Laurence Olivier shocked audiences accustomed to seeing him in Shakespeare or period romances when he joined forces with the two defining figures of Britain's New Wave kitchen-sink realism, director Tony Richardson and playwright John Osborne, by starring as third-rate seaside comedian Archie Rice in the latter's lacerating .. Read more
| Starring | Laurence Olivier, Alan Bates, Joan Plowright, Albert Finney |
|---|---|
| Director | Tony Richardson |
| Genres | Drama |
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Laurence Olivier shocked audiences accustomed to seeing him in Shakespeare or period romances when he joined forces with the two defining figures of Britain's New Wave kitchen-sink realism, director Tony Richardson and playwright John Osborne, by starring as third-rate seaside comedian Archie Rice in the latter's lacerating play. The arrogant, hypocritical, and lecherous performer is playing out the remainder of his days leading a revue at a moribund seaside resort. In the pathetic quality of his singing, acting, and humour, the declining Archie is clearly intended by its author as a symbol of post-WWII England. Yet he still has enough energy to make life as miserable for his family as it is for him. He cajoles his son, Frank (Alan Bates), into volunteering to fight in Suez, against his will; gets money from his dying father to fund his next show; and cheats on his alcoholic wife, Phoebe (Brenda de Banzie), with beauty contest winner Tina Lapford (Shirley Anne Field). When his daughter arrives unexpectedly, Archie is forced to face the fabric of deceit he has created to survive. Olivier leads a stellar cast in this still-unsettling film, playing the repellent Archie with memorable intensity.
| Starring | Laurence Olivier, Alan Bates, Joan Plowright, Albert Finney, Thora Hird, Shirley Ann Field, Daniel Massey, Brenda De Banzie, Roger Livesey |
|---|---|
| Director | Tony Richardson |
| Studio | MGM ENTERTAINMENT |
| Run time | DVD: 1 hr 39 mins |
| Certificate | |
| Genres | Drama |
| Language | DVD: English |
| Released | DVD: 01 Mar 2004 Production year: 1960 |
| Format | DVD |
This was the cinema version of one of the Royal Court Theatre's most notable achievements: playwright John Osborne's follow-up to his ground-breaking Look Back in Anger. The show brought Laurence Olivier to the world of kitchen-sink drama, and dragged West End audiences off to Sloane Square to see Olivier's stunning performance as music-hall has-been Archie Rice, a seedy vaudeville artist who brings misery to all who know him. It was a personal triumph for Olivier on stage but, in enshrining the legendary actor's performance on celluloid, director Tony Richardson laid bare Olivier's technique and the result was rather too mannered. Re-editing was carried out and the cinema and press screenings delayed. Archie Rice is actually nothing more than a third-rate ham and sadly little in Olivier's screen incarnation could allow him to be that: imagine Max Miller in the part. The film flopped at the box office, yet now can be viewed as an enduring record of that great stage production. It also boasts screen debuts from two future stars, Alan Bates and Albert Finney. Olivier married co-star Joan Plowright (who plays his protective daughter Jean) the following year.
Even with Olivier repeating his stage triumph, or perhaps because of it, this tragi-comedy remains defiantly theatrical and does not take wing on film.
Lawrence Olivier is not 'himself' in this film, at least he is not in any of the recognisable guises his fans had come to expect...That's the best part of The Entertainer,(and one of it's main points). Britian, like The Entertainer of the title is spent, worn out in 59 when the film was made. Changes were on the horizon, but it was as yet unclear what would replace the outmoded ways of thinking, so Britains plodded on...
Even though the (later) 'Lord' Lawrence sometimes lets his naturally posh accent creep through the cracks, the scenes in which he is 'treading the boards' of the run down vaudeville house are an acting tour de force!
But his wife-to-be (no. three), Joan Plowright is hopelessly miscast as his daughter and one cannot help but wonder why her thoroughbred accent does not compare in any way with those of her 'brothers' Albert Finney (blink and you'll miss him) and Alan Bates (both in their first film roles).
This film is engrossing in parts and too overladen to be cohesive in others, and there is an interesting angle between father (himself a former vaudeville star) and son that should be brought out more, but often gets tangled in the undercurrents of their troubled family system. Frustrating at times and exilerating at others....A must if you are/were an Olivier fan!
how this never made it into the bbc recent classic british film is a mystery ? i saw this on tv in my early teens and was very moved by it recently revived on the stage in london by robert lindsay it lost none of it power while staying within the constriant of it time oliver .s sad and sleazy archie rice it given all round suppport by ans excellent cast