MAX, directed by Oscar-nominated screenwriter Menno Meyjes, stars John Cusack as the title character, Max Rothman, a German-Jewish man who lost his right arm while fighting for his country during World War One. Although Rothman is no longer able to pursue his dream of becoming an artist, he channels his love of art into a .. Read more
| Starring | John Cusack, Noah Taylor, Molly Parker, Leelee Sobieski |
|---|---|
| Director | Menno Meyjes |
| Genres | Drama |
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MAX, directed by Oscar-nominated screenwriter Menno Meyjes, stars John Cusack as the title character, Max Rothman, a German-Jewish man who lost his right arm while fighting for his country during World War One. Although Rothman is no longer able to pursue his dream of becoming an artist, he channels his love of art into a successful gallery that shows the work of many European modernist painters, including George Grosz (portrayed by Kevin McKidd). At one of his gallery openings, Rothman meets an artist and fellow WWI soldier, an intense young man named Adolf Hitler (Noah Taylor). Largely out of a veteran's bond, Rothman agrees to buy some of Hitler's work and encourages the frustrated painter to channel his emotions onto the canvas. However, angered and disillusioned by Germany's impoverished state, Hitler also begins flirting with politics and public speaking. As Rothman comes closer to selling his work, Hitler's interests take a turn--a turn that will change the course of world history.
Stirring up controversy even before its release, MAX largely avoids the pitfalls often associated with taking on major historical figures. Although the film is about Hitler, as the title implies, it focuses more on the intriguing and complex character of Max Rothman, who is excellently portrayed by Cusack. In spite of his lost arm and his country's decline, Rothman tries to remain optimistic and finds solace in his appreciation of art. Meanwhile, Hitler's artistic output is largely unimaginative, and Taylor's performance as the future dictator and mass murderer is far from flattering or sympathetic. A smart and unusual film that handles its delicate subject matter well, MAX is a engaging look at the lives of two men just before they are irrevocably altered.
| Starring | John Cusack, Noah Taylor, Molly Parker, Leelee Sobieski |
|---|---|
| Director | Menno Meyjes |
| Studio | PATHE DISTRIBUTION |
| Run time | DVD: 1 hr 41 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Hearing-impaired | English |
| Released | DVD: 01 Mar 2004 Production year: 2002 |
| Format | DVD |
Of all the 20th-century dictators, none has been more demonised than Adolf Hitler. Which is why, for all its flaws, writer/director Menno Meyjes's feature debut is a brave and — at least thematically — fascinating work. Controversially focusing on Hitler the man as opposed to the monster, Meyjes offers a fictional account of the early events that set a demobbed soldier and frustrated artist on the road to genocide. It's almost like a dark fable, as fellow First World War veteran and Jewish art dealer Max Rothman (John Cusack), befriends the obnoxious young Adolf (Noah Taylor) and tries to persuade him to put as much passion into his painting as he does into his embryonic hate politics. While the drama is well shot and Taylor gives a striking performance, the film is ultimately too contrived and simplistic to take seriously. Suggesting that Hitler's future reign of terror was merely revenge for his artistic failure is hard to swallow, while the stereotyping of philanderer Cusack and his bourgeois Jewish family is questionable given how events in Germany eventually unfolded.
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This is a genuinely interesting drama focusing on the fictional but highly plausible relationship between the young Adolf Hitler and Cusack's Jewish art dealer. It highlights the problems of post-First World War Germany and shows exactly the evolutionary stage that took the country on to further warmongering and genocide. Cusack is superb, filling the screen with a warmth and star quality that contrasts well with Taylor's vicious and disturbed Hitler. The background detail and design of the film is also excellent, and there are moments of suprising visual poetry here. Occasional humour also leavens the bleakness of the subject matter, which will always be relevant, especially given current times.
Cusack gives another stunning performance as the one-armed Max - an urbane Jewish art dealer equally at home with his bourgeois family and in the bohemian dives of post WW1 Munich. Noah Taylor as the young Hitler also turns in a mesmerising performance that avoids all the usual cliches and gives a deep understanding of the future Fuhrer's disturbed mind. Could Max have changed history by encouraging Hitler to become a successful artist? Unfortunately we all know the horrific outcome.
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