This twisted, brave, funny film from Spanish director Pedro Almodovar takes an unflinching look at the link between sex, death, and religion. Antonio Banderas stars as Angel, a sensitive student of matador Diego (Nacho Martinez), whose goring at the horns of a bull has left him obsessed with killing. In order to prove his .. Read more
| Starring | Assumpta Serna, Antonio Banderas, Carmen Maura, Eva Cobo |
|---|---|
| Director | Pedro Almodovar |
| Genres | Drama, World Cinema |
loading...
Flashy, trashy and vibrantly colourful, Pedro Almodóvar's film echoes the stylised melodramatics of such 1950s directors as Douglas Sirk to explore the links between eroticism and violence. Antonio Banderas gives a courageous performance as the trainee bullfighter whose overpowering fantasies and sexual misdemeanours prompt him to confess to a series of killings, while Assumpta Serna, Nacho Martinez and Carmen Maura do well in the face of some laughably pretentious dialogue. There are some interesting themes, but Almodóvar is too preoccupied with voyeuristic titillation and cheap black comedy to develop them with any conviction.
"....Almodovar's directorial fluency and daring in MATADOR confirm him as the most interesting and exciting film-maker working in Spain today..."
"...Insistently raffish....The movie looks terrific and is acted with absolute, straight-faced conviction by the excellent cast..."
If you want to understand how modern Spain looks forward yet brings the past along, this film is a great introduction. Slowly, Almodovar strips away the layers of respectability and authority to reveal the earthy soul of his country. Angel, the student matador, grows from a mere sad case to the vehicle through which other characters' undersides are revealed. The use of tradition, open attitudes to sexuality and new slants on ultimate, unconditional love make this a must. Go click.
Even for Pedro Almaldovar this one is pretty wierd. Still worth the watch though.
Not his best, but classic Almodovar. Antonio Banderas is brilliantly brooding and weird, and the film is beautifully made.
Not his best, but classic Almodovar. Antonio Banderas is brilliantly brooding and weird, and the film is beautifully made.
Even for Pedro Almaldovar this one is pretty wierd. Still worth the watch though.
If you want to understand how modern Spain looks forward yet brings the past along, this film is a great introduction. Slowly, Almodovar strips away the layers of respectability and authority to reveal the earthy soul of his country. Angel, the student matador, grows from a mere sad case to the vehicle through which other characters' undersides are revealed. The use of tradition, open attitudes to sexuality and new slants on ultimate, unconditional love make this a must. Go click.
Even for Pedro Almaldovar this one is pretty wierd. Still worth the watch though.
Not his best, but classic Almodovar. Antonio Banderas is brilliantly brooding and weird, and the film is beautifully made.
Highly entertaining and original in true Almodovar fashion. Whilst the film will not have you hanging on to your seat like an American style thriller, the lack of sensationalism enhances the experience as it forces you to reflect on the criminal pysche.
It's not perfect, has its flaws, but a very original, at times disturbing film showing different layers of Spanish life and passion (much overused word, but still true).
Very good, Banderas turns in a good performance here, and I'm not a great fan of his, so would recommend this one!
An intriguing and reasonably funny story line, which contains a few rough male-centred sex scenes. Ultimately I felt rather disengaged with the movie and by the end did not care what happened to any of the characters.
A tale of a dark, passionate, full bodied, murderous affair with the viewer as the only one with all the knowledge of the devious nature of the central characters. An earlier supporting performance from Antonio Banderas adds another twist to this intriguing mystery.
I saw this film many years ago now - it was actually the first Almodovar I saw and I had not idea what to expect. I was literally gobsmacked, came out of the movie theatre laughing and confused. The opening scene sets the stage...and the film ends on a completely ridiculous note... but if you are up for a weird experience then this is a pretty good one to have.
I actually really liked it and set me up for many other Almodovar adventures.
Nutty Almodovar black comedy finds retired bullfighter Martinez unable to resist killing outside of the ring, matched by lady lawyer Serna who can only achieve orgasm if she kills her partner in mid-act. Throw into this heady mix a young and troubled Banderas, who confesses to murders that he didn't commit. Somewhere in all this lurid nonsense is a silly tale of psychic channelling and star-crossed lovers. Over-the-top doesn't begin to describe it, and that's part of its allure.
Flashy, trashy and vibrantly colourful, Pedro Almodóvar's film echoes the stylised melodramatics of such 1950s directors as Douglas Sirk to explore the links between eroticism and violence. Antonio Banderas gives a courageous performance as the trainee bullfighter whose overpowering fantasies and sexual misdemeanours prompt him to confess to a series of killings, while Assumpta Serna, Nacho Martinez and Carmen Maura do well in the face of some laughably pretentious dialogue. There are some interesting themes, but Almodóvar is too preoccupied with voyeuristic titillation and cheap black comedy to develop them with any conviction.
"....Almodovar's directorial fluency and daring in MATADOR confirm him as the most interesting and exciting film-maker working in Spain today..."
"...Insistently raffish....The movie looks terrific and is acted with absolute, straight-faced conviction by the excellent cast..."
Ai No Corrida, literally. Death and Desire are inextricably linked in this Hispanic mix of sex, symbolism, violence and... read more on Time Out