At this African American college, amid gala coronations, football, fraternities, parades, and parties, a group of buddies find themselves caught up in romance, relationship rituals, and rivalries during one outrageous homecoming weekend. The story follows two cousins who have opposing attitudes when it comes to the purpose of .. Read more
| Starring | Laurence Fishburne, Giancarlo Esposito, Tisha Campbell, Ossie Davis |
|---|---|
| Director | Spike Lee |
| Genres | Comedy |
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In attempting to present campus life as a microcosm of African-American society, Spike Lee succeeds in raising many points without reaching any conclusions in this spirited, if disjointed musical comedy. He wants to discuss political issues, but makes their advocates so dull that, for all their boorish behaviour, the good-time airheads seem much more attractive. Similarly, he attacks the conventions of college life without exploring any alternatives and takes pot shots at sexism, racism and the age and class divides without steadying his aim. A couple of the songs are well staged and Larry (before he became Laurence) Fishburne gives a steady performance, but, overall, this is a disappointing satire.
if your a fan of spike, watch this film. its a black/white reversal of us college life. funny moving and as usual quite political. also its interesting to see young larry fishburn and nia long
good cult film in black institutions of higher education where people are into fraternity affiliations. romantic with humour and action
if your a fan of spike, watch this film. its a black/white reversal of us college life. funny moving and as usual quite political. also its interesting to see young larry fishburn and nia long
if your a fan of spike, watch this film. its a black/white reversal of us college life. funny moving and as usual quite political. also its interesting to see young larry fishburn and nia long
good cult film in black institutions of higher education where people are into fraternity affiliations. romantic with humour and action
In attempting to present campus life as a microcosm of African-American society, Spike Lee succeeds in raising many points without reaching any conclusions in this spirited, if disjointed musical comedy. He wants to discuss political issues, but makes their advocates so dull that, for all their boorish behaviour, the good-time airheads seem much more attractive. Similarly, he attacks the conventions of college life without exploring any alternatives and takes pot shots at sexism, racism and the age and class divides without steadying his aim. A couple of the songs are well staged and Larry (before he became Laurence) Fishburne gives a steady performance, but, overall, this is a disappointing satire.