PATHS OF GLORY is among the most powerful antiwar films ever made. The story takes place in 1916 France, as the French command orders an exhausted unit to wrest control of an anthill from the Germans--expecting a casualty rate of 60 percent. The battle--during which the Germans are never seen, indicating that the French are .. Read more
| Starring | Kirk Douglas, Adolphe Menjou, George Macready, Wayne Morris |
|---|---|
| Director | Stanley Kubrick |
| Genres | Drama |
loading...
PATHS OF GLORY is among the most powerful antiwar films ever made. The story takes place in 1916 France, as the French command orders an exhausted unit to wrest control of an anthill from the Germans--expecting a casualty rate of 60 percent. The battle--during which the Germans are never seen, indicating that the French are their own worst enemy--turns into a bloody massacre. Looking for a scapegoat, General Mireau (George Macready) orders Colonel Dax (a never-more-intense Kirk Douglas) to select three of his men to face a court-martial and possible firing squad for the troops' cowardice. Directed by Stanley Kubrick, PATHS OF GLORY, based on the novel by Humphrey Cobbs, is a gut-wrenching, unforgettable drama. Every scene is awash in grays, covered in doom. Kubrick marvelously contrasts the ornate palace where the generals sip their cognac with the ramshackle trenches where injured men stumble about, demoralized and shellshocked. Douglas gives a tough, gritty performance; his tense sparring with the high command features sharp, biting dialogue. The entire cast is outstanding; watching so many men die for no reason is maddening. Kubrick captured the Vietnam War in FULL METAL JACKET, the cold war in DR. STRANGELOVE, the Seven Years' War in BARRY LYNDON, and a slave uprising in SPARTACUS, but PATHS OF GLORY is his crowning achievement when it comes to depicting the devastation, both physical and psychological, that war wreaks on the individual--as well as the state.
| Starring | Kirk Douglas, Adolphe Menjou, George Macready, Wayne Morris, Richard Anderson, Ralph Meeker, Timothy Carey |
|---|---|
| Director | Stanley Kubrick |
| Studio | MGM ENTERTAINMENT |
| Run time | DVD: 1 hr 24 mins |
| Certificate | |
| Genres | Drama |
| Language | English |
| Dubbed | French, German, Italian, Spanish |
| Hearing-impaired | English, German |
| Subtitles | Dutch, English, French, Spanish |
| Released | DVD: 15 Jul 2002 Production year: 1957 |
| Format | DVD |
Winston Churchill claimed this film came closest to capturing the atmosphere of the First World War and exposing the workings of the military mind. Director Stanley Kubrick was said to be a great admirer of Napoleon, and this fearsome indictment of the futility of war can also be read as a lament for the decline of the once glorious French army. As the general who orders a hopeless attack on a German position, Adolphe Menjou is a villain not because he is an officer slavishly adhering to the letter of army law, but because he is an arrogant aristocrat, motivated more by fear of the lower classes than by hatred of the enemy. Kirk Douglas and Timothy Carey are outstanding among the troops on the front line, while Kubrick's relentlessly probing camera offers constant evidence of a film-maker at the height of his powers.
Incisive melodrama chiefly depicting the corruption and incompetence of the high command; the plight of the soldiers is less interesting. The trench scenes are the most vivid ever made, and the rest is shot in genuine castles, with resultant difficulties
Paths of Glory is not an anti-war film per se, though it does depict unflinchingly the horrors of warfare ? instead it is a film about class struggle and self-advancement during wartime, focusing on officers willingness to see their own soldiers die in order for personal gains. The main plot concerns a suicidal push against German lines and the need to find a scapegoat to take the blame when it fails, but there is also a smaller scale subplot where a cowardly Lieutenant accidentally kills one of his own men while on patrol and decides to silence the one witness to preserve his own skin. As with Full Metal Jacket, this is very much a film of two distinct halves ? the first half concentrates on the misguided military action, while the second half is more of a court-room drama picking over the events to find someone to blame. Visually the film contains some great flashes of genius from Kubrick ? a soldier creeps through the murky blackness of no-mans land on a reconnaissance mission when a flare reveals the ground to be littered with corpses; the long tracking shots through the trenches; the still impressive push ?over the top?; the rigid angles and looming menace of the court marshal. As often with Kubrick?s films, the narrative structure is a little odd and unconventional, and the ending is not particularly satisfying, though the rank and file soldiers? confrontation with a captured German girl works as a mirror to the court marshal, with the soldiers ultimately showing more compassion for the enemy than the generals did for their own men.Some aspects of the film look a little dated, and having supposedly French soldiers portrayed by actors with American accents is rather distracting, but this is still an excellent film, though not quite in the same league as Kubrick?s later output.
Powerful Kubrick war film about three men that are wrongly court marshalled for cowardice during battle and sentence to execution. The film is an anti-war statement and portrays the tragedy of war. The lack of justice and compassion for fellow human beings is clearly indicated and Kirk Douglas gives a very good performance. Worth watching.