David Cronenberg and William S. Burroughs invite you to lunch. Read more
| Starring | Peter Weller, Judy Davis, Ian Holm, Roy Scheider |
|---|---|
| Director | David Cronenberg |
| Genres | Drama |
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David Cronenberg and William S. Burroughs invite you to lunch.
| Starring | Peter Weller, Judy Davis, Ian Holm, Roy Scheider |
|---|---|
| Director | David Cronenberg |
| Run time | DVD: 1 hr 50 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 26 Jul 2004 Production year: 1991 |
| Format | DVD |
Instead of the savagery and rampant homosexuality of the original, the film concerns the act of the book's creation, through the hallucinatory experiences of a writer, based on Burroughs, among the expatriate artistic community of Tangier. All that is car
Where do I start?
Beautifully shot, weird, arthouse, slightly-camp drug/horror movie.
The anti-hero is a deadbeat American who works as a pest exterminator and becomes addicted to his own bug-powder!
Depending upon whether he is on or off the powder, he drifts in and out of "Interzone" which is his own weird drug-induced state.
Apparently based loosely on William S Burroughs own life, this movie is rather disturbing and completely unlike anything else you will ever have seen.
I love it!
Naked Lunch is a famously unfilmable novel, so Cronenberg skillfully makes his film a combination of elements of the novel, and fictionalised elements of Burroughs writing of the novel. Some typically offbeat Cronenberg-style body horror, with typewriters growing talking orifices and leaking organs but, as with the novel, there's no real solid narrative hook to interest the viewer, so it's ultimately a less satisying film than Cronenberg's similar XistenZ for example. Basically a 2 hour drug hallucination on film, Naked Lunch has some fantastically bizarre moments for fans of cult films, but is ultimately rather shallow and uninvolving.
"Film orange?!?" For most of us, Roy Scheider's contribution to mobile cinema culture in the popular Orange commercials a little while back was a reminder of an esteemed actor who had been away too long. The ad made reference to Scheider's two most famous films - The French Connection (his first Oscar nomination) and Jaws. Both were huge box office hits in the early 1970s, though neither quite propelled him into the A-list. He was also in Klute, Marathon Man and All That Jazz (his best... Read more