David Ayer, who wrote TRAINING DAY, gives us another unflinching look at disillusionment and questionable decision-making within the ranks of the LAPD. Ayer's second directorial effort tells the story of burnt-out Tom Ludlow (Keanu Reeves), a functioning alcoholic and undisciplined detective with the Special Vice Unit. While so .. Read more
| Starring | Jay Mohr, Antonio 'King Tone' Fernandez, Forest Whitaker, Terry Crews |
|---|---|
| Director | David Ayer, Jon Alpert |
| Genres | Audio Descriptive, Drama, Thriller |
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David Ayer, who wrote TRAINING DAY, gives us another unflinching look at disillusionment and questionable decision-making within the ranks of the LAPD. Ayer's second directorial effort tells the story of burnt-out Tom Ludlow (Keanu Reeves), a functioning alcoholic and undisciplined detective with the Special Vice Unit. While so much of this characterisation appears resonatingly familiar at first, we soon learn that the character here has been tweaked. While this loose cannon in no way does things by the book, he is also far from playing by his own rules. Ludlow is relied upon by the other detectives in the unit, and by their almost maniacally ambitious Captain Wander (Forest Whitaker), to go outside the law whenever needed. The infractions he is pressured to commit are quickly and uncomplainingly covered up by Captain Wander, while Ludlow and the rest of Special Vice receive accolades for their high clearance rate. Not until one of these cover-ups leads to the brutal murder of his ex-partner (Terry Crews) does Ludlow try to dispel the apathy (and the vodka fumes) clouding his purpose. This procedural melodrama is almost completely internalized within the LAPD, as Vice cops investigate Narcotics cops, who snitch on Homicide cops, and no one talks to Internal Affairs, etc. Crimes are staged, executed, and pinned firmly on suspects with alarming efficiency as the necessary DNA, murder weapons, and fingerprints are then sprinkled around the scenes after the fact.
A study in familiar elements slightly skewed, STREET KINGS provides a satisfying dose of bright, loud, violent police work blended with the right amount of discreetly passed interoffice envelopes to keep the taut intrigue in step with the body count. Little time is wasted on exposition, and the audience's ability to extrapolate is given a great deal of credit as Ludlow's dead wife, substance abuse, and past career troubles are flashed at us briefly, then put away in favour of the crisis at hand.
| Starring | Jay Mohr, Antonio 'King Tone' Fernandez, Forest Whitaker, Terry Crews, Keanu Reeves, Naomie Harris, The Game, Cedric the Entertainer, Chris Evans, Common, John Corbett, Hugh Laurie |
|---|---|
| Director | David Ayer, Jon Alpert |
| Studio | 20TH CENTURY FOX HOME ENTERTAINMENT |
| Run time | DVD: 1 hr 44 mins Blu-ray: 1 hr 49 mins |
| Certificate | |
| Genres | Audio Descriptive, Drama, Thriller |
| Language | DVD: English, English Audio Description Blu-ray: English, English Audio Description |
| Released | DVD: 15 Sep 2008 Blu-ray: 15 Sep 2008 Production year: 2008 |
| Format | DVD |
What happens when one of Americas finest living writers teams up with one of its most laughable? James Ellroys... read more on Time Out
Not for me, I'm afraid. Fell asleep. Didn't enjoy it at all.
Following the loose trilogy of L.A. Confidential, Dark Blue and Training Day it was hard not to get excited about David Ayer and James Ellroys involvement in another muscular film about the cops that prowl the streets of Los Angeles, especially when that film contains Forest Whitaker.
Unfortunately, this excitement was misplaced as Street Kings proves to be an utterly predictable trudge through what has come before, which is a shame because the individual parts are of a very high quality. The dialogue is as lean as you could hope for and even Keanu Reeves is competent enough (although in fairness he is out played by Whitaker, Chris Evans, Hugh Laurie and just about everyone else that walks past the camera). The issue here is the plot. Within five minutes you know exactly what is going on and are then subjected to another 100 minutes of Reeves (like, erm, totally) bad-ass cop playing catch up. The tedium is just plain
erm
well
tedious and there really is nothing else to say about it
James Ellroy (LA Confidential; The Black Dahlia; Cop) is to the Los Angeles Police Department what Michael Moore is to George W Bush. He's a one-man black wash, a PR flak's worst nightmare. Even so, I'll bet his books are well thumbed in the precincts. His down and dirty detectives don't spend too much time filling out forms in triplicate. Street Kings takes a vintage Ellroy scenario (the script was also worked on Kurt Wimmer and Jamie Moss) about a rogue vigilante cop, Tom Ludlow (Keanu... Read more