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The Company Of Wolves Reviews

1984 Certificate 18
  • Rated:
  • 60
  • from 2539 members

If you go down to the woods today in The Company of Wolves, you're sure of a big surprise! Little Red Riding Hood and Werewolf legends abound in this film bathed in explicit sexual imagery. Enter a magical, mysterious world where little girls should beware of men whose eyebrows meet in the middle and where men transform .. Read more

Starring Sarah Patterson, Angela Lansbury, David Warner, Stephen Rea
Director Neil Jordan
Genres Horror, Sci-Fi/Fantasy

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  • Critics' reviews (3) of The Company Of Wolves

    View all
  • 3 stars out of 5

    Dark variations on the Little Red Riding Hood theme are adeptly explored by Crying Game director Neil Jordan, co-writing with Angela Carter, in this arresting visual treat that at times resembles a pretentious Hammer horror. Dreams within dreams build up a psychological fright mosaic, as young Sarah Patterson goes through the broadest spectrum of emotions generally known as adolescence. Angela Lansbury is in super-eccentric form as an archetypal granny ready with “Once upon a time” werewolf fairy tales. Overall, a fine exercise in art design, lyrical mood and sinister allegory.

    • Radio Times
  • 2 stars out of 4

    Fragmentary adult fantasy which had an unexpected box-office success, chiefly because of its sexual allusiveness, its clever make-up and its pictorial qualities.

    • Halliwell's Film Guide
  • Once upon a time, young Rosaleen was dreaming of an Arcadian past when Granny would tell grim tales of once upon a time... read more on Time Out

    • Time Out
  • Most helpful members' reviews (3) of The Company Of Wolves

    View all
  • 22 out of 24 people found this review helpful

    Rated - 4 stars

    The best films are hairy on the inside...

    Ahh, lashings of sexual allegory - I love it! Saucy symbolism abounds in this highly enjoyable adaption of feminist writer Angela Carter's 'The Bloody Chamber.' Imagine nursery rhymes and folklore stripped of their innocence and revealed in all their libidinous adolescent glory. Women as sultry witches, men as tortured werewolves, with lots of sex and death all the way! However, it does contain more subtle messages, such as man's externalisation of the 'beast within' through religion. For example, when the strongly Christian grandmother is confronted with a werewolf, she tells him to go back to Hell. In a telling moment he replies 'I didn't come from Hell, I came from the forest.' Give it a go, its deeper than you think.

      • Darth Egregious from London
  • 11 out of 12 people found this review helpful

    Rated - 5 stars

    Fantastic masterpiece

    Over 20 years on and this British masterpiece puts other movies to shame. It's a coming-of-age sexual allegory filtered through the story of Little Red Riding Hood, as the modern-day Rosaleen dreams of life in a rural village where wolves plague the woods and her Granny dispenses folklore as sage advice ('never trust a man whose eyebrows meet'). Layers of story, myth and fable overlap, as the film is incredibly rich in metaphor, as well as being completely entertaining, with humour, gore and sexual tension in equal abundance.

    The film's miniscule budget is ingeniously employed to maximum effect as every penny is on the screen, with terrific production design and truly startling imagery. This was director Jordan's second feature and he's never made anything as good since. This towers over similar mixes of fantasy, horror and fable from Burton and Gilliam. It's a true masterclass in adult fantasy. They really don't make films like this anymore, if they ever really did. A true one-off classic.

      • Melon from East Sussex
  • 11 out of 19 people found this review helpful

    Rated - 1 star

    Erm... I don't get it.

    Well I just finished watching this 'masterpiece' with an old friend who I haven't seen for ages, and I doubt whether I'll be seeing him again any time soon after what I just put him through. The wolfy-transformation-pull-your-face-off bits were quite good for the day, but were more amusing than scary. The barely disguised sexual tension apparent on the part of the coming of age heroine gave some good ammunition for schoolboy-esque jokes, but apart from these saving graces, I feel robbed of an hour and a half of my life.

