A man who is tired of life wants to commit suicide. He sets off to find someone to bury him after he is dead. Farsi dialogue. Includes 10 on Ten a cinema materclass that offers 10 fascinating lessons on filmmaking by one of the world's most influencial directors. Read more
| Starring | Homayon Ershadi, Adolhossein Bagheri |
|---|---|
| Director | Abbas Kiarostami |
| Genres | Drama |
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A man who is tired of life wants to commit suicide. He sets off to find someone to bury him after he is dead. Farsi dialogue. Includes 10 on Ten a cinema materclass that offers 10 fascinating lessons on filmmaking by one of the world's most influencial directors.
| Starring | Homayon Ershadi, Adolhossein Bagheri |
|---|---|
| Director | Abbas Kiarostami |
| Studio | ARTIFICIAL EYE |
| Run time | DVD: 1 hr 35 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: Farsi |
| Subtitles | DVD: English |
| Released | DVD: 30 May 2005 Production year: 1997 |
| Format | DVD |
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Sharing the Palme d'Or at Cannes with Shohei Imamura's The Eel, Abbas Kiarostami's unconventional road movie is as much about the filmic process as morality, mortality or modern Iran. The action centres on world-weary, middle-aged Homayoon Irshadi, as he cruises the suburbs of Tehran in search of someone willing to transgress Islamic law by burying him after his suicide. Each person he propositions has symbolic significance, including a Kurdistani soldier and an Afghan seminary student, before he finally finds a taxidermist, who accepts the reward to pay his son's medical bills. Endlessly fascinating, with the subtle shifts in landscape and palette quite masterly.
A teasing meditation on death and the simpler joys of life, told in a series of episodic meetings that never reach a conclusion; what matters is the journey, not the destination.
Do not waste your time, mindless numbing rubish
I saw this first time in a film festival and I was very impressed with Kiarostami. This is the way cinema should be; a simple subject matter explored with simple cinematography. Fantastic dialogue.
Khaled Hosseini's best-seller arrives on the big screen just in time for Oscar season - and has already been rewarded with two Golden Globe nominations. It's a middling effort overall, although it has some good passages and points of interest. I haven't read the novel, but apparently this is a reasonably faithful condensation, with a few shortcuts towards the end. Most of the book's fans seem satisfied, but that's not necessarily a good sign for anybody else. Seeing the movie persuaded me not... Read more
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