The Client Reviews

John Grisham novel adaptations can be divided roughly into two types. There are the big stars, big directors and big conspiracies of The Firm and The Pelican Brief, then there are the equally starry but smaller scale, more “human” films, of which this is probably the first. Here, Susan Sarandon plays the little-league lawyer who takes on the case of her career when young Brad Renfro, who has inadvertently witnessed a Mob-related suicide, asks her to represent him. She soon finds herself up against the full might of the legal establishment, led by ambitious federal attorney Tommy Lee Jones, while at the same time trying to protect her youthful client from vengeful Mafia hit man Anthony LaPaglia. Director Joel Schumacher isn't exactly noted for his subtlety, but he makes a pretty good go of producing a believable relationship between the stubborn but lonely Sarandon and the rebellious Renfro. He also makes excellent use of the Memphis locations and serves up some expertly staged action sequences, the best of which is a gripping chase through a hospital. The plotting takes some swallowing, but Sarandon is as truthful as ever, while her young co-star gives an amazingly mature performance. Jones and LaPaglia make the most of their more flamboyant roles and there are also impeccable turns from a supporting cast (including JT Walsh, Mary-Louise Parker, Ossie Davis and Anthony Edwards) that most directors would give their right arm for. The film spawned a TV series, with JoBeth Williams in the Sarandon role.

"...THE CLIENT is the best and certainly the liveliest, tensest and most emotionally involving film yet of a Grisham novel..."

"...[Countless] small, knowing touches that bring it to life....A fast, no-nonsense pace and three winning performances..."

John Grisham novel adaptations can be divided roughly into two types. There are the big stars, big directors and big conspiracies of The Firm and The Pelican Brief, then there are the equally starry but smaller scale, more “human” films, of which this is probably the first. Here, Susan Sarandon plays the little-league lawyer who takes on the case of her career when young Brad Renfro, who has inadvertently witnessed a Mob-related suicide, asks her to represent him. She soon finds herself up against the full might of the legal establishment, led by ambitious federal attorney Tommy Lee Jones, while at the same time trying to protect her youthful client from vengeful Mafia hit man Anthony LaPaglia. Director Joel Schumacher isn't exactly noted for his subtlety, but he makes a pretty good go of producing a believable relationship between the stubborn but lonely Sarandon and the rebellious Renfro. He also makes excellent use of the Memphis locations and serves up some expertly staged action sequences, the best of which is a gripping chase through a hospital. The plotting takes some swallowing, but Sarandon is as truthful as ever, while her young co-star gives an amazingly mature performance. Jones and LaPaglia make the most of their more flamboyant roles and there are also impeccable turns from a supporting cast (including JT Walsh, Mary-Louise Parker, Ossie Davis and Anthony Edwards) that most directors would give their right arm for. The film spawned a TV series, with JoBeth Williams in the Sarandon role.

"...THE CLIENT is the best and certainly the liveliest, tensest and most emotionally involving film yet of a Grisham novel..."

"...[Countless] small, knowing touches that bring it to life....A fast, no-nonsense pace and three winning performances..."

When two young brothers find themselves reluctant witnesses to a suicide, at least 11-year-old Mark knows enough to... read more on Time Out

"...[Jones] does grace-note riffs....A thriller like THE CLIENT doesn't need acting any better..."

Slick and enjoyable thriller that lacks subtlety but maintains a high level of tension.