    Flashbacks of stories about legends within dreams – I was lost most of the time, probably because I wasn’t paying much attention, something that often happens when I’m bored. Maybe I'm missing something - some sub text or subtle underlying messages, but the total lack of simple film attributes, (such as a plot or discernable conclusion) leaves me feeling rather frustrated with an urge to get all wolfy and murderous myself.

    If someone could educate me, explaining maybe even one reason why this film seems to be held in such high regard, I would appreciate it. Maybe then I would be able to understand why I just spent 90 minutes watching a pointless, poorly acted murdering of a confused fairy tale, cringing at every cheesy line and hoping to god that a cherished friendship wasn't about to be discontinued on the grounds of inflicting intellectual torture.

    I suppose one good thing about this film is that in future when I make a poor film choice for a friend, I can always say 'At least it wasn't as bad as 'The Company of Wolves''.

    If I could give this a zero star rating, I would. Sorry.

      • Wolfy Dan from Birmingham, England
  • Most recent members' reviews (2) of The Company Of Wolves

    View all
  • 22 out of 24 people found this review helpful

    Rated - 4 stars

    The best films are hairy on the inside...

    Ahh, lashings of sexual allegory - I love it! Saucy symbolism abounds in this highly enjoyable adaption of feminist writer Angela Carter's 'The Bloody Chamber.' Imagine nursery rhymes and folklore stripped of their innocence and revealed in all their libidinous adolescent glory. Women as sultry witches, men as tortured werewolves, with lots of sex and death all the way! However, it does contain more subtle messages, such as man's externalisation of the 'beast within' through religion. For example, when the strongly Christian grandmother is confronted with a werewolf, she tells him to go back to Hell. In a telling moment he replies 'I didn't come from Hell, I came from the forest.' Give it a go, its deeper than you think.

      • Darth Egregious from London
  • 6 out of 8 people found this review helpful

    Rated - 3 stars

    Red Riding Hood with a twist

    A blood splattered twist on the Red Riding Hood story, full of spine-tingling atmospherics

      • C. Johns from Hampshire
  • 22 out of 24 people found this review helpful

    Rated - 4 stars

    The best films are hairy on the inside...

    Ahh, lashings of sexual allegory - I love it! Saucy symbolism abounds in this highly enjoyable adaption of feminist writer Angela Carter's 'The Bloody Chamber.' Imagine nursery rhymes and folklore stripped of their innocence and revealed in all their libidinous adolescent glory. Women as sultry witches, men as tortured werewolves, with lots of sex and death all the way! However, it does contain more subtle messages, such as man's externalisation of the 'beast within' through religion. For example, when the strongly Christian grandmother is confronted with a werewolf, she tells him to go back to Hell. In a telling moment he replies 'I didn't come from Hell, I came from the forest.' Give it a go, its deeper than you think.

      • Darth Egregious from London
  • 11 out of 12 people found this review helpful

    Rated - 5 stars

    Fantastic masterpiece

    Over 20 years on and this British masterpiece puts other movies to shame. It's a coming-of-age sexual allegory filtered through the story of Little Red Riding Hood, as the modern-day Rosaleen dreams of life in a rural village where wolves plague the woods and her Granny dispenses folklore as sage advice ('never trust a man whose eyebrows meet'). Layers of story, myth and fable overlap, as the film is incredibly rich in metaphor, as well as being completely entertaining, with humour, gore and sexual tension in equal abundance.

    The film's miniscule budget is ingeniously employed to maximum effect as every penny is on the screen, with terrific production design and truly startling imagery. This was director Jordan's second feature and he's never made anything as good since. This towers over similar mixes of fantasy, horror and fable from Burton and Gilliam. It's a true masterclass in adult fantasy. They really don't make films like this anymore, if they ever really did. A true one-off classic.

      • Melon from East Sussex
  • 11 out of 19 people found this review helpful

    Rated - 1 star

    Erm... I don't get it.

