Situated somewhere between supernatural horror and lush Victorian melodrama, director Peter Weir's lyrical, enigmatic masterpiece is an imaginative tease. The setting is a proper turn-of-the century Australian boarding school for girls, a suffocating institution built on strict moral codes, repressed sexuality, and a subtle but .. Read more
| Starring | Rachel Roberts, Dominic Guard, Helen Morse, Jacki Weaver |
|---|---|
| Director | Peter Weir |
| Genres | Drama, Gay/Lesbian |
loading...
On St Valentine's Day in 1900 a party of schoolgirls enjoys a day at Hanging Rock, a local beauty spot. But something odd is at work: clocks stop at midday and three girls vanish. Dingo dogs, extraterrestrials, kidnappers or what? In this psychological take on the mystery, director Peter Weir leaves clues hanging in the air like a glistening spider's web, hears celestial choirs and thrumming insects — he hasn't the foggiest, but he adores ambiguity, mysticism and metaphor. It's a very sexy picture, which stares an enigma straight in the eye and, in the process, proved to the world that the new Australian cinema was capable of making films other than those that featured gnarled and drunken sheep-shearers. There are fine performances from Rachel Roberts, Helen Morse and Dominic Guard, which, with the outstanding location work, add up to a decidedly class act.
A film that ventures successfully into the mystic and bravely offers no answer to its central puzzle, just a question that continues to haunt the mind. Whether you want to regard it as a parable of sexual awakening or of colonial repression, it successful
"...[It] wears the brilliant obscurity of a Dickinson poem and the suggestive force of a Magritte painting....[Offers] just the perfect beauty of its puzzle..." -- Rating: A
Pre-dating Blair Witch-style marketing by over 20 years, this film (and preceding novel) has fooled many into thinking it's an account of an actual event (i.e. 'one of Australia's greatest unsolved mysteries' as it says up there in the synopsis). In fact the story is entirely fictional, but it's fun trying to piece together your own solution. There's a director's cut of this movie available but this version isn't it.
During a picnic trip to Hanging Rock, three girls and their teacher disappear without trace, leaving a mystery that refuses to be solved. Based on the 1967 novel by Joan Linday, Weir delivers a film that relies more on ambience than traditional, rigid narrative. Awash with haunting imagery, a wistful score and strong central performances, PaHR is a delicate blend of supernatural melodrama and repressed adolescent sexuality. The slow pace and deliberate vagueness of the plot may frustrate some viewers but if you enjoy films that utilize mood rather than rely on overt action, for example Terrence Mallicks Days of Heaven, then is a must. 5/5
A group of school girls go on a picnic (you guessed it...at Hanging Rock!) and three of the girls and a teacher go missing...
This film is very atmospheric, the sound effects and the way in which certain scenes are filmed create tension. This film is about how the missing four affect those who knew them. The mystery carries throughout the film, but don't expect answers. You come up with your own conclusion.
Worth a watch but frustrating nevertheless.
During a picnic trip to Hanging Rock, three girls and their teacher disappear without trace, leaving a mystery that refuses to be solved. Based on the 1967 novel by Joan Linday, Weir delivers a film that relies more on ambience than traditional, rigid narrative. Awash with haunting imagery, a wistful score and strong central performances, PaHR is a delicate blend of supernatural melodrama and repressed adolescent sexuality. The slow pace and deliberate vagueness of the plot may frustrate some viewers but if you enjoy films that utilize mood rather than rely on overt action, for example Terrence Mallicks Days of Heaven, then is a must. 5/5
An absorbing and haunting film that looks and feels very 1970s. It could be a metaphor for colonialism but is enjoyable simply as an eerily intriguing story.
At times the direction compares with Nicholas Roeg.
Pre-dating Blair Witch-style marketing by over 20 years, this film (and preceding novel) has fooled many into thinking it's an account of an actual event (i.e. 'one of Australia's greatest unsolved mysteries' as it says up there in the synopsis). In fact the story is entirely fictional, but it's fun trying to piece together your own solution. There's a director's cut of this movie available but this version isn't it.
