Drawing on psychoanalysis to frame a transcendent love story, Alfred Hitchcock's SPELLBOUND is a mind-bending study of just how far people might go to escape trauma or to pursue passion. Gregory Peck is introduced as Dr. Edwardes, the newly arrived director of a mental asylum. However, when Edwardes starts displaying strange .. Read more
| Starring | Ingrid Bergman, Gregory Peck, Rhonda Fleming, Leo G. Carroll |
|---|---|
| Director | Alfred Hitchcock |
| Genres | Drama |
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In his eagerness to make the first serious film about psychoanalysis, Alfred Hitchcock so diluted the fantastical elements in Francis Beeding's novel The House of Dr Edwardes, all that remained was a melodramatic plot and an awful lot of psychobabble. Not even dream sequences designed by Salvador Dali could enliven the turgid script, made all the less palatable by the robotic performance of Gregory Peck as the amnesiac trying to unravel his troubled past with the help of sympathetic shrink, Ingrid Bergman. Hitch himself was disappointed with the picture, but there are enough masterly touches to prevent the attention from straying too far.
Enthralling and rather infuriating psychological mystery; the Hitchcock touches are splendid, and the stars shine magically, but the plot could have stood a little more attention.
In 1945, Freud & Co were beginning to have a profound influence on American thinking, so armed with a script by Ben... read more on Time Out
Gregory Peck, Ingrid Bergman & others great acting.
Great director.
OLD FASHIONED SUSPENCE FILM.
Worth watching just to hear Gregory Peck announce with all the conviction he can muster: 'If there's one thing I hate - it's a SMUG WOMAN'.
with a formulaic plot is lifted above average by superb performances by Bergman and Peck and a very famous dream sequence designed by Salvador Dali.
Gregory Peck, Ingrid Bergman & others great acting.
Great director.
OLD FASHIONED SUSPENCE FILM.
A sometimes painfully slow suspense film with trademark hitchcock cinematography. Good performances by all except Peck who brings little to his character. ... more
Gregory Peck, Ingrid Bergman & others great acting.
Great director.
OLD FASHIONED SUSPENCE FILM.
Worth watching just to hear Gregory Peck announce with all the conviction he can muster: 'If there's one thing I hate - it's a SMUG WOMAN'.
with a formulaic plot is lifted above average by superb performances by Bergman and Peck and a very famous dream sequence designed by Salvador Dali.
This is mediocre Hitchcock, the story is quite interesting, what dark secrets are locked in Gregory Pecks amnesia riddled mind ? But in general the story just ... more
A sometimes painfully slow suspense film with trademark hitchcock cinematography. Good performances by all except Peck who brings little to his character. ... more
After having read several reviews of this film, I was not expecting much... But I REALLY enjoyed it!
Hitchcock's masterly touch can be seen ...
more
An excellent film for romantics & Hitchcock fans. The whodunnit element isn't terribly complicated but the story flies along keeping you as rapt as the... more
After winning Oscars for "Gone with the Wind" and "Rebecca" producer David O. Selsnick was inexplicably depressed, and sought counseling. ... more
In his eagerness to make the first serious film about psychoanalysis, Alfred Hitchcock so diluted the fantastical elements in Francis Beeding's novel The House of Dr Edwardes, all that remained was a melodramatic plot and an awful lot of psychobabble. Not even dream sequences designed by Salvador Dali could enliven the turgid script, made all the less palatable by the robotic performance of Gregory Peck as the amnesiac trying to unravel his troubled past with the help of sympathetic shrink, Ingrid Bergman. Hitch himself was disappointed with the picture, but there are enough masterly touches to prevent the attention from straying too far.
Enthralling and rather infuriating psychological mystery; the Hitchcock touches are splendid, and the stars shine magically, but the plot could have stood a little more attention.
In 1945, Freud & Co were beginning to have a profound influence on American thinking, so armed with a script by Ben... read more on Time Out