Director Andrei Tarkovsky recasts his lifelong cinematic motif of humanity's quest for faith in the waterlogged and mist-ensconced countryside of Italy for his philosophical masterpiece NOSTALGIA. Andrei Gorchakov (Oleg Yankovsky) is a misanthropic Russian scholar researching the life of an exiled Russian composer who committed .. Read more
| Starring | Oleg Yankovsky, Domiziana Giordano, Erland Josephson |
|---|---|
| Director | Andrei Tarkovsky |
| Genres | Drama |
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Andrei Tarkovsky's first non-Soviet picture is clearly the work of an exile who can never regain his lost past. Yet, in rejecting a possible affair and his intellectual researches to undertake the eternal quest for enlightenment, Oleg Yankovsky finds redemption of sorts as he rises to the symbolic challenge of carrying a lighted candle across a sulphurous spa — a challenge posed by Erland Josephson, the apocalypse-obsessed resident of a Tuscan shrine town. Contrasting monochrome flashbacks with desaturated colour landscapes, Tarkovsky poetically employs langorous takes which not only convey Yankovsky's fragile mental and spiritual condition, but also heighten the mesmerising mysticism of this metaphysical allegory.
"...In its stately, measured way NOSTALGHIA, in its culminating spirit of affirmation, becomes akin to a religious experience..."
Another of Tarkovsky's strange, hauntingly beautiful meditations on man's search for self. The film may forsake the... read more on Time Out
Andrei Tarkovsky was a great director, loved by most high-brow film critics: think Bergman crossed with Kubrick, but Russian and not as accessible! He made only... more
I saw this film 20 years ago at the Tyneside Cinema in Newcastle. It is quite the most stupendously, unbelievably, gob-smackingly boring film I have seen in my... more
I tried so hard with this .... persevered for an eternity but still could not fully grasp this renowned masterpiece which I had so desperately hoped to enjoy... more
Oh dear, this is the kind of film that makes the viewer think he/she isn't deep enough to understand it. In fact, it is utterly beautiful to look at but ... more
Andrei Tarkovsky was a great director, loved by most high-brow film critics: think Bergman crossed with Kubrick, but Russian and not as accessible! He made only... more
Andrei Tarkovsky was a great director, loved by most high-brow film critics: think Bergman crossed with Kubrick, but Russian and not as accessible! He made only... more
I saw this film 20 years ago at the Tyneside Cinema in Newcastle. It is quite the most stupendously, unbelievably, gob-smackingly boring film I have seen in my... more
I tried so hard with this .... persevered for an eternity but still could not fully grasp this renowned masterpiece which I had so desperately hoped to enjoy... more
Tarkovsky a brilliant and sadly missed director who has not been bettered since his untimely departure from this mortal coil. All his films have an air that ... more
Another poster has suggested that even Tarkovsky fans don't rate this one, and, as a huge Tarkovsky fan, I would like to say there's a good reason why... more
Oh dear, this is the kind of film that makes the viewer think he/she isn't deep enough to understand it. In fact, it is utterly beautiful to look at but ... more
I'm not qualified to argue my corner with any authority here, but personally I do not agree with the general consensus that this is Tarkovsky's least ... more
I hadn't seen this for ages. Whilst it is much clunkier than I remember, it is still a fantastic meditation on the meaning of life. I had forgotten the long... more
Andrei Tarkovsky's first non-Soviet picture is clearly the work of an exile who can never regain his lost past. Yet, in rejecting a possible affair and his intellectual researches to undertake the eternal quest for enlightenment, Oleg Yankovsky finds redemption of sorts as he rises to the symbolic challenge of carrying a lighted candle across a sulphurous spa — a challenge posed by Erland Josephson, the apocalypse-obsessed resident of a Tuscan shrine town. Contrasting monochrome flashbacks with desaturated colour landscapes, Tarkovsky poetically employs langorous takes which not only convey Yankovsky's fragile mental and spiritual condition, but also heighten the mesmerising mysticism of this metaphysical allegory.
"...In its stately, measured way NOSTALGHIA, in its culminating spirit of affirmation, becomes akin to a religious experience..."
Another of Tarkovsky's strange, hauntingly beautiful meditations on man's search for self. The film may forsake the... read more on Time Out