Ex-detective-turned-pimp Jung-ho's night is getting messy. Convinced his girls are running out on him, he sends one of his last remaining girls, Mi-jin, on a desperate last minute job. Too late, however, he makes a bone chilling discovery: this customer's home is where all his missing girls were last sent. Fearing the worst, .. Read more
| Starring | Yun-seok Kim, Jung-woo Ha, Yeong-hie Seo, In-gi Jung |
|---|---|
| Director | Hong-jin Na |
| Genres | Thriller, World Cinema |
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This compelling yet totally manipulative and eye-wateringly violent South Korean horror-thriller revolves around an... read more on Time Out
Dark, brutal and spiked with originality
Hugely accomplished
There was a period of about five years recently where South Korean filmmakers appeared unable to put a foot wrong, a new wave of talent both in front of and behind the camera produced a tidal wave of stunning cinema. It appears to have tapered off somewhat recently, with expensive projects like Typhoon and Dragon Wars, bred as crossover films for the western market, doing deserved box office belly flops outside their homeland.
The Chaser doesnt look as expensive as those films, but it feels very much like its been made with crossover potential in mind (indeed its had some sort of success there as Leonardo DiCaprio has expressed interest in remaking the film) but while The Chaser has truly thrilling and truly frightening moments its potential is unmatched by its achievement because of a the disastrous mess that is the tone of the film.
The plot is simple. Joong-ho (Kim Yoon-seok), a pimp who used to be a cop, unwittingly sends Mi-jin (Seo Young-hee); one of his girls to an appointment with serial killer Young-min (Ha Jung-woo). Thinking Mi-jin has been kidnapped by someone who intends to sell her Joong-ho sets out to find his employee.
To say too much more regarding the plot would spoil what is, to its credit, an often surprising film. The Chaser is, for its first half, an excellent, fast paced and creepy thriller. The growing sense of doom of the scene when Mi-jin enters Young-mins house, and the unbelievably nasty things in store there is a real highlight. Its a nail bitingly tense sequence. On the other side of the door there is a pursuit going on that were effortlessly involved in, because the film is obeying Hitchcocks first law of suspense and letting us know more than any of the characters. Then the police get involved, and it all falls apart. Quickly.
Its here that the problem with the tone rears its head. For 45 minutes weve been watching a tense, gritty thriller, but when the police enter into the film much of it descends, to my astonishment intentionally, into farce. These are the most inept cops this side of Police Academy, and the most corrupt this side of Serpico. I dont know if this is writer/director Na Jong-hins attempt at social commentary (and if it is it falls flat on its arse) or if he just decided to throw everything and the kitchen sink at the screen and see what stuck.
In the second half other problems arise; chasmic gaps open up in the films logic, and the juxtaposition of the farce and the thrills mean that neither works. Theres a few agreeably nasty moments, including one shockingly brutal twist, but its sad to see a film that started out promising such a lot careen downhill at such a rate.
The actors arent to blame, both Kim (giving one of the more difficult anti-heroes of recent years real humanity) and Seo (scarily and realistically unhinged and manipulative as the killer) are excellent, and they have almost all of the heavy lifting to do. This, though, is one time Im not at all opposed to the idea of a remake. Trim the fat, keep the tone consistent and youd have something really special. As it is The Chaser is just about worth chasing down for an outstanding first half, but you may wish to run away from the second.
This has to be one of the best Korean thrillers I have ever seen. The acting is superb and the story is fascinating mixing many genres from dark comedy to sheer psychological terror. Be warned though the killings are brutal. Hollywood should take note.
The violence too explicit - I felt uncomfortable that I was watching such scenes. Can they no longer make films without this violence. A few lessons could be learned from Hitchcock. I don't want to be reminded that there are people out there that actually comit such crimes.
NO! Don't watch it! It's horrible! This film had me squeaming in my seat only 30 minutes into the film. Gore and torture are staples in Korean cinema...this film delivers a chilling and haunting scene to get you in the mood for the chase that ensues. In typical Korean cop-drama style one man - an ex cop - chases after an elusive killer who is somewhat psychopathic. A game of cat and mouse, this type of film that is churned out of South Korea on a regular basis just wouldn't work in English...it wouldn't...we could not get away with this stuff, it's far too gory!
really good film so underrated cos of subtitles
recomend viewing great twists and good story line and acting
There was a period of about five years recently where South Korean filmmakers appeared unable to put a foot wrong, a new wave of talent both in front of and behind the camera produced a tidal wave of stunning cinema. It appears to have tapered off somewhat recently, with expensive projects like Typhoon and Dragon Wars, bred as crossover films for the western market, doing deserved box office belly flops outside their homeland.
