A beautiful junkie condemned to death for the murder of a policeman is given a chance to live - as a secret political assassin controlled by the government. Her lonely existence is warmed when she falls in love with a gentle, humorous man who knows nothing of her bizarre and mysterious life. Remade in the U.S. as POINT OF NO .. Read more
| Starring | Anne Parillaud, Jean-Hugues Anglade, Jean Reno, Jeanne Moreau |
|---|---|
| Director | Luc Besson |
| Genres | Action/Adventure, Thriller, World Cinema |
loading...
After being involved in a robbery, vicious junkie Anne Parillaud is reprogrammed as an assassin for a secret government agency in this extremely exciting thriller with a feminist slant from French director Luc Besson. In paying homage to American action movies, Besson goes one better than his clear inspirations, to craft a beautifully stylised, enthralling and very violent comic strip. Parillaud (married to Besson at the time) is tremendous as the unscrupulous hit woman and Jeanne Moreau's Charm Teacher cameo is a gem. But it's Besson's boldly modern approach to traditional film noir material that makes this elemental mind-blower so striking.
"...A slick, calculating mixture of French contemplativeness and American flying glass....[Parillaud is] a nimble and dangerous-looking actress..."
"...Besson's cast here is quite good; Parillaud, Karyo and Anglade are all charismatic actors who can suggest levels of meaning..."
This original Luc Besson version is darker and more believable than the american version with Bridget Fonda (The assassin), It must be watched in French with the subtitles on, It is worth the effort. Do not be tempted to turn the English dubbing on cos it will spoil the film. In the French language a lot more emotion and depth is convayed. The plot is good and this is a film worth a look even if you are not the 'usual' foreign film watcher.
This is a brilliant French film, same plot used a few years later by Hollywood for'Assasin' with Bridget Fonda. This is a powerful movie and I do suggest you opt for 'French' in the audio set up as the default English language is really awful. Better to listen to the original French and read the sub-titles (that are there anyway) than to listen to the appalling dubbing with the American Accent.
Dull and very dated. Can't believe it's rated so highly on this site ... oh and the lip sync / dubbing is awful
This is a very stylish film by Luc Besson. Miles better than the Hollywood remake.
The film follows the lead as she is turned from street trash to a deadly assassin. There are some very good action scenes and her first 'job' is a very interesting test.
This is a brilliant French film, same plot used a few years later by Hollywood for'Assasin' with Bridget Fonda. This is a powerful movie and I do suggest you opt for 'French' in the audio set up as the default English language is really awful. Better to listen to the original French and read the sub-titles (that are there anyway) than to listen to the appalling dubbing with the American Accent.
This original Luc Besson version is darker and more believable than the american version with Bridget Fonda (The assassin), It must be watched in French with the subtitles on, It is worth the effort. Do not be tempted to turn the English dubbing on cos it will spoil the film. In the French language a lot more emotion and depth is convayed. The plot is good and this is a film worth a look even if you are not the 'usual' foreign film watcher.
This is a brilliant French film, same plot used a few years later by Hollywood for'Assasin' with Bridget Fonda. This is a powerful movie and I do suggest you opt for 'French' in the audio set up as the default English language is really awful. Better to listen to the original French and read the sub-titles (that are there anyway) than to listen to the appalling dubbing with the American Accent.
Dull and very dated. Can't believe it's rated so highly on this site ... oh and the lip sync / dubbing is awful
Well I have to honest and say that I should have seen this film some time ago, perhaps before I had seen the remake 'The Assassin'.
I am a fan of Luc Besson direction, my favourite is Leon, but I have to say that I was not entirely happy with this film. As I have said, I have seen the remake 'The Assassin' directed by John Badham and unusually I think it is better. The films are very similar, but I felt that the remake 'The Assassin' worked better. Obviously it has a better cast list, but it has not gone too 'Hollywood' in it's direction. Luc Besson's original version, Nakita, has aged over time and the scenes appear a bit abrupt, thus the flow of the film in my opinion suffers. I am glad I have watched both and suggest you all do as well, after all an opinion is only 'A' opinion.
