Tamsin has money and always gets what she wants; Mona has just bought a cheap moped as a run around, but it came without an engine; Phil is Mona's brother who has become religious and is off the booze... Three people who come together in a village in Yorkshire and test each other's friendship. Read more
| Starring | Nathalie Press, Emily Blunt, Paddy Considine |
|---|---|
| Director | Pawel Pawlikowsky, Pawel Pawlikowski |
| Genres | Drama, Gay/Lesbian, Romance |
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This loose adaptation of Helen Cross's Yorkshire-set novel makes several astute contrasts between surface illusion and bitter reality. Ryszard Lenczewski's cinematography perfectly captures a balmy atmosphere of rural contentment, as working-class teenager Natalie Press falls for well-heeled Emily Blunt. The intensity of their relationship soon threatens to overwhelm them, and seems as fragile as Paddy Considine's fervent, prison-inspired dalliance with born-again Christianity. The naive optimism of the central characters is sensitively conveyed, but the assault on religion is heavy-handed, the dialogue occasionally ponderous and the plot resolution too melodramatic. Notwithstanding, co-writer/director Pawel Pawlikowski remains one of British cinema's brightest hopes.
Despite an unconvincing ending, an insightful, bittersweet story of a brief love that captures the indolent delights of a hot spell and also illumines class attitudes.
A remarkable film with outstanding performances
Set in rural Yorkshire the story focuses on the impressionable Mona and her new found friendship with spoilt rich-kid Tamsin. As the summer progresses so does their relationship, Mona becoming drawn towards Tamsin?s bitter view of life and exacting schoolgirl revenge on the men in their lives. Their eventual progression to lovers is delicately handled and both newcomers Natalie Press & Emily Blunt are excellent in the lead roles. Paddy Considine also giving another edgy performance as Mona?s born-again Christian brother who has turned to God since his release from prison.
Beautifully shot and despite the resemblance to Heavenly Creatures the end result is an hypnotic vision of young love and escapism. Although nothing particularly new and not as powerful as Pawel Pawlikowski?s previous film, Last Resort, this is well worth a watch.
At last, a British film really worth talking about.
For those of you who despair about our film industry, and how it appears to rely merely on Richard Curtis, Hugh Grant, Bridget Jones and Full Monty (an awful film) type clones, a degree of salvation is here.
Albeit very different in both subject and style, My Summer of Love is worthy of being bracketed alongside the few true gems to emerge from this country over the last decade, Trainspotting and Shaun of the Dead to name two.
Like those aforementioned films, My Summer of Love has its own unique style, avoids cliché and should propel the careers of some of those involved to stardom. Both female leads; Natalie Press and Emily Blunt are exceptional in their first major roles, while Paddy Considine as the reformed by Jesus ex-criminal continues to concrete his status as arguably Britains best newcomer of recent years.
The direction, complemented by a lush Goldfrapp soundtrack helps to create a truly idyllic picture of the Todmorden area of Yorkshire, a place I havent visited in years but now feel compelled to return to.
In many ways comparable to the excellent Heavenly Creatures, which did so much for the careers of Peter Jackson and Kate Winslet, this is another film which may come to be as warmly regarded in retrospect.
A beautiful British film with a Polish director that would be one of my picks for the best films of 2004. Set in Yorkshire, Mona is a typical teenage 'layabout' who meets and befriends a posh girl which plays on fairly standard stereotpyes, however in the hands of a European the film takes on a different look, pace and feel to what you're expecting, rising above the standard cliched 'kitchen sink' and 'gangster' films that we usually get. In many ways it reminded me somewhat of a British period piece.
Superb direction, beautiful cinematography, passionate, meaningful characters, good story and I can't find a hammy moment! The characters are very well observed with great support from Paddy Considine as the ex-brute trying to discover his gentle side through self-enforced religion thwarted by instincts he wishes he could deny. I would thoroughly recommend this film - it will sweep over you like a breath of fresh air. Best British film of 2004, duly recognised by BAFTA.
this film was very well done, from a clever camera perspective and somewhat beautiful story. Film was rather boaring i found though... but showed the realtionship between to girls in a normal context, not anything too far such as involving porn.
Overall i found the film 'OK' but nothin special :-\
Set in rural Yorkshire the story focuses on the impressionable Mona and her new found friendship with spoilt rich-kid Tamsin. As the summer progresses so does their relationship, Mona becoming drawn towards Tamsin?s bitter view of life and exacting schoolgirl revenge on the men in their lives. Their eventual progression to lovers is delicately handled and both newcomers Natalie Press & Emily Blunt are excellent in the lead roles. Paddy Considine also giving another edgy performance as Mona?s born-again Christian brother who has turned to God since his release from prison.
Beautifully shot and despite the resemblance to Heavenly Creatures the end result is an hypnotic vision of young love and escapism. Although nothing particularly new and not as powerful as Pawel Pawlikowski?s previous film, Last Resort, this is well worth a watch.
At last, a British film really worth talking about.
For those of you who despair about our film industry, and how it appears to rely merely on Richard Curtis, Hugh Grant, Bridget Jones and Full Monty (an awful film) type clones, a degree of salvation is here.
Albeit very different in both subject and style, My Summer of Love is worthy of being bracketed alongside the few true gems to emerge from this country over the last decade, Trainspotting and Shaun of the Dead to name two.
