In the seventeenth century the roles of women in live theatre are played by men and one of the most famous is Ned Kynaston. When Charles II tires of the same old faces he decides to allow real women on the stage. Overnight Ned becomes a nobody and heads towards suicide until an actress named Maria decides to rescue him. Read more
| Starring | Claire Danes, Billy Crudup, Rupert Everett, Ben Chaplin |
|---|---|
| Director | Richard Eyre |
| Genres | Drama, Romance |
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In the seventeenth century the roles of women in live theatre are played by men and one of the most famous is Ned Kynaston. When Charles II tires of the same old faces he decides to allow real women on the stage. Overnight Ned becomes a nobody and heads towards suicide until an actress named Maria decides to rescue him.
| Starring | Claire Danes, Billy Crudup, Rupert Everett, Ben Chaplin, Zoe Tapper, Tom Wilkinson, Richard Griffiths |
|---|---|
| Director | Richard Eyre |
| Studio | MOMENTUM PICTURES |
| Certificate | |
| Genres | Drama, Romance |
| Language | DVD: English |
| Released | DVD: 27 Dec 2004 Production year: 2004 |
| Format | DVD |
London's theatreland of the 1660s provides the backdrop for this offbeat romantic comedy drama from Iris director Richard Eyre. The name of Ned Kynaston may have long since faded into obscurity, but, at a time when female roles were played by men, he was the theatre's most celebrated leading lady — charming diarist Samuel Pepys, among others. Here, Kynaston (played by Billy Crudup) is at the height of his fame, oblivious to the romantic feelings of his dresser, Maria (Claire Danes), who reprises Kynaston's performance as Desdemona in an illicit production. When King Charles II (Rupert Everett), eager for novelty, proclaims that all female roles should be played only by women, Maria becomes a star while Ned quickly finds himself out of work. This promises much as a period tale, exploring territory touched upon in Shakespeare in Love, but it never quite overcomes the fact that Crudup's Kynaston simply isn't credible as the top female actor of the age.
Weak and miscast drama of gender confusion that rewrites theatrical history to suggest the triumphant arrival of a modern and naturalistic style of acting to replace what had gone before.
Comparisons to Shakespeare in Love are justified, but this film is darker, saucier, with more fluid identities and romantic attachments. Ned Kynaston is the man who plays a woman on the stage whose livelihood is threatened when King Charles makes it legal for women to act, and his pretty, ambitious dresser (Clare Danes) takes to the stage in his place. Cue lots of insecurities about identity, attractiveness and acting ability as Kynaston is dumped by his male lover and forced to play the man - both on the stage and in a relationship with his former dresser. This film looks good, and is for the most part well acted - Rupert Everett follows his Charles I in To Kill a King with an excellent performance as King Charles II. Billy Crudup, however, is not quite pretty enough to play Ned - when characters remark on how pretty he is, it seems unconvincing. The biggest problem with the film, though, is when it tries to be a romance between the two main characters, which for reasons I cannot really reveal without giving away the plot, doesn't quite convince. The constantly revised versions of Othello are fun, though, and the climax really quite dramatic.
I saw this film over Christmas and similarly I did think it was going to be a re-hash of 'Shakespeare in Love'. Similar story, but darker and ultimately a better movie for it. I did feel that the ending was a tad unconvincing, if only for the fact that the hero (Crudup) effectively compromises his sexuality in order to eventually cop-off with Clare Danes (what's going on?? I thought his character was gay?? Or is it a case of any port in a storm??) Anyway, that's the confusing bit. Apart from that, marvellous performances all round, costumes and sets sumptuous, storyline really makes you root for the two leads at the end (especially Clare Danes - go girl!!). Very enjoyable.
With both Cate Blanchett and Judi Dench picking up award-nominations left, right and centre, for their performance in this gripping drama. We caught up with Oscar-winner Blanchett and film-makers Richard Eyre and screenwriter Patrick Marber, just before Christmas to get the low-down on the making of this Oscar-nominated movie… LOVEFiLM: Adapting Zoe Heller's work must have been a challenge? Patrick Marber: It was very hard to adapt, I read the book many times and underlined all the things I... Read more