If your too afraid of foreign films, then NIKITA will hopefully change your mind and improve your french!
From the start of a horrific gun battle to the retraining of a violent individual who comes out as the heroine in the film, you sometimes wonder if this is how the French government trains & selects it's assasins?
The remake with Bridget Fonda was good, but this is so much better with the original soundtrack, direction of a little known LUC BESSON (the Big Blue; The 5th Element..) who grabs you by the shoulders and pushes you into this film as an observer to watch how a Violent woman, is retrained as a government assasin and learns how to deal with her emotions as a trained killer.
The weapons are beautifully shiny and state of the art in their appearance, the location shooting is set all over France & Italy.
You fall in love with the trained killer and want her to succeed in everything she does including the love for a guy she meets at a supermarket checkout who gives her the strength to get through each day.
Then we are introduced to a new character from the French Underworld that you'll instantly recognise, if you are a BESSON fan, who'll up the ante of the action in the film right towards the end.
You'll get used to the subtitles in seconds ( if you want them) the English dubbing is very good, but for the full effect watch it in the original form it was shot in, and switch your mobile off. Tres Bien!!
As with all of Luc Besson films, from the stunningly unique 'Subway' to the futuristic 'Fifth Element', style comes before substance. The man himself doesn't shy away from it and his films are openly shallow, but if his plots loose their way the audience rarely cares because they are having such a great time admiring the beauty of the piece.
And beautiful this film is, from the dim insanity of the opening shoot out, to the ultra bright lights and sterilised rooms of the government hold Nikita finds herself him.
But Besson always creates wonderful emotion with him characters and there are plenty of absorbing and tearful moments that the actors carry off perfectly to increase the audience absorbed in the film.
A wonderful couple of hours will be had here, even if you have to have a number of strong drinks to recover from the ride.
This is the one to watch. Keep away from the dreadful remake with Bridgit Fonda in The Assassins.
A total classic and so influential, but has it stood the test of time?
Seen it before, but still good, watched in french with subtitles on, much better than dubbed. And its got Jean Reno in it.
This film is by far the most scary, shocking and thrilling film I've ever seen. Only the French could conceive of such a peverse plan.
Nikita is a hard boiled drop out and cop killer, forced into a 'James Bond' school of hired assassins. Faced with the options, she chooses to tow the line, and gradually the wild cat is tamed before being unleased on the world.
Shocking and touching by turns, this is definately in my top ten films ever made, and I'll never think of my 'cleaner' in the same way again.
Besson went on to take his hired hit-man (Jean Reno) to make an English speaking (US) film 'Leon'. If you can't face the sub-titles, catch Leon instead. Another terrific film although not as hard hitting.
After being involved in a robbery, vicious junkie Anne Parillaud is reprogrammed as an assassin for a secret government agency in this extremely exciting thriller with a feminist slant from French director Luc Besson. In paying homage to American action movies, Besson goes one better than his clear inspirations, to craft a beautifully stylised, enthralling and very violent comic strip. Parillaud (married to Besson at the time) is tremendous as the unscrupulous hit woman and Jeanne Moreau's Charm Teacher cameo is a gem. But it's Besson's boldly modern approach to traditional film noir material that makes this elemental mind-blower so striking.
"...A slick, calculating mixture of French contemplativeness and American flying glass....[Parillaud is] a nimble and dangerous-looking actress..."
"...Besson's cast here is quite good; Parillaud, Karyo and Anglade are all charismatic actors who can suggest levels of meaning..."
Starting with a bloody tour de force - a drugstore robbery - this seldom lets up. The eponymous heroine, a punk-junkie... read more on Time Out
"...Savagely engrossing....It's wildly seductive and erotic..."
"...Sensational..." -- Rating: A-