Billy, once Garrett's sidekick, suddenly finds himself on the run from his friend when the ageing outlaw turns lawman. The film's climax is as tragic as it is inevitable. Read more
| Starring | James Coburn, Kris Kristofferson, Bob Dylan, Jason Robards |
|---|---|
| Director | Sam Peckinpah |
| Genres | Action/Adventure |
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Despite studio tinkering, this near-masterpiece from director Sam Peckinpah is almost on a par with The Wild Bunch. It's a brooding meditation on violence, honour and loyalty in the last days of the Old West, as gunman-turned-sheriff Garrett (James Coburn) relives the past before taking on his one-time partner Billy (Kris Kristofferson). It becomes an elegy for the father/son relationship that figures in so much American literature, as both men try to live up to the legend their lives have imposed upon them. Singer Bob Dylan makes an acting appearance but, thankfully, with all his tics and twitches, is soon sidelined. Instead, Peckinpah concentrates on a pioneer world in which the cattle barons are the true villains and the outlaws the only real heroes.
Blood-spattered version of a Western legend, with violence always to the fore, accentuated by the impossibility of listening to the dialogue because of poor direction and recording.
Wonderful, a deeply felt elegy to the passing of the Old West surely made in response to the confusion and bitterness of the Vietnam era... The film is rich in visual textures...
Don't bother with disc one. It's a new cut which takes out all the magic of the film. Slightly speeded up for the A.D.D generation, many of the best lines in the film are removed, and a load of pointless rubbish scenes have been added back in. Disc 2 has the directors cut, including probably the greatest title sequence in the history of cinema, bizarrely left out of the new cut on disc 1 in favour of the bland and unmemorable version from the universally disliked original studio version. That said, one of the greatest films, no matter westerns, ever. So get disc 2 and blow your mind.
Both Coburn and Kristofferson are at the top of their game in this brutally gritty film. Violence is partnered with great performances and even Bob Dylan is pretty good.
Well its certainly up there if not the ultimate western, Sam Peckinpah's take on the twilight years of Pat Garret and his one-time friend, infamous outlaw Billy The Kid. The film is so unique due to its extreme unconventionalism, unafraid not to tread the straight and narrow path of John Ford or the dubbed entertainment of Leone, it falls somewhere inbetween with its grainy violence and window on the hard life of living in those times, all to a soundtrack by Bob Dylan... cinema magic.
Don't bother with disc one. It's a new cut which takes out all the magic of the film. Slightly speeded up for the A.D.D generation, many of the best lines in the film are removed, and a load of pointless rubbish scenes have been added back in. Disc 2 has the directors cut, including probably the greatest title sequence in the history of cinema, bizarrely left out of the new cut on disc 1 in favour of the bland and unmemorable version from the universally disliked original studio version. That said, one of the greatest films, no matter westerns, ever. So get disc 2 and blow your mind.
Both Coburn and Kristofferson are at the top of their game in this brutally gritty film. Violence is partnered with great performances and even Bob Dylan is pretty good.
Don't bother with disc one. It's a new cut which takes out all the magic of the film. Slightly speeded up for the A.D.D generation, many of the best lines in the film are removed, and a load of pointless rubbish scenes have been added back in. Disc 2 has the directors cut, including probably the greatest title sequence in the history of cinema, bizarrely left out of the new cut on disc 1 in favour of the bland and unmemorable version from the universally disliked original studio version. That said, one of the greatest films, no matter westerns, ever. So get disc 2 and blow your mind.
Both Coburn and Kristofferson are at the top of their game in this brutally gritty film. Violence is partnered with great performances and even Bob Dylan is pretty good.
Well its certainly up there if not the ultimate western, Sam Peckinpah's take on the twilight years of Pat Garret and his one-time friend, infamous outlaw Billy The Kid. The film is so unique due to its extreme unconventionalism, unafraid not to tread the straight and narrow path of John Ford or the dubbed entertainment of Leone, it falls somewhere inbetween with its grainy violence and window on the hard life of living in those times, all to a soundtrack by Bob Dylan... cinema magic.
Great movie with great acting. Even Bob Dylan did well acting as well as doing the soundtrack. Well worth seeing
Excellent western, Coburn and Kristofferson at their best
I believed that I had rented a good western but I soon realised that this film was in a class of its own. The music of Bob Dylan underlies the perfectionism of the director. Each and every image could be seen as a piece of Art. The story is treated with beauty, sensitivity and simplicity. I wish there were more westerns of that class.
They've edited this version - including some of the best one-liners - in a way that detracts from the original. Why alter a classic? Still has to be 5 stars
The other review which champions disc 2 over disc 1 is misleading.
The Turner preview edition which is found on disc 2 is not a 'director's cut' per se, more of a first assembly. The cut is created by editor's approximating what Sam Peckinpah would have wanted in his final cut.
The 2005 cut on disc 1 is another approximation which in some ways is better and more coherent.
Both versions are different to the 'theatrical edition' which was shown in cinemas on the film's release and which was cobbled together by six studio editors usurping Peckinpah's wishes for the film.
Peckinpah's own cut never saw the light of day and we will never really know what his true intentions were.
The history of this film has been plagued by various versions and so my advice is to watch both disc 1 and disc 2, compare both versions and make your own conclusions.
Slow menace, compelling scenes, underplayed but powerful performances: this film achieves masterfully what later pretentious efforts like There WIll Be Blood completely fail to do
Despite studio tinkering, this near-masterpiece from director Sam Peckinpah is almost on a par with The Wild Bunch. It's a brooding meditation on violence, honour and loyalty in the last days of the Old West, as gunman-turned-sheriff Garrett (James Coburn) relives the past before taking on his one-time partner Billy (Kris Kristofferson). It becomes an elegy for the father/son relationship that figures in so much American literature, as both men try to live up to the legend their lives have imposed upon them. Singer Bob Dylan makes an acting appearance but, thankfully, with all his tics and twitches, is soon sidelined. Instead, Peckinpah concentrates on a pioneer world in which the cattle barons are the true villains and the outlaws the only real heroes.
Blood-spattered version of a Western legend, with violence always to the fore, accentuated by the impossibility of listening to the dialogue because of poor direction and recording.
Wonderful, a deeply felt elegy to the passing of the Old West surely made in response to the confusion and bitterness of the Vietnam era... The film is rich in visual textures...
Restored and reassembled, this is the full and harmonious movie that Peckinpah wanted to be remembered by before the... read more on Time Out