The Chaser doesnt look as expensive as those films, but it feels very much like its been made with crossover potential in mind (indeed its had some sort of success there as Leonardo DiCaprio has expressed interest in remaking the film) but while The Chaser has truly thrilling and truly frightening moments its potential is unmatched by its achievement because of a the disastrous mess that is the tone of the film.
The plot is simple. Joong-ho (Kim Yoon-seok), a pimp who used to be a cop, unwittingly sends Mi-jin (Seo Young-hee); one of his girls to an appointment with serial killer Young-min (Ha Jung-woo). Thinking Mi-jin has been kidnapped by someone who intends to sell her Joong-ho sets out to find his employee.
To say too much more regarding the plot would spoil what is, to its credit, an often surprising film. The Chaser is, for its first half, an excellent, fast paced and creepy thriller. The growing sense of doom of the scene when Mi-jin enters Young-mins house, and the unbelievably nasty things in store there is a real highlight. Its a nail bitingly tense sequence. On the other side of the door there is a pursuit going on that were effortlessly involved in, because the film is obeying Hitchcocks first law of suspense and letting us know more than any of the characters. Then the police get involved, and it all falls apart. Quickly.
Its here that the problem with the tone rears its head. For 45 minutes weve been watching a tense, gritty thriller, but when the police enter into the film much of it descends, to my astonishment intentionally, into farce. These are the most inept cops this side of Police Academy, and the most corrupt this side of Serpico. I dont know if this is writer/director Na Jong-hins attempt at social commentary (and if it is it falls flat on its arse) or if he just decided to throw everything and the kitchen sink at the screen and see what stuck.
In the second half other problems arise; chasmic gaps open up in the films logic, and the juxtaposition of the farce and the thrills mean that neither works. Theres a few agreeably nasty moments, including one shockingly brutal twist, but its sad to see a film that started out promising such a lot careen downhill at such a rate.
The actors arent to blame, both Kim (giving one of the more difficult anti-heroes of recent years real humanity) and Seo (scarily and realistically unhinged and manipulative as the killer) are excellent, and they have almost all of the heavy lifting to do. This, though, is one time Im not at all opposed to the idea of a remake. Trim the fat, keep the tone consistent and youd have something really special. As it is The Chaser is just about worth chasing down for an outstanding first half, but you may wish to run away from the second.
This has to be one of the best Korean thrillers I have ever seen. The acting is superb and the story is fascinating mixing many genres from dark comedy to sheer psychological terror. Be warned though the killings are brutal. Hollywood should take note.
The violence too explicit - I felt uncomfortable that I was watching such scenes. Can they no longer make films without this violence. A few lessons could be learned from Hitchcock. I don't want to be reminded that there are people out there that actually comit such crimes.
NO! Don't watch it! It's horrible! This film had me squeaming in my seat only 30 minutes into the film. Gore and torture are staples in Korean cinema...this film delivers a chilling and haunting scene to get you in the mood for the chase that ensues. In typical Korean cop-drama style one man - an ex cop - chases after an elusive killer who is somewhat psychopathic. A game of cat and mouse, this type of film that is churned out of South Korea on a regular basis just wouldn't work in English...it wouldn't...we could not get away with this stuff, it's far too gory!
I loved this. Right up my Korean street. If you like films like Old Boy, then you will also like this one. It has tension, action and good acting and script.
And above all it keeps you watching right till the climax.
Rent it.
Do not be put off by the subtitles, this is a good solid thriller. Okay at times the the acting of some minor characters leaves a bit to be desired but overall this is a well made, good film, which is easy to watch even with the subtitles.
Even if you are not lover of foreign subtitled films, give this one a go, you might be surprised.
another amazing korean film, a little more cnventoinal than the odd ball korean films i normally review....amazing performances from all, particularly the lead roles
really good film so underrated cos of subtitles
recomend viewing great twists and good story line and acting
This is a great world cinema feature. One of the best of its kind. Up there with 'old boy', 'Bittersweet Life' and 'Brother'.
This compelling yet totally manipulative and eye-wateringly violent South Korean horror-thriller revolves around an... read more on Time Out
Dark, brutal and spiked with originality
Hugely accomplished
Gripping