Late Autumn (aka: Akibiyori): Ayako Miwa (Yoko Tsukasa) gives up thoughts of marriage in order to care for her widowed mother Akiko (Setsuko Hara). However, Akiko wishes her daughter to marry even though she will be left alone into old age and when the well-meaning relatives of her deceased husband step into the fray suitors .. Read more
| Starring | Chishu Ryu, Shima Iwashita, Keiji Sada, Mariko Okada |
|---|---|
| Director | Yasujiro Ozu |
| Genres | World Cinema |
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Late Autumn (aka: Akibiyori): Ayako Miwa (Yoko Tsukasa) gives up thoughts of marriage in order to care for her widowed mother Akiko (Setsuko Hara). However, Akiko wishes her daughter to marry even though she will be left alone into old age and when the well-meaning relatives of her deceased husband step into the fray suitors are simultaneously sought for both generations of the Miwa family!
An Autumn Afternoon (aka: Sanma No Aji): Widower Shuhei Hirayama (Chishu Ryu) gradually comes to realize that his 24 year-old daughter should not be obliged to look after him for the rest of his life and so prepares to arrange a marriage for her.
| Starring | Chishu Ryu, Shima Iwashita, Keiji Sada, Mariko Okada, Setsuko Hara, Yoko Tsukasa, Miyuki Kuwano |
|---|---|
| Director | Yasujiro Ozu |
| Studio | TARTAN FILMS |
| Run time | DVD: 3 hrs 52 mins |
| Certificate | |
| Genres | World Cinema |
| Language | DVD: Japanese |
| Subtitles | DVD: English |
| Released | DVD: 29 Jan 2007 |
| Format | DVD |
Or you can rent each disc individually:
Ayako Miwa (Yoko Tsukasa) gives up thoughts of marriage in order to care for her widowed mother Akiko (Setsuko...
Widower Shuhei Hirayama (Chishu Ryu) gradually comes to realize that his 24 year-old daughter should not be ob...
The thing with watching so many Ozu films is that you get to the point that you know what to expect and you treat it is a little mouth refresher in between the heavier courses at a posh restaurant. Again we have a slice of post-war Japanese life where there is probably the genuine problem of a aging single mother whose daughter is reluctant to marry and leave her alone. her brother and his friends try to come up with a suitor for the mother so that the daughter will then marry (and therefore aid society would be the subtext). The palette of muted colours used in the photography is superb and provides a gentle backdrop to the story, it felt like an early episode of Last of the Summer Wine before all of the slapstick was added. If you are not a fan then avoid, if you are then there are enough variations to many of his other similar tales to make it worth seeing.
The thing with watching so many Ozu films is that you get to the point that you know what to expect and you treat it is a little mouth refresher in between the heavier courses at a posh restaurant. Again we have a slice of post-war Japanese life where there is probably the genuine problem of a aging single mother whose daughter is reluctant to marry and leave her alone. her brother and his friends try to come up with a suitor for the mother so that the daughter will then marry (and therefore aid society would be the subtext). The palette of muted colours used in the photography is superb and provides a gentle backdrop to the story, it felt like an early episode of Last of the Summer Wine before all of the slapstick was added. If you are not a fan then avoid, if you are then there are enough variations to many of his other similar tales to make it worth seeing.