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Lynne Ramsey's bleak, beautifully photographed debut unflinchingly portrays life in a Glasgow housing project during the 1973 garbageworkers strike as seen through the eyes of 12-year-old James Gillespie (William Eadie, in a soulful debut). As the film opens, James is playing with a friend near a filthy canal behind the .. Read more
| Starring | Tommy Flanagan, Bill Eadie, Mandy Matthews, Michelle Stewart |
|---|---|
| Director | Lynne Ramsay |
| Genres | Drama |
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What do George Clooney, Bela Tarr, Wes Anderson and Derek Jarman have in common? You probably guessed. They have all directed Tilda Swinton (Anderson in his latest, the forthcoming Moonrise Kingdom). Katherine Matilda Swinton is a rare creature. Tall, pale skinned, with red hair and drawn, curious features: thin lips, high forehead… Todd Haynes missed a trick when he failed to cast her as Ziggy Stardust in Velvet Goldmine. It’s no easy feat, to come from the avant-garde, the art... Read more
Ladies and gentlemen, start your engines! Tis autumn and the Oscar season is just around the corner. The Venice and Toronto International Film Festivals – and on their heels, London – will give us a preview of what we can expect in the hype and glory department. Autumn also seems to give permission to distributors to raise the IQ bar a degree or ten. According to industry wisdom, there is a significant audience that doesn’t mind smart movies but would prefer to enjoy the... Read more
Have you voted yet? Last time I looked, our Defining Films of the Decade poll had amassed over 100, 000 votes, and though there was a clear front-runner there was surprisingly little to separate the top titles in the race from the pack. In other words, there’s still time if you want to stop Moulin Rouge from running away with it! The poll ‘only’ stretches to one hundred titles, for which we should probably be grateful – a certain film magazine recently sent me a far... Read more
Film of the year so far! Imagine, say, My Life as a Dog, Ratcatcher, or even 400 Blows, one of those bittersweet portraits of lonely children bumping up against the hard knocks of parental neglect, abuse and poverty. Cross that kind of acute honesty and naturalism with an edgy near-the-knuckle horror movie – Near Dark, for instance, or Ringu. Now set this intriguing mutation in the suburbs of Stockholm during the depths of a Swedish winter. Let the Right One In is that movie, and it’ Read more