Features the Anna Neagle films DERBY DAY, I LIVE IN GROSVENOR SQUARE, THE LADY IS A SQUARE, THE LADY WITH A LAMP, SIXTY GLORIOUS YEARS, and VICTORIA THE GREAT. Read more
| Starring | Anna Neagle, Michael Wilding, John McCallum, Rex Harrison |
|---|---|
| Director | Herbert Wilcox |
| Genres | Drama |
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Features the Anna Neagle films DERBY DAY, I LIVE IN GROSVENOR SQUARE, THE LADY IS A SQUARE, THE LADY WITH A LAMP, SIXTY GLORIOUS YEARS, and VICTORIA THE GREAT.
| Starring | Anna Neagle, Michael Wilding, John McCallum, Rex Harrison, Dean Jagger, Frankie Vaughan, Janette Scott, Anton Walbrook, Walter Rilla |
|---|---|
| Director | Herbert Wilcox |
| Studio | OPTIMUM HOME ENTERTAINMENT |
| Run time | DVD: 9 hrs 40 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 07 Jan 2007 |
| Format | DVD |
Or you can rent each disc individually:
An absorbing study of the life and reign of Queen Victoria; including her romance with Prince Albert....
An account of the life of Queen Victoria and the shaping of the British nation....
WWII romance set in Grosvenor Square, aka Eisenhower's home....
The story of Florence Nightingale, the 19th century crusader who re-formed the nursing profession....
Several people's lives intertwine who are on their way to the races on Derby day....
A young hopeful sets his sights on stardom, and tries to win the girl in the process....
This is an opportunity to review the work of the grand-dame of British cinema between the late 1930s and mid 1950s, Anna Neagle. Her work seems to move between gay - in the old sense of the word - comedies of the Binkie Beaumont variety set in Curzon Street, Park Lane and Mayfair, and earnest biopics of national heroines such as Queen Victoria, Edith Cavell, Florence Nightingale and - somewhat bizzarely - Nell Gwynne, albeit highly sanitised. Her style is impeccably upper crust, whether wartime undauntable or light and fluffy - it's been many years since I've heard anyone pronounce 'why' as 'hwy' - and you can see why she was such an incredible morale booster during the war, a sort of middle class Vera Lynn. Look beyond the distaste which the elitism and jingoism of these films might arouse in a modern viewer, and you can see that, actually, she's rather good at what she does. She is always safely, competently and rather stodgily directed by her husband, producer Herbert Wilcox. These films are a window on an England which, I assume, is no more, certainly not in my street.. The cumulative effect, however, is rather blood-curdling, and I would not recommend a serial-watch. One at a time over a period is best.
This is an opportunity to review the work of the grand-dame of British cinema between the late 1930s and mid 1950s, Anna Neagle. Her work seems to move between gay - in the old sense of the word - comedies of the Binkie Beaumont variety set in Curzon Street, Park Lane and Mayfair, and earnest biopics of national heroines such as Queen Victoria, Edith Cavell, Florence Nightingale and - somewhat bizzarely - Nell Gwynne, albeit highly sanitised. Her style is impeccably upper crust, whether wartime undauntable or light and fluffy - it's been many years since I've heard anyone pronounce 'why' as 'hwy' - and you can see why she was such an incredible morale booster during the war, a sort of middle class Vera Lynn. Look beyond the distaste which the elitism and jingoism of these films might arouse in a modern viewer, and you can see that, actually, she's rather good at what she does. She is always safely, competently and rather stodgily directed by her husband, producer Herbert Wilcox. These films are a window on an England which, I assume, is no more, certainly not in my street.. The cumulative effect, however, is rather blood-curdling, and I would not recommend a serial-watch. One at a time over a period is best.