John Schlesinger's Oscar-winning film, which features brilliant performances by Jon Voight and Dustin Hoffman, brought an unusually gritty realism to the screen and offered a then-rare portrait of New York's street scene. Joe Buck (Jon Voight - DELIVERANCE, MISSION: IMPOSSIBLE), a male prostitute from Texas, heads to Manhattan .. Read more
| Starring | Jon Voight, Dustin Hoffman, Sylvia Miles, Brenda Vaccaro |
|---|---|
| Director | John Schlesinger |
| Genres | Drama |
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John Schlesinger won the best director Oscar for this tawdry, strident yet deeply affecting tale of a naive Texas stud striking up a relationship with a tubercular conman. Schlesinger was the perfect director to cast an alien eye on Manhattan's sexual permissiveness and Warhol weirdness, and exposes the jaundiced stratum beneath the hip surface with scalpel-sharp precision. Jon Voight and Dustin Hoffman are a perfectly matched odd couple adrift on the sea of amorality in a warped buddy picture that cleverly walks a fine line between warmth and cruelty. The film also won Oscars for best film and best screenplay.
"...[The performances] have lost none of their magic....[They show us] characters who have nothing to offer the audience but their own lost souls." -- Rating: A-
Outrageously overrated at the cynical end of the Swinging Sixties, when the seedy New York milieu in which the pathetic... read more on Time Out
This film should be removed from your collection, it is absolutley crap
Midnight Cowboy
D. John Schlesinger
This was Schlesinger?s first film in America. It stars John Voight as Joe Buck, a rather simple minded Texan who fancies his chances as a gigolo in the Big Apple. As he takes the bus to New York we get a taste of Schlesinger?s style of interlacing flashbacks and dreams as Joe dozes and day dreams of his Texas boyhood and youth. Once he gets to New York he soon finds that being a hustler is not quite as simple as he thought it would be, in fact when he asks his first ?client? for money after an hour in the sack she cons him out of $100.
Dustin Hoffman is Ratso Rizzo, a crippled, lowlife petty thief existing hand to mouth in New York and they first meet up when Ratso cons the simple Joe out of $20. In the ensuing hour or so they get to be buddies and sharing a squat in an abandoned building take the slide into the New York winter and desperation together.
Hoffman and Voight are superb and it is rather a pity that they missed Oscars for their performances although it would be hard to begrudge John Wayne his only Oscar.
This is a ?must see? film which shows little signs of aging except possibly in it?s Warholesque party scenes.
There are certain movies that, whether they like it or not, EVERYONE should watch at least once. These movies include 'Taxi Driver', 'Casablanca', 'Citizen Kane' along with probably a few dozen others. I'd say that 'Midnight Cowboy' should definitely find itself on that list somewhere.
Be honest -- does an x-rated comedic melodrama about a wannabe cowboy who moves to New York to become a male prostitute but falls short and befriends a dying vagrant sound like a contender for the 1969 best picture oscar? Well, it happened. There's a young Jon Voight in his most famous role as Joe Buck, and of course Dustin Hoffman in one of his most memorable early performances as his slimy friend 'Ratso'. It comes from the late John Schlesinger, a director who made a handful of great films in the 60s and 70s but later seemed to lose his talent. 'Midnight Cowboy' is Schlesinger at his best.
I think I've already made it pretty clear that, whoever you are, if you're interested in cinema you NEED to see this movie, and hopefully you'll like it as much as I did.
How to begin to try to review a classic like this..? it?s about naivety, it's about the 60's, it's about New York, it's about society, it's about love, sex... you name it, all of life is here.. one of the most continuously heart breaking films ever, I would say... and the editing, cinematic?s and script is probably far superior to anything released today... (think Gus Van Sant a la? Idaho, but coherent) just awesome.. you'll laugh, you'll cry, it will stay with you for weeks...
This film is a lot more entertaining than you might expect given the synopsis of it, and this is all down to the two fantastic central performances from Jon Voight and Dustin Hoffman. Jon Voight exudes an almost constant enthusiasm and charisma which is contagious, whilst Hoffman, in polar oppsoite, portrays SUCH a desperate loser that you're almost immediately drawn to him. Together they form a great duet, riffing off each other nicely, but revealing a believable and touching friendship too. There's a lot of funny moments in it, some uneasy and awkward moments, and some seriously trippy drug moments with crazy editing. It's all very well told, but it suceeds because of the two central roles.
