Playing like a candy-colored hybrid of Fritz Lang's film of the same name and Ridley Scott's Blade Runner, Osamu Tezuka's Metropolis borrows its plot liberally from numerous legendary sci-fi sources (despite the fact that the original manga was released in 1945, certain cinematic aspects can't help but appearing overly familiar).. Read more
| Starring | Carolyn M. Doyle, Sarah Paulson, Matthew Rauch, Samuel Sheng |
|---|---|
| Director | Taro Rin |
| Genres | Animated, Anime, Sci-Fi/Fantasy |
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Playing like a candy-colored hybrid of Fritz Lang's film of the same name and Ridley Scott's Blade Runner, Osamu Tezuka's Metropolis borrows its plot liberally from numerous legendary sci-fi sources (despite the fact that the original manga was released in 1945, certain cinematic aspects can't help but appearing overly familiar), all the while dazzling viewers on the same cutting-edge visual level as such anime classics as Akira and Ghost in the Shell. The common anime practice of combining amazingly rendered backdrops and more traditionally hand-drawn characters continues here, though with such nuances as beautifully flowing hair and soulfully expressive faces, it becomes obvious that painstaking detail was paid to making the characters both visually and emotionally involving. However, as expressive as some of the central characters may be, it's the elaborate tri-level industrial labyrinth that encompasses the world of Metropolis that forms the film's central character, and it is a kalidescopic animated marvel to behold. Director Rintaro's beautifully composed visual design is so awe-inspiringly colorful and complex that, from the opening frames, the viewer is fully absorbed in the environment, with plot and characterization almost coming as an afterthought. And that is precisely where the film's ultimately forgivable main weakness lies. In between scenes of wide-eyed, jaw-dropping visuals, the story of human and android tension set against the backdrop of a futuristic city borrows from so many sources that it borders on cliché. Thankfully, writer Tezuka's characters are given a depth and sense of purpose that, while not altogether unconvincing or original, consistently connect with the viewer's sense of recognition and sympathy. Viewers will no doubt attest that Metropolis works almost flawlessly on a purely visual and asthetic level within the opening frames of the film. Thankfully, Tezuka's storytelling skills compliment that on a level which, while not entirely new or original, is at the very least genuinely sincere and thoughtful.~ Jason Buchanan, All Movie Guide
| Starring | Carolyn M. Doyle, Sarah Paulson, Matthew Rauch, Samuel Sheng, John Berczeller, Keith Carradine, Greg Fitzpatrick, David Starzyk, Klea Scott, Rueben Grundy, Andy Arness, Darryl Fong, Michael Ealy, Jenni Baird, Adam Kaufman, Adam Kaufman (II) |
|---|---|
| Director | Taro Rin |
| Studio | COLUMBIA TRI-STAR HOME VIDEO |
| Run time | DVD: 1 hr 44 mins |
| Certificate | |
| Genres | Animated, Anime, Sci-Fi/Fantasy |
| Language | DVD: Japanese |
| Dubbed | English |
| Hearing-impaired | English |
| Subtitles | DVD: Dutch, English, Hindi |
| Released | DVD: 22 Jul 2002 Production year: 2001 |
| Format | DVD |
Re-imagining the core of Fritz Lang's 1926 silent masterpiece as an animé feature was always going to be a considerable challenge. Like its illustrious namesake, Metropolis is a grand city of the future; however the Japanese model comprises a strictly divided society of humans and robots, not thinkers and workers as in the German original. Into this chaotic mix are pitched a pair of detectives who are on the trail of a renegade robot scientist and his latest creation. Despite direction by Rintaro (the brains behind the cult TV series Astro Boy) and a script by Akira auteur Katsuhiro Otomo from the classic comic book by Osamu Tezuka (widely regarded as the godfather of manga), this stylised enterprise fails to live up to the reputation of its creators. The craftsmanship of the artwork is matched by a laid-back jazz score, but the decision to shun the pyrotechnics of contemporary computer-generated cartooning lessens the impact of the action.
This Japanese anime isn't merely a cartoon version of Fritz Lang's 1927 vision, with a screenplay by Katsuhiro Otomo... read more on Time Out
For the sake of your sanity & saving 2hrs of your life that I will never get back, ditch this sorry excuse of a movie.
The visuals in this are mostly impressive (although some are like poor videogame cut scenes).
However, the storyline is pretty bland and the character design is pretty unimaginative.
It's worth watching, but way below the sheer inventiveness of 'Spirited Away'.