During a picnic trip to Hanging Rock, three girls and their teacher disappear without trace, leaving a mystery that refuses to be solved. Based on the 1967 novel by Joan Linday, Weir delivers a film that relies more on ambience than traditional, rigid narrative. Awash with haunting imagery, a wistful score and strong central performances, PaHR is a delicate blend of supernatural melodrama and repressed adolescent sexuality. The slow pace and deliberate vagueness of the plot may frustrate some viewers but if you enjoy films that utilize mood rather than rely on overt action, for example Terrence Mallicks Days of Heaven, then is a must. 5/5
A group of school girls go on a picnic (you guessed it...at Hanging Rock!) and three of the girls and a teacher go missing...
This film is very atmospheric, the sound effects and the way in which certain scenes are filmed create tension. This film is about how the missing four affect those who knew them. The mystery carries throughout the film, but don't expect answers. You come up with your own conclusion.
Worth a watch but frustrating nevertheless.
A wonderful film, a simple story but created with magic and mystery.
For years I believed this to be a true story, disappointed when I learned the episode was a newspaper hoax.
Haunting music, enhances the beauty and danger of nature.
An absorbing and haunting film that looks and feels very 1970s. It could be a metaphor for colonialism but is enjoyable simply as an eerily intriguing story.
At times the direction compares with Nicholas Roeg.
Picnic at Hanging Rock is an early film from Peter Weir, director of modern greats such as, The Truman Show and Witness. The film follows how teachers and pupils of a private all girls school react to the disappearance of some of their fellow pupils at a local beauty spot. While the police search for the girls we are forced to endure painful dialogue, philosophical hints at their whereabouts, terrible pan pipe music, a huge amount of ponderous shots of the ubiquitous Hanging rock and some stuff about repressed female sexuality. All of the above is conducted in a hugely pretentious, dull and self-indulgent fashion, in a film that thinks its a lot deeper and meaningful than it actually is. For a proper ambivalent and mysterious Australian film, watch Nicolas Roegs Walkabout. This hints at sexual tension and highlights the beauty and brutality of nature with proper characters you actually care about.
If you like atmosphere, beautiful photography, moral tales and surreal plots, Roeg's Walkabout, check this film out.
If you need action and thrils, try something else. I think it's great, even if it's not based on a real event, as it claims.
A wonderful film. It keeps you guessing as to what actually happened to the missing girls.
Unique in the fact it never directly answers the question.
Every time I watch it I come up with a new theory as to what happened.
I must admit this film is not to every ones taste. Like the other reviewer said if you want action and drama Do not rent it.
The film is more arty than anything else.
The storyline is very slow, characters are flat, and nothing is explained. I found it boring, shallow, and difficult to follow. I didn't enjoy it at all.
lovely film..with enchanting music..and a spooky tale that leaves you both mystified and wondering..keeps you rivited throughout..worth watching..
On St Valentine's Day in 1900 a party of schoolgirls enjoys a day at Hanging Rock, a local beauty spot. But something odd is at work: clocks stop at midday and three girls vanish. Dingo dogs, extraterrestrials, kidnappers or what? In this psychological take on the mystery, director Peter Weir leaves clues hanging in the air like a glistening spider's web, hears celestial choirs and thrumming insects — he hasn't the foggiest, but he adores ambiguity, mysticism and metaphor. It's a very sexy picture, which stares an enigma straight in the eye and, in the process, proved to the world that the new Australian cinema was capable of making films other than those that featured gnarled and drunken sheep-shearers. There are fine performances from Rachel Roberts, Helen Morse and Dominic Guard, which, with the outstanding location work, add up to a decidedly class act.
A film that ventures successfully into the mystic and bravely offers no answer to its central puzzle, just a question that continues to haunt the mind. Whether you want to regard it as a parable of sexual awakening or of colonial repression, it successful
"...[It] wears the brilliant obscurity of a Dickinson poem and the suggestive force of a Magritte painting....[Offers] just the perfect beauty of its puzzle..." -- Rating: A
"...Exquisite and seductive....Cinema at its most evocative....PICNIC AT HANGING ROCK remains a gorgeous-looking, superbly wrought cinema..."
Three girls and a teacher from an exclusive Australian academy unaccountably vanish while visiting a local beauty spot.... read more on Time Out
"...A hypnotic spell....A movie that is both spooky and sexy."