Set in Texas during the late 1860s, Rio Bravo is a story of men (and women) and a town under siege. Presidio County Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins), a worthless, drunken thug, for the murder of an unarmed man in a fight in a saloon -- the problem is that Joe is the brother of wealthy .. Read more
| Starring | John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson |
|---|---|
| Director | Howard Hawks |
| Genres | Action/Adventure |
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Set in Texas during the late 1860s, Rio Bravo is a story of men (and women) and a town under siege. Presidio County Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins), a worthless, drunken thug, for the murder of an unarmed man in a fight in a saloon -- the problem is that Joe is the brother of wealthy land baron Nathan Burdette (John Russell), who owns a big chunk of the county and can buy all the hired guns he doesn't already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow-looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty -- this starts a verbal duel between the two of them that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight. Wheeler is murdered by one of Burgette's hired guns who is, in turn, killed by Dude in an intense confrontation in a saloon. Colorado throws in with Chance after his boss is killed and picks up some of the slack left by Dude, who isn't quite over his need for a drink or the shakes that come with trying to stop. Chance and Burdette keep raising the ante on each other, Chance, Dude, and Colorado killing enough of the rancher's men that he's got to double what he's paying to make it worth the risk, and the undertaker (Joseph Shimada) gets plenty of business from Burdette before the two sides arrive at a stalemate -- Burdette is holding Dude and will release him in exchange for Joe. This leads to the final, bloody confrontation between Chance and Burdette, where the wagons brought to town by the murdered Wheeler play an unexpected and essential role in tipping the balance.~ Bruce Eder, All Movie Guide
| Starring | John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Ward Bond, Claude Akins, Walter Brennan, John Russell |
|---|---|
| Director | Howard Hawks |
| Studio | WARNER HOME VIDEO |
| Run time | DVD: 2 hrs 16 mins Blu-ray: 2 hrs 15 mins HD DVD: 2 hrs 15 mins |
| Certificate | |
| Collections | 100 Wild Westerns |
| Genres | Action/Adventure |
| Language | DVD: English Blu-ray: English HD DVD: English |
| Released | DVD: 14 Mar 2005 Blu-ray: 25 Feb 2008 HD DVD: 17 Mar 2008 Production year: 1959 |
| Format | DVD |
Under-rated at the time of its release, this majestically paced western is one of the finest achievements of the genre, and stands as a career-best for many of its participants, its above-average length and simplistic plot masking a work of depth and artistry. Originally intended by director Howard Hawks as a riposte to the liberal High Noon, the quality and class of this movie owe little to what had gone before, save some dialogue lifted from Hawks's earlier To Have and Have Not. This is a definitive study of male camaraderie, particularly in the wordless opening sequence as John Wayne attempts to preserve the drunken Dean Martin's dignity. The casting is perfect (if you believe Ricky Nelson as a gunslinger) and the sense of fun contagious. Superb Technicolor photography and a Dimitri Tiomkin score provide the icing on a very impressive cake.
Cheerfully overlong and slow-moving Western in which everybody, including the director, does his thing. All very watchable for those with time to spare, but more a series of revue sketches than an epic.
Somebody was talking to me about how good they thought that Open Range was and I found this film to be very similar in its style with a surprisingly good performance from John Wayne holding the attention. I'm not a big fan of his, finding his acting a bit limited by the boundaries of his own personality yet this film is one that I really enjoyed. Some really surprising dialogue, decent action and good characterisation turned this into a very enjoyable western. It has dated slightly, with the final five minutes being a bit of a drag but it was tense, funny, dramatic and most importantly, entertaining. My first Howard Hawks western and I'll definitely be having a look at some others.
It says all that needs to be said about friendship, self respect, loyalty, courage, and, well, simply knowing and doing what's right! At its best the Western was a morality play. It was about not just knowing how to fight but knowing when it's right to fight (well that was Shane, but the principle's the same). It was about being on the side of the angels, even if you've only got one leg or you're a washed up drunk. Martin was never better, and the Duke never more vulnerable - at least to a young Angie Dickinson.
Korean director Ji-woon Kim is best known in the west for the small but perfectly formed horror, A Tale of Two Sisters. That's about to change, however, with the release of his latest film, noodle western The Good, the Bad, the Weird, which just happens to have the largest budget of any live action film in Korean history. As the title would suggest, The Good, the Bad, the Weird is a remake of Sergio Leone's spaghetti western masterpiece The Good, the Bad and the Ugly, but given an Asian... Read more