, Blythe Danner, Robert Prosky, Ted Levine, Randall Batinkoff, Larry King, Jay Leno |
|---|---|
| Director | Costa Gavras |
| Studio | WARNER HOME VIDEO |
| Run time | DVD: 1 hr 50 mins |
| Certificate | |
| Genres | Action/Adventure, Thriller |
| Language | DVD: English |
| Dubbed | French, Italian |
| Hearing-impaired | English, Italian |
| Subtitles | DVD: Arabic, Bulgarian, Dutch, English, French, German, Italian, Portuguese, Romanian, Spanish |
| Released | DVD: 22 Apr 2002 Production year: 1997 |
| Format | DVD |
In this fascinating drama from director Costa-Gavras, John Travolta stars as a museum security guard who resorts to the desperate measure of holding a group of children hostage after he loses his job. The plot resembles a 1990s version of Ace in the Hole, with Dustin Hoffman as the ageing newsman in need of a career boost who decides to manipulate the unsuspecting Travolta for his own ends. Surprisingly dark for a Hollywood movie, this works exceptionally well thanks to a well thought-out script, subtle direction and superb performances from Travolta, Hoffman and Alan Alda as a rival journalist. Ultimately, it's an interesting, thought-provoking film that has a sharp dig at the US media and doesn't give in, right up to the jaw-droppingly surprising final scene.
Deft satire on the live television media circus that accompanies modern-day crime and terrorism; in part, it was suggested by the Waco siege in 1993, and is also an updating of Billy Wilder's Ace in the Hole (qv).
This film didn't exactly set the world on fire at the box office and after recently viewing it is easy to see why. The plot is predictable and moves in a seemlessly straight line to a spectularly predictable conclusion only stopping to tick off all the obvious checkpoints one might expect. None of the actors distinguishes themselves being as leaden as the script. The directing seems slow paced and lacks the zip you would expect from a movie about a siege. Im sure the idea of combining dog day afternoon (desperate man takes desperate measures) and network (media exploitation, journalists will go to any ends for the story) seemed a fantastic idea, sadly this isn't a patch on either of those.
This film didn't exactly set the world on fire at the box office and after recently viewing it is easy to see why. The plot is predictable and moves in a seemlessly straight line to a spectularly predictable conclusion only stopping to tick off all the obvious checkpoints one might expect. None of the actors distinguishes themselves being as leaden as the script. The directing seems slow paced and lacks the zip you would expect from a movie about a siege. Im sure the idea of combining dog day afternoon (desperate man takes desperate measures) and network (media exploitation, journalists will go to any ends for the story) seemed a fantastic idea, sadly this isn't a patch on either of those.