The true story of a girl who took on all of Texas...and almost won. Read more
| Starring | Goldie Hawn, Ben Johnson, Michael Sacks, William Atherton |
|---|---|
| Director | Steven Spielberg |
| Genres | Drama |
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Truncated for general release in the UK, this marvellously constructed chase movie from a young Steven Spielberg is here presented in its complete form. Based on truth, it is about a young couple heading for Sugarland, Texas, pursued by the police as they race across the state. As written, the couple are not particularly likeable, but as played by Goldie Hawn and William Atherton they're funny and sympathetic, even when they capture patrolman Michael Sacks and hold him hostage. The set pieces are beautifully handled, grizzled veteran Ben Johnson is watchable as the head cop on their tail, and, looking back, it's clear that Spielberg already held all the aces and knew how to deal them.
Fugitive couple (Hawn, Atherton) plus kidnapped cop (Sacks) and patrol car take on police chief Ben Johnson and an... read more on Time Out
Mainly comic adventures with a bitter aftertaste, very stylishly handled.
Having just read 'Easy Riders Raging Bulls' I wanted to see a few of the films of the 70s, some of which I'd never seen before. Sugarland Express is one such - I'm not a fan of Spielberg's at all, and his best film in my view is 'Duel', which was originally made for TV anyway. Sugarland Express demonstrates that he could put together a well-made film, although I must admit I didn't have much sympathy for the main characters. Watchable but forgettable. After this he made Jaws, and the rest is history...
Your enjoyment of 'Sugarland Express' depends a lot on how much of a film fan you are. If you enjoy purely the story on screen, then this is a more than watchable road movie with great performances from the four main protagonists. If you're at all interested in direction, editing, cinematography - in other words the film-making process - then this film is a great reminder of the genius of Steven Spielberg, and a good companion to his feature-length debut 'Duel'.
It's all there; brilliant camerawork, gorgeous photography, high-tempo car chases with harder than it looks camera and sound work (see the scene where Ben Johnsons sheriff is driving side-by-side William Athertons stolen police car whilst negotiating with him over the police radio), and its accompanied by a jaunty harmonica-led score by, of course, John Williams.
Oh, and Spielberg was still in his twenties when he made this...
Predictable nonsense.Nothing new.Tired old cliches.
Impossible to believe that this same man brought us E.T.,Close Encounters,Jaws,Schindler's List etc.....still,I suppose we've all got to start somewhere.
Predictable nonsense.Nothing new.Tired old cliches.
Impossible to believe that this same man brought us E.T.,Close Encounters,Jaws,Schindler's List etc.....still,I suppose we've all got to start somewhere.
This is Spielbergs first foray onto the big screen (his first film Duel was made for TV) and unfortunately it's abit of a missfire. Goldie Hawn is excellent as the wife who gets her husband out of jail to get their child back. And their are well executed set pieces from the future great Director. Ultimately though this film is a let down
Having just read 'Easy Riders Raging Bulls' I wanted to see a few of the films of the 70s, some of which I'd never seen before. Sugarland Express is one such - I'm not a fan of Spielberg's at all, and his best film in my view is 'Duel', which was originally made for TV anyway. Sugarland Express demonstrates that he could put together a well-made film, although I must admit I didn't have much sympathy for the main characters. Watchable but forgettable. After this he made Jaws, and the rest is history...
Your enjoyment of 'Sugarland Express' depends a lot on how much of a film fan you are. If you enjoy purely the story on screen, then this is a more than watchable road movie with great performances from the four main protagonists. If you're at all interested in direction, editing, cinematography - in other words the film-making process - then this film is a great reminder of the genius of Steven Spielberg, and a good companion to his feature-length debut 'Duel'.
It's all there; brilliant camerawork, gorgeous photography, high-tempo car chases with harder than it looks camera and sound work (see the scene where Ben Johnsons sheriff is driving side-by-side William Athertons stolen police car whilst negotiating with him over the police radio), and its accompanied by a jaunty harmonica-led score by, of course, John Williams.
Oh, and Spielberg was still in his twenties when he made this...
Predictable nonsense.Nothing new.Tired old cliches.
Impossible to believe that this same man brought us E.T.,Close Encounters,Jaws,Schindler's List etc.....still,I suppose we've all got to start somewhere.
This is Spielbergs first foray onto the big screen (his first film Duel was made for TV) and unfortunately it's abit of a missfire. Goldie Hawn is excellent as the wife who gets her husband out of jail to get their child back. And their are well executed set pieces from the future great Director. Ultimately though this film is a let down
An assured debut for Spielberg, his first proper feature after a successful career in TV and the superb 1971TV movie 'Duel'. It's a strange mixture of tragic family drama and goofy Texas road movie, as two petty criminals kidnap a patrolman to drive to collect their young baby son from foster parents, collecting an enormous police, media and public entourage as the chase develops. Spielbergs technical skill is noticeable throughout and he does a good job of keeping such a basic story interesting and entertaining throughout. Hawn was a bit too hysterical for my liking, but it's worth a watch to see just how talented the young Spielberg was.
Given that Spielberg can get just about any film idea made with a generous budget to boot, its some what strange to see this early film of his.
But it is a good example of the kind of film he would later make. All the usual amount of sentiment about the family is in place but with the addition of a few darker elements he wouldn't make use of till much later. If you really enjoyed Spielberg's family friendly films this should right up your street.
Spielberg has become the worlds greatest director but his first proper film (duel was a T.V movie) is a low key sometimes touching effort
... the cornerstones of the American right. Except of course when the mother is a convicted felon, and the father no better. She won't take 'No' for an answer when she wants to hear 'Yes' - but this is a threat to the forces of Law and Order in gun-totin Texas and thereby hangs the tale.
Of course, it could never happen here. Our enforcement agencies never over-react. Our children are all safe in their beds. Our mothers are all responsible citizens who understand that they can't necessarily have what they most want.
Based on a true story,this film shows us just how crazy the U.S. is.But apart from that a highly enjoyable film to watch,may look a little dated now but was made 30 years ago.
Truncated for general release in the UK, this marvellously constructed chase movie from a young Steven Spielberg is here presented in its complete form. Based on truth, it is about a young couple heading for Sugarland, Texas, pursued by the police as they race across the state. As written, the couple are not particularly likeable, but as played by Goldie Hawn and William Atherton they're funny and sympathetic, even when they capture patrolman Michael Sacks and hold him hostage. The set pieces are beautifully handled, grizzled veteran Ben Johnson is watchable as the head cop on their tail, and, looking back, it's clear that Spielberg already held all the aces and knew how to deal them.
Fugitive couple (Hawn, Atherton) plus kidnapped cop (Sacks) and patrol car take on police chief Ben Johnson and an... read more on Time Out
Mainly comic adventures with a bitter aftertaste, very stylishly handled.