Like those aforementioned films, My Summer of Love has its own unique style, avoids cliché and should propel the careers of some of those involved to stardom. Both female leads; Natalie Press and Emily Blunt are exceptional in their first major roles, while Paddy Considine as the reformed by Jesus ex-criminal continues to concrete his status as arguably Britains best newcomer of recent years.
The direction, complemented by a lush Goldfrapp soundtrack helps to create a truly idyllic picture of the Todmorden area of Yorkshire, a place I havent visited in years but now feel compelled to return to.
In many ways comparable to the excellent Heavenly Creatures, which did so much for the careers of Peter Jackson and Kate Winslet, this is another film which may come to be as warmly regarded in retrospect.
A beautiful British film with a Polish director that would be one of my picks for the best films of 2004. Set in Yorkshire, Mona is a typical teenage 'layabout' who meets and befriends a posh girl which plays on fairly standard stereotpyes, however in the hands of a European the film takes on a different look, pace and feel to what you're expecting, rising above the standard cliched 'kitchen sink' and 'gangster' films that we usually get. In many ways it reminded me somewhat of a British period piece.
This could so easily have been pretentious nonsense, but thanks to assured direction and strong performances from Natalie Press and Emily Blunt and the ever reliable Paddy Considine, it emerges as a poignant coming-of-age story.
Revolving around the friendship between two teenage girls from opposite ends of the social spectrum, My Summer of Love is a beautifully shot study of damaged people in a dead end town. Up there with Shaun of the Dead, Dead Man's Shoes and 24 Hour Party People as one of the best British movies of recent years.
The story (literally) of a summer's infatuation between two teenage girls from the opposite ends of the social spectrum, mutual admiration and manipulation, more in one way than the other.
Co-plot of considine as brother of Mona (Press), ex-con but born-again Christian, taking part in painfully uncomfortable prayer meetings. Saw this at the pictures, a great storyline, 3 fantastic acting performances, intense characterisation from Considine and totally believable Northern soul from Nathalie Press.
Most of all this is a masterclass in cinema direction from a very non-Yorkshire Polish director, gets the best out of the actors but captures each shot to perfection, encompassing the beauty and boredom of a teenage British summer. Top ten material. Enjoy.
One of the best British films of this century,extremely well made and photographed, (great northern summery locations), by director Pawloski- no typical Brit Arts Council funded cheap and shoddy production values here.An intense film of troubled teenage passions, a little like Heavenly Creatures. Three outstanding central performances. Shane Meadows regular leading man Paddy Considine (Dead Mans Shoes)is his usual brooding mixed -up self,posh Emily Blunt's debut is so good no wonder a casting director snapped her up for The Devil Wears Prada,mind you for me the stand-out performer is Northern prole Nathalie Press.Somewhat reminiscent of Samantha Morton this girl could be huge on the art-house circuit. Check her also in small role in the excellent Red Road. Images and ideas from this will linger round your noggin.(Thats a good thing,-don't mean your schizoid!)
A very bleak and surprising film. I was expecting an up-beat coming-of-age, romantic film. I wasn't expecting this clever, but very dark story. That said, I enjoyed it very much and got pretty attached to the characters, especially Mona. All the main parts were very well played. There were some great shock moments, as well as real tenderness and freindship. Plus some very funny lines.
Superb direction, beautiful cinematography, passionate, meaningful characters, good story and I can't find a hammy moment! The characters are very well observed with great support from Paddy Considine as the ex-brute trying to discover his gentle side through self-enforced religion thwarted by instincts he wishes he could deny. I would thoroughly recommend this film - it will sweep over you like a breath of fresh air. Best British film of 2004, duly recognised by BAFTA.
Good cinematography of West Yorkshire, a place normally represented in wet weather and few colours. The story reminded me of Heavenly Creatures in that it has two girls dissatisfied with their existence who take solace in their shared world. Otherwise it's a very different movie. Paddy Considine is again convincing and quite scary as Mona's brother but the strength of the film lies in the performance by Natalie Press. With mischeivous looks and a hoarse voice (albeit not in Natalie's natural accent) she is captivating. My only complaint is that she doesn't have more dialgue, but then it would make her character less mysterious I suppose.
Perhaps it's the dearth of intelligent British films that makes this so invigorating. It's a rush - beautifully filmed, hazy, lazy, funny and sharp, an excellent screenplay and great performances - Paddy Considine, who everyone's talking about at the moment, is brilliant as the ex-con who's found God, and the conclusion to his part of the story is perfectly pitched and fascinating to watch.
This loose adaptation of Helen Cross's Yorkshire-set novel makes several astute contrasts between surface illusion and bitter reality. Ryszard Lenczewski's cinematography perfectly captures a balmy atmosphere of rural contentment, as working-class teenager Natalie Press falls for well-heeled Emily Blunt. The intensity of their relationship soon threatens to overwhelm them, and seems as fragile as Paddy Considine's fervent, prison-inspired dalliance with born-again Christianity. The naive optimism of the central characters is sensitively conveyed, but the assault on religion is heavy-handed, the dialogue occasionally ponderous and the plot resolution too melodramatic. Notwithstanding, co-writer/director Pawel Pawlikowski remains one of British cinema's brightest hopes.
Despite an unconvincing ending, an insightful, bittersweet story of a brief love that captures the indolent delights of a hot spell and also illumines class attitudes.
A remarkable film with outstanding performances
Easily, one of the best films of the year
An erotic rite of passage
Daring and very sexy...