A classic murder mystery, based on the the Dashiell Hammet novel and said to be the inspiration for Kurosawa's Yojimbo. When a corrupt politician is accused of murder, his assistant hunts the real killer, avoiding amorous advances from his boss' fiancee and attacks from gangsters along the way. Read more
| Starring | Alan Ladd, Veronica Lake, Veronica lake, Brian Donlevy |
|---|---|
| Director | Stuart Heisler |
| Genres | Thriller |
loading...
Not quite so resonant an early example of noir as The Maltese Falcon, partly because the novel's ending has been... read more on Time Out
An early scene featuring Alan Ladd in profile seemed to show him as really wooden. But he soon warmed up. Which is just as well, given the lively performances of Brian Donlevy, William Bendix and others, with no holds barred in the action. Even Veronica Lake showed a bit of personality. And it was a cracking good story adapted from Dashiell Hammett's novel.
Not one of my favourites. Mainly because I didn't realise it was a gangster type film, which I am not into. It might be other peoples cup of tea, but not mine.
This is a forties classic. I looked forward to seeing the film, but really it was dated and lacked that special quality which some films of this era have. It was pleasant but missable.
I tired of this rather quickly.
Of its type, there are better films than this from the 40s. Sure, it's got the nascent film noir quality that was to be used effectively by Scorsese et al later in American cinema. William Bendix giving a particularly brutal and sadistic performance as the arch heavy, with Alan Ladd the cool and smouldering victim of the set piece in violence, but what lets it down slightly is the rather convoluted plot and at times the director has not done his job properly on the spoken acting.
An early scene featuring Alan Ladd in profile seemed to show him as really wooden. But he soon warmed up. Which is just as well, given the lively performances of Brian Donlevy, William Bendix and others, with no holds barred in the action. Even Veronica Lake showed a bit of personality. And it was a cracking good story adapted from Dashiell Hammett's novel.
Not one of my favourites. Mainly because I didn't realise it was a gangster type film, which I am not into. It might be other peoples cup of tea, but not mine.
This is a forties classic. I looked forward to seeing the film, but really it was dated and lacked that special quality which some films of this era have. It was pleasant but missable.
I tired of this rather quickly.
This film is the victim of many false starts and when it does get going it launches into a scene with unfamiliar characters and unfamiliar plotting so you think you've missed something. Poor editing one suspects. Overlong and dull. This era and genre produced some great films. This isn't one of them.
Of its type, there are better films than this from the 40s. Sure, it's got the nascent film noir quality that was to be used effectively by Scorsese et al later in American cinema. William Bendix giving a particularly brutal and sadistic performance as the arch heavy, with Alan Ladd the cool and smouldering victim of the set piece in violence, but what lets it down slightly is the rather convoluted plot and at times the director has not done his job properly on the spoken acting.
Not quite so resonant an early example of noir as The Maltese Falcon, partly because the novel's ending has been... read more on Time Out