The Godfather

This crime drama and its 1974 sequel are among American cinema's finest achievements since the Second World War. The production problems are well documented — how Paramount wanted a quickie, how Francis Ford Coppola came cheap and how he turned the picture into an epic success, a box-office hit that was also an artistic triumph. His first masterstroke was casting Marlon Brando, Al Pacino, James Caan, Robert Duvall and Diane Keaton, four relative unknowns and one known risk; his next masterstroke was to keep cool under fire, like Michael Corleone himself, turning Mario Puzo's pulp novel into art and showing how capitalism and crime go hand in hand. It's thrilling, romantic, tense and scary — a five-course meal that leaves you hungry for more.

A brilliantly-made film with all the fascination of a snake pit: a warm-hearted family saga except that the members are thieves and murderers. Cutting would help, but the duller conversational sections do heighten the cunningly judged moments of suspense