With SUZHOU RIVER, director Lou Ye has created an intense, jerky visual and narrative style that captivates viewers and pulls them into the mystery of the film's dreamy, alluring tale of love and mistaken identities. The narrator--the voice behind the camera (literally) who occasionally sticks his hand out in front of the lens .. Read more
| Starring | Zhou Xun, Jia Hongshen, Nai An |
|---|---|
| Director | Lou Ye |
| Genres | Drama, World Cinema |
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With SUZHOU RIVER, director Lou Ye has created an intense, jerky visual and narrative style that captivates viewers and pulls them into the mystery of the film's dreamy, alluring tale of love and mistaken identities. The narrator--the voice behind the camera (literally) who occasionally sticks his hand out in front of the lens to spraypaint a stencil on the side of a building or pick up a drink from the bar--guides the viewer along the banks of the heavily polluted and industrialised Suzhou River, which winds precariously through Shanghai, setting the scene for the major action of the film's plot. Back in his apartment, he tells the sad story of Marda (Jia Hongshen), a bicycle messenger who falls madly in love with a young girl named Moudan (Zhou Xun). Marda becomes entangled with a messy crime gang that forces him to kidnap Moudan and demand ransom money from her rich father. Moudan escapes from him before he receives the money and jumps into the poisonous river, promising that one day she'll return as a mermaid. Marda serves a three-year jail sentence for his crime, wracked with grief about causing Moudan's supposed death. Upon his release, he walks into a nightclub and sees a woman performing an underwater mermaid act in a tank. She looks exactly like Moudan, but she is named MeiMei (also played by Zhou). Coincidentally, MeiMei is dating the cameraman-narrator, bringing the plot full circle. An enticingly surreal film that is successful primarily for its narrative twists, SUZHOU RIVER shares many thematic elements with Alfred Hitchcock's VERTIGO.
| Starring | Zhou Xun, Jia Hongshen, Nai An |
|---|---|
| Director | Lou Ye |
| Studio | ARTIFICIAL EYE |
| Run time | DVD: 1 hr 23 mins |
| Certificate | |
| Genres | Drama, World Cinema |
| Language | DVD: Mandarin |
| Subtitles | DVD: English |
| Released | DVD: 08 Dec 2003 Production year: 2000 |
| Format | DVD |
Centring on the polluted river that runs through Shanghai, this teasing treatise on perspective and identity from writer/director Lou Ye irresistibly recalls Alfred Hitchcock's Rear Window and Vertigo. Jia Hongsheng plays a courier obsessed by a dancer (Zhou Xun) who works as a mermaid in a riverside bar. The girl bears an uncanny resemblance to the mobster's daughter (Zhou again) who killed herself — or did she? — after discovering that Hongsheng was involved in a plot to kidnap her. As the complex tale unfolds, the director uses the ingenious device of shooting the action partly from the point-of-view of an unseen video-maker (the former boyfriend of the mermaid Zhou). With its world-weary narration, oppressive cityscapes and dangerous passions, this blend of film noir and psychological drama is as edgy as it is engrossing.
"...Classily played and poetic, in its imagery of back-alley Shanghai and daring story-telling, SHUZHOU RIVER is a fine testimony to the vigour of China's younger generation of filmmakers..."
Suzhou River is filmed from the point of view of a video photographer who makes a living filming parties, weddings etc for paying customers. Hence the whole film is shot in a rough and ready handicam style which seems devicive at first but rapidly becomes believable and voyeuristic. The films story is based on this mans invented love story, inspired by his mysterious and secretive girlfriend. But a plot twist halfway through takes the story to another level and it really grips the imagination and tugs at the heartstrings without ever falling into saccharine schmuck.
The ending is satifyingly short, unsentimental and believable, when it could have been terrible, and leaves you thinking about the film for days.
Altogether, highly recommended.
Don?t be put off by the jerky hand-held camera. Your initial irritation will be forgotten as you are drawn into this mystical, almost dream-like love story. The fact that this was made without the consent of the Chinese authorities and is filmed from the point of veiw of the fimaker produces a uniquely personal feel. A fascinating experience and genuinely moving.