    Well I just finished watching this 'masterpiece' with an old friend who I haven't seen for ages, and I doubt whether I'll be seeing him again any time soon after what I just put him through. The wolfy-transformation-pull-your-face-off bits were quite good for the day, but were more amusing than scary. The barely disguised sexual tension apparent on the part of the coming of age heroine gave some good ammunition for schoolboy-esque jokes, but apart from these saving graces, I feel robbed of an hour and a half of my life.

    Flashbacks of stories about legends within dreams – I was lost most of the time, probably because I wasn’t paying much attention, something that often happens when I’m bored. Maybe I'm missing something - some sub text or subtle underlying messages, but the total lack of simple film attributes, (such as a plot or discernable conclusion) leaves me feeling rather frustrated with an urge to get all wolfy and murderous myself.

    If someone could educate me, explaining maybe even one reason why this film seems to be held in such high regard, I would appreciate it. Maybe then I would be able to understand why I just spent 90 minutes watching a pointless, poorly acted murdering of a confused fairy tale, cringing at every cheesy line and hoping to god that a cherished friendship wasn't about to be discontinued on the grounds of inflicting intellectual torture.

    I suppose one good thing about this film is that in future when I make a poor film choice for a friend, I can always say 'At least it wasn't as bad as 'The Company of Wolves''.

    If I could give this a zero star rating, I would. Sorry.

      • Wolfy Dan from Birmingham, England
  • 6 out of 8 people found this review helpful

    Rated - 3 stars

    Red Riding Hood with a twist

    A blood splattered twist on the Red Riding Hood story, full of spine-tingling atmospherics

      • C. Johns from Hampshire
  • 6 out of 8 people found this review helpful

    Rated - 1 star

    Donot watch

    The one word which describes this film is - Weird.

      • A customer from York, England
  • 5 out of 6 people found this review helpful

    Rated - 1 star

    Disappointing

    I had wanted to see this film for years and not got round to it, now i wish i hadn't bothered. It's just odd, i didn't get it at all. As for the special effects being good for its day..pah!!! this movie was made 3 YEARS AFTER American Werewolf in London, in fact, dont rent this, rent American Werewolf instead!

      • A customer from England
  • 4 out of 4 people found this review helpful

    Rated - 1 star [Highly rated reviewer]

    poor

    didnt like this at all just didnt make sense to me, dont bother

      • smokeychops from newcastle under lyme
  • 2 out of 3 people found this review helpful

    Rated - 4 stars

    Creepy red riding hood

    Several wolf (with hair on the inside) related stories all set in a misty fairytale village.

    All style over substance but there is bags of style here. I have no idea why this has an 18 rating as it is basically a retelling of little red riding hood and is far less violent than many 15 rated films.

    Basically this is a sit back and absorb the atmosphere type film. Angela Lansbury is especially good as the grannie who lives in an isolated house at the end of a twisty path through the wolf infested forest!

      • matpa from Cambridgeshire
  • 2 out of 3 people found this review helpful

    Rated - 0 stars

    daft

    it's the most daft film I've seen, don't waist your time even if there's no more films left to watch...

      • A customer from bristol, uk
  • Critics' reviews (3)

  • 3 stars out of 5

    Dark variations on the Little Red Riding Hood theme are adeptly explored by Crying Game director Neil Jordan, co-writing with Angela Carter, in this arresting visual treat that at times resembles a pretentious Hammer horror. Dreams within dreams build up a psychological fright mosaic, as young Sarah Patterson goes through the broadest spectrum of emotions generally known as adolescence. Angela Lansbury is in super-eccentric form as an archetypal granny ready with “Once upon a time” werewolf fairy tales. Overall, a fine exercise in art design, lyrical mood and sinister allegory.

    • Radio Times
  • 2 stars out of 4

    Fragmentary adult fantasy which had an unexpected box-office success, chiefly because of its sexual allusiveness, its clever make-up and its pictorial qualities.

    • Halliwell's Film Guide
  • Once upon a time, young Rosaleen was dreaming of an Arcadian past when Granny would tell grim tales of once upon a time... read more on Time Out

    • Time Out

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Rating breakdown

2,539 Member ratings
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219
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140
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364
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422
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502
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300
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244
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141
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131
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76

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