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The Importance Of Being Earnest Reviews

1952 Certificate U
  • Rated:
  • 70
  • from 693 members

Anthony Asquith, having directed a wonderful film of George Bernard Shaw's PYGMALION, turned in 1952 to another classic, one of the greatest theatrical comedies, Oscar Wilde's THE IMPORTANCE OF BEING EARNEST. Set at the height of the Victorian era, popularly imagined to be a cold and repressive time, the visual contrast with .. Read more

Starring Margaret Rutherford, Edith Evans, Dorothy Tutin, Michael Redgrave
Director Anthony Asquith
Genres Comedy

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  • Critics' reviews (2) of The Importance Of Being Earnest

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  • 2 stars out of 4

    Disappointingly stagey rendering (when compared, say, with Occupe-toi d'Amélie) of Britain's most wondrously witty lighter-than-air comedy of manners. As a record of a theatrical performance, however, it is valuable.

    • Halliwell's Film Guide
  • It is typical of Asquith - Grand Master of the Filmed English Classic - that he never attempts any cinematic wit to... read more on Time Out

    • Time Out
  • Most helpful members' reviews (3) of The Importance Of Being Earnest

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  • 5 out of 5 people found this review helpful

    Rated - 3 stars

    A bit of mis-casting aside, this is a nice filmed version of the play. I'll watch anything with Margaret Rutherford in it anyway.

      • A customer from ARMAGH
  • 3 out of 3 people found this review helpful

    Rated - 5 stars

    MARVELLOUS ACTING

    One forgets how great British films once were. This is 1000 times better than the recent Hollywood version. Fantastic acting by all.

      • Hughdrover from Glos.
  • 2 out of 3 people found this review helpful

    Rated - 2 stars

    Difficulties of pronunciation

    The clipped accents of 50 years ago simply do not enable us to enjoy this renowned piece of Oscar's - much of the dialogue is at quite a pace and requires interpretation. Exhausting watching therefore.

      • A customer from Moffat Scotland
  • Most recent members' reviews (2) of The Importance Of Being Earnest

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  • 5 out of 5 people found this review helpful

    Rated - 3 stars

    A bit of mis-casting aside, this is a nice filmed version of the play. I'll watch anything with Margaret Rutherford in it anyway.

      • A customer from ARMAGH
  • 0 out of 1 person found this review helpful

    Rated - 2 stars

    Not Wilde about it

    A workman like reworking of this epigram ridden stage play. Reasonably enjoyable journey into the world of the master of the "bon mot".

      • Claude from Berwick upon Tweed
  • 5 out of 5 people found this review helpful

    Rated - 3 stars

    A bit of mis-casting aside, this is a nice filmed version of the play. I'll watch anything with Margaret Rutherford in it anyway.

      • A customer from ARMAGH
  • 3 out of 3 people found this review helpful

    Rated - 5 stars

    MARVELLOUS ACTING

    One forgets how great British films once were. This is 1000 times better than the recent Hollywood version. Fantastic acting by all.

      • Hughdrover from Glos.
  • 2 out of 3 people found this review helpful

    Rated - 2 stars

    Difficulties of pronunciation

    The clipped accents of 50 years ago simply do not enable us to enjoy this renowned piece of Oscar's - much of the dialogue is at quite a pace and requires interpretation. Exhausting watching therefore.

      • A customer from Moffat Scotland
  • 1 out of 1 person found this review helpful

    Rated - 5 stars

    Oldie but a Goodie!

    This is Oscar Wilde at his best: subtle, witty, perfectly chosen language and beautifully crafted. The more recent version gives a modern audience an appreciation of the story, but this is by far the best version I have seen on the big or small screen.

      • ALAN HARBOTTLE from Liverpool, England
  • Rated - 3 stars

    of its time

    thought i had ordered the new version but enjoyed this instead.a classic.

      • A customer from kirriemuir angus
  • Rated - 5 stars

    Classic and definitive 'Ernest'

    This is the classic and definitive film version of Oscar Wilde's stage comedy, with Edith Evans as Lady Bracknell and Joan Greenwood as Gwendolen. The film was produced as if it were a stage play, which sometimes produces a stilted effect, but generally works excellently. All other versions of 'Ernest' are measured against this one. My teenager was hooked on this film at first viewing, and has watched it so often that he'll wear out the DVD ... There's no sex (Joan Greenwood remains completely dressed throughout), no violence, no special effects, but the one-liners and sharp wit are timeless.

      • A customer from Cardiff, Wales
  • Rated - 5 stars

    Important - honest

    This is always a good play. I am not sure it pans well in film form. This a traditionally, if rather over dressed, version of Oscar Wilde's play about a baby found in a Handbag and the farce that follows when the two friends discover they are brothers. It has all the Oscar Wilde's one liners. Always good to watch

      • Paul Record from Cupar Scotland
  • Rated - 4 stars

    A Classic

    a lavish and very camp film !! its wonderful and funny

      • A customer from blackpool
  • Rated - 3 stars

    The Importance of Being Earnest

    Classic movie version, although heavily chopped about and opened out for cinema. Disappointing if you know the stage classic, otherwise okay and anything with the great Margaret Rutherford, Edith Evans and Joan Greenwood has to be worth a look.,

      • Gazf from London
  • Rated - 5 stars [Highly rated reviewer]

    A delightful treat

    The outrageously wonderful Dame Edith Evans here reprises her famous role as Lady Bracknell, her extravagant performance being matched only by (1) her majestically crazy costumes and hats and (2) the sparklingly arch Joan Greenwood, playing her daughter Gwendolen and heir-presumptive in the costumes department. It is so good also to have the opportunity this DVD gives us to discover the perhaps-forgotten talents of the fine actresses Joan Greenwood and Dorothy Tutin (here playing Cecily).

    There could be nobody better suited to adapt and direct a film version of Wilde’s high-society play than Anthony Asquith, son of H.H. Asquith, Prime Minister of Great Britain 1908-1916.

      • Migdale from Preston
  • Critics' reviews (2)

  • 2 stars out of 4

    Disappointingly stagey rendering (when compared, say, with Occupe-toi d'Amélie) of Britain's most wondrously witty lighter-than-air comedy of manners. As a record of a theatrical performance, however, it is valuable.

    • Halliwell's Film Guide
  • It is typical of Asquith - Grand Master of the Filmed English Classic - that he never attempts any cinematic wit to... read more on Time Out

    • Time Out

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    • Anthony Asquith, having directed a wonderful film of George Bernard Shaw's PYGMALION, turned in 1952 to another classic, one of the greatest theatrical comedies, Oscar Wilde's THE IMPORTANCE OF BEING ...

Rating breakdown

693 Member ratings
  • 100
116
  • 90
75
  • 80
146
  • 70
107
  • 60
98
  • 50
57
  • 40
36
  • 30
20
  • 20
26
  • 10
12

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