This film should be removed from your collection, it is absolutley crap
Midnight Cowboy
D. John Schlesinger
This was Schlesinger?s first film in America. It stars John Voight as Joe Buck, a rather simple minded Texan who fancies his chances as a gigolo in the Big Apple. As he takes the bus to New York we get a taste of Schlesinger?s style of interlacing flashbacks and dreams as Joe dozes and day dreams of his Texas boyhood and youth. Once he gets to New York he soon finds that being a hustler is not quite as simple as he thought it would be, in fact when he asks his first ?client? for money after an hour in the sack she cons him out of $100.
Dustin Hoffman is Ratso Rizzo, a crippled, lowlife petty thief existing hand to mouth in New York and they first meet up when Ratso cons the simple Joe out of $20. In the ensuing hour or so they get to be buddies and sharing a squat in an abandoned building take the slide into the New York winter and desperation together.
Hoffman and Voight are superb and it is rather a pity that they missed Oscars for their performances although it would be hard to begrudge John Wayne his only Oscar.
This is a ?must see? film which shows little signs of aging except possibly in it?s Warholesque party scenes.
There are certain movies that, whether they like it or not, EVERYONE should watch at least once. These movies include 'Taxi Driver', 'Casablanca', 'Citizen Kane' along with probably a few dozen others. I'd say that 'Midnight Cowboy' should definitely find itself on that list somewhere.
Be honest -- does an x-rated comedic melodrama about a wannabe cowboy who moves to New York to become a male prostitute but falls short and befriends a dying vagrant sound like a contender for the 1969 best picture oscar? Well, it happened. There's a young Jon Voight in his most famous role as Joe Buck, and of course Dustin Hoffman in one of his most memorable early performances as his slimy friend 'Ratso'. It comes from the late John Schlesinger, a director who made a handful of great films in the 60s and 70s but later seemed to lose his talent. 'Midnight Cowboy' is Schlesinger at his best.
I think I've already made it pretty clear that, whoever you are, if you're interested in cinema you NEED to see this movie, and hopefully you'll like it as much as I did.
How to begin to try to review a classic like this..? it?s about naivety, it's about the 60's, it's about New York, it's about society, it's about love, sex... you name it, all of life is here.. one of the most continuously heart breaking films ever, I would say... and the editing, cinematic?s and script is probably far superior to anything released today... (think Gus Van Sant a la? Idaho, but coherent) just awesome.. you'll laugh, you'll cry, it will stay with you for weeks...
An outstanding character piece; watch this film over and over and each time a little more of each character will be revealed that you missed before.
Considered contextually (given its release date), this is a ground breaking piece of cinema from an era when films could carry powerful messages via a combination of character, music and a mixture of visual styles.
A film that, once watched, will stay with you always.
not as good as people say
I simply love this film... It's an honest, gritty portrayl of the seedy underbelly of New York & how two very different characters (Voight & Hoffman) interact with NY life but more importantly, each other. Their individual dreams are mixed into the grim reality they face. Both Voight & Hoffman give stellar performances which utterly engage the viewer. And the final scenes are beautiful in the most tragic way. The soundtrack is superb & perfectly reflects what happens to be going on at the time. I could go on but I won't, see it for yourself & enjoy!
The film is an oustanding achievment, winning a Best Picture Oscar in 1969. One of 2 R rated films to do so (the other being One Flew The Cuckoos Nest). The Academy clearly recognised the immense quality of the film, with a career best performance from John Voight as Texas Cowboy, Joe Buck. Dustin Hoffman also provides one of his many breath-taking performances on the big screen as Ratso, the squatter who Joe Buck will eventually befriend. The films ending is sure to tug at the heart-strings of any audience, but without giving any more away, I recommend you see this true classic in its entirety.
Disappionting for an award winning film.
Wish I could award no stars
was not a good film, failed to get off the ground,
John Schlesinger won the best director Oscar for this tawdry, strident yet deeply affecting tale of a naive Texas stud striking up a relationship with a tubercular conman. Schlesinger was the perfect director to cast an alien eye on Manhattan's sexual permissiveness and Warhol weirdness, and exposes the jaundiced stratum beneath the hip surface with scalpel-sharp precision. Jon Voight and Dustin Hoffman are a perfectly matched odd couple adrift on the sea of amorality in a warped buddy picture that cleverly walks a fine line between warmth and cruelty. The film also won Oscars for best film and best screenplay.
"...[The performances] have lost none of their magic....[They show us] characters who have nothing to offer the audience but their own lost souls." -- Rating: A-
Outrageously overrated at the cynical end of the Swinging Sixties, when the seedy New York milieu in which the pathetic... read more on Time Out
Life in the New York gutter, brilliantly if not too accurately observed by a master showman with no heart.