STRANGERS ON A TRAIN, based on the Patricia Highsmith novel, quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance .. Read more
| Starring | Farley Granger, Ruth Roman, Robert Walker, Leo G. Carroll |
|---|---|
| Director | Alfred Hitchcock |
| Genres | Thriller |
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STRANGERS ON A TRAIN, based on the Patricia Highsmith novel, quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance encounter turns into a series of morbid confrontations, as Bruno manipulates his way into Guy's life. Bruno is eager to kill his father and knows Guy wants to marry a senator's daughter (Ruth Roman) but cannot get a divorce from his wife, Miriam (Laura Elliot). So Bruno suggests the men swap murders, which would leave no traceable clues or possible motives. Though Guy refuses, it will not be so easy to rid himself of the psychopathic Bruno. The film is tightly paced and disturbing from beginning to end, an effect heightened by Hitchcock's inventive camera work, including a terrifying sequence shot through a pair of eyeglasses that have been knocked to the ground.
| Starring | Farley Granger, Ruth Roman, Robert Walker, Leo G. Carroll, Laura Elliot, Jonathan Hale, Patricia Hitchcock, Marion Lorne |
|---|---|
| Director | Alfred Hitchcock |
| Studio | WARNER HOME VIDEO |
| Run time | DVD: 1 hr 36 mins |
| Certificate | |
| Genres | Thriller |
| Language | English |
| Released | DVD: 01 Nov 2004 Production year: 1951 |
| Format | DVD |
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This splendid thriller is testimony to Alfred Hitchcock's mastery of technique and his ability to transform even the most unpromising start into a gripping movie. After nearly a dozen writers had turned down the chance to adapt Patricia Highsmith's novel, Raymond Chandler stepped into the breach, only to disagree with Hitch on several key scenes and suffer the ignominy of having his dialogue polished by Czenzi Ormonde, a staff writer. Hitchcock was also underwhelmed by Farley Granger in a role he felt cried out for William Holden. Nevertheless, he turns the murderous proposal of eccentric playboy Robert Walker to tennis champ Granger into a veritable nail-biter, with the two fairground scenes outstanding. He approved of one casting decision, however — his daughter Patricia plays Ruth Roman's suspicious sister.
This quirky melodrama has the director at his best, sequence by sequence, but the story is basically unsatisfactory. It makes superior suspense entertainment, however.
There are very few who would deny the genius of Hitchcock, and whilst Strangers on a Train may not rank among his best, any Hitchcock film is worth the paces you go through.
Suppose two people wanted somebody they knew dead. These people then meet each other on a train, and they agreed to perform each other's murders. This way neither crime could be traced back to the perpetrator. But what happens if one party doesn't keep up their side of the bargain...? This is the premise of Hitchcock's film.
Though the cast are fairly unfamiliar, the acting is top notch, but the genius lies with the camerawork, the dialogue itself, and, as always, the music. Hitchcock is not to be recommended to those who cannot cope with talky expositions or character-based actions rather than thrills for the sake of thrills, and the situation is no different here. The fairground climax seems a little dated compared to say the cliff-face at the end of North by Northwest, but makes for a satisfying conclusion.
Heartily recommended!
The book "Strangers on a Train" was penned by Patricia Highsmith, who also wrote the book "The Talented Mr. Ripley." In this movie, then, we get a glorious marriage between the strangeness of Highsmith and the precision of Hitchcock's direction. We see our everyman, Guy, as he bumps into, converses with, and becomes entangled in the warped world of Bruno - an emotionally unstable, rich dilletant. It's a perfect Hitchcock set up, (I don't even want to ruin the opening), and it plays out like clockwork.
"Strangers" is a minor, middle Hitchcock film - there are no big stars to be seen. No Jimmy Stewart, no Cary Grant, but this one is definitely worth a viewing. It's a textbook example of solid photography and storytelling, and it has lost nothing over the years. If you've already seen "Rear Window" "Psycho" "Notorious" and "North by Northwest" this is a solid pick.
One of the most famous horror films in cinema history, Alfred Hitchcock's The Birds, is set for a remake. The 1963 suspense thriller, based on an original story by Daphne du Maurier to which Universal owns the rights, tells the story of a small Californian town terrorized by increasingly ferocious birds. The new version is to be produced by Michael Bay, who has previously directed Bad Boys and Bad Boys II, The Rock, Armageddon and Pearl Harbour. In addition to this, Bay has more recently... Read more