Twelve-year-old Ingemar (Anton Glanzlius) has a life far too complex for a kid his age. His beloved mother (Anki Liden), once soft and loving, is now an angry invalid. His older brother (Manfred Serner) torments him daily. But there must be worse things in life, and Ingemar does not hesitate to obsess over them: people meeting .. Read more
| Starring | Anton Glanzelius, Tomas Von Bromssen, Anki Liden |
|---|---|
| Director | Lasse Hallstrom |
| Genres | Drama, World Cinema |
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Twelve-year-old Ingemar (Anton Glanzlius) has a life far too complex for a kid his age. His beloved mother (Anki Liden), once soft and loving, is now an angry invalid. His older brother (Manfred Serner) torments him daily. But there must be worse things in life, and Ingemar does not hesitate to obsess over them: people meeting freak accidents, for one, and Laika, the doomed Soviet space dog, for another. There is also his own pet dog, whose fate, it turns out, is as uncertain as Ingemar's. But when Ingemar is sent away for the summer to stay with his lighthearted Uncle Gunnar (Tomas von Bromssen) and Aunt Ulla (Kicki Rundgren), his world begins to open in a way he could never have imagined. In their little village, Ingemar meets a menage of eccentric, good-hearted people and their interactions with him give him the strength he'll need when things at home get even worse.
MY LIFE AS A DOG, the critically acclaimed film from director Lasse Hallstrom, is sensitive, tragic, and funny. It's a unique, offbeat but realistic coming-of-age story with rich and engaging characters and some truly unforgettable scenes.
| Starring | Anton Glanzelius, Tomas Von Bromssen, Anki Liden |
|---|---|
| Director | Lasse Hallstrom |
| Studio | ARROW FILMS |
| Run time | DVD: 1 hr 37 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | DVD: Swedish |
| Subtitles | DVD: English |
| Released | DVD: 28 May 2001 Production year: 1985 |
| Format | DVD |
Oscar-nominated Lasse Hallstrom invests this delightful rite-of-passage picture with as many autobiographical references as he does incidents from Reidar Jonsson's popular novel to produce a film of great warmth and wit. He shows the keenest appreciation of the workings of a young mind in the quality of the performance he elicits from 12-year-old Anton Glanzelius, who is wonderfully natural whether getting into mischief, experiencing misery or taking on all-comers.
This charming, bitter-sweet evocation of childhood is something of a minor gem. Set in the Sweden of the 1950s, it... read more on Time Out
Before Lasse Hallstr?m went to Hollywood to make films like 'Cider House Rules', 'Chocolat' and 'The Shipping News' he made a number of Swedish films of which this 1985 children's is perhaps the best.
Ingemar (Anton Glanzelius) is a 12 year old boy living in 1959 Stockholm. He has to cope with the slow death of his mother from tuberculosis and a separation from his home and his beloved for the summer holidays. He stays with is his eccentric uncle in a small town where life centers around the glass factory and slowly learns to make friends with local people, especially Saga (Melinda Kinnaman).
This a coming of age movie with serious themes, careful character development and a story that is both moving, funny and melancholic at the same time and the refreshingly European style makes it more sincere and believable than any Hollywood adaptation ever could be.
Well, it's 18 years old, made it onto DVD and is still one of my favourites - what more can I say?
Ingemar, a 12-year-old boy, goes to stay with relatives in the Swedish countryside because his mother is ill with tuberculosis and can no longer cope with looking after him and his older brother.
Rather than confront personal realities he derives consolation from freak misfortunes that have befallen others, reasoning that his own life cant be so bad. Ingemar particularly identifies with the canine cosmonaut Laika, sent to a lonely and uncomprehending death in space. In fact, in moments of stress he gets down on all fours and barks. He remains stubbornly oblivious to the fate of his own dog, and refuses to acknowledge the gravity of his mothers illness.
But this is a film that lets in plenty of light to counterbalance the gloom. Ingemar comes to terms with his loss and recalls idyllic moments spent with his mother; and village life, literally and metaphorically a breath of fresh air, is observed as whimsical comedy. It ends on an upbeat note.
This is a charming and poignant film that successfully mixes pathos and humour. Avoiding excessive sentimentality it gives an entirely believable account of what its like to navigate the physical and emotional uncertainties of childhood while struggling to make sense of the adult world.
Film of the year so far! Imagine, say, My Life as a Dog, Ratcatcher, or even 400 Blows, one of those bittersweet portraits of lonely children bumping up against the hard knocks of parental neglect, abuse and poverty. Cross that kind of acute honesty and naturalism with an edgy near-the-knuckle horror movie – Near Dark, for instance, or Ringu. Now set this intriguing mutation in the suburbs of Stockholm during the depths of a Swedish winter. Let the Right One In is that movie, and it’ Read more