The Life And Death Of Colonel Blimp cover art

The Life And Death Of Colonel Blimp Details

1943 Certificate U
  • Rated:
  • 70
  • from 2816 members

Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, .. Read more

Starring Anton Walbrook, Deborah Kerr, Roger Livesey, John Laurie
Director Michael Powell, Emeric Pressburger
Genres Drama

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The Life And Death Of Colonel Blimp

Michael Powell and Emeric Pressburger's much-lauded epic Life and Death of Colonel Blimp, which satirizes British traditionalism, stirred up impassioned hostilities and indignations among the Brits when released in 1943. It so infuriated Winston Churchill, in fact, that he refused to allow its exportation to other countries, particularly the U.S. When Blimp finally did premiere in the States in 1945, it screened in a drastically cut version. The sweeping story covers several decades. It begins at the tail end of the Boer War, when handsome young British officer Clive Candy, recently back from the battlefront, is infuriated by his discovery that Deutschland papers have played up the British atrocities in South Africa, propagandistically. He grows so irate, in fact, that he travels to Germany to address the problem. Once there, he meets an attractive British educator, Edith Hunter (Deborah Kerr) who spends her days teaching English as a second language to German students. They grow close, but Candy so aggravates the local indigenes that he winds up in a duel with a German officer, Theo Kretschmar-Schuldorff (Anton Walbrook). The men wound each other and are sent to the same hospital, where they become friends. Candy - who doesn't yet realize he's fallen in love with Edith -- senses that Theo and Edith are attracted to one another, and encourages the couple's marital union. Candy subsequently returns to England, then falls for and marries Barbara (again played by Kerr), a nurse who bears a strong resemblance to Edith. She later dies, but Candy meets a third woman during WWII, Johnny (Kerr a third time), assigned to drive him from one locale to another during his campaigns. Meanwhile, Theo - disgusted by Nazi atrocities -- absconds to England, where he reencounters his old friend, now a prattering old shuffler rapidly approaching the end of his career and raving continuously about Nazi conduct (or lack thereof) in battle. Powell and Pressberger adapted Colonel Blimp from a comic strip; it became one of the hallmarks of their careers.~ Sidney Jenkins, All Movie Guide

Starring Anton Walbrook, Deborah Kerr, Roger Livesey, John Laurie, A.E. Matthews, Roland Culver, Valentine Dyall, Albert Lieven, Ursula Jeans, Felix Aylmer
Director Michael Powell, Emeric Pressburger
Studio ITV DVD
Run time DVD: 3 hrs 2 mins
Certificate Certificate U
Genres Drama
Language DVD: English
Hearing-impaired English
Released DVD: 13 May 2002
Production year: 1943
Format DVD
  • Critics' reviews (3) of The Life And Death Of Colonel Blimp

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  • 5 stars out of 5

    Winston Churchill ordered this film to be banned from exportation during the Second World War in case it gave the wrong impression of the British fighting man. Based on the comic-strip character created by David Low, Michael Powell and Emeric Pressburger's film does indeed take a pop at the complacency of the top brass, yet, thanks to Roger Livesey's astonishing performance in the lead, it is also a tribute to the more laudable peculiarities of the British character — honour, loyalty and a genius for making the most of a bad lot. Anton Walbrook also excels as Livesey's Prussian nemesis who becomes a lifelong friend, while a young Deborah Kerr makes her mark playing the three women in Livesey's life. One of British cinema's undisputed masterpieces.

    • Radio Times
  • 3 stars out of 4

    Not the Blimp of the cartoon strip, but a sympathetic figure in a warm, consistently interesting if idiosyncratic love story against a background of war. The Archers as usual provide a sympathetic German lead (friend of the hero); quite a coup in wartime.

    • Halliwell's Film Guide
  • Most helpful member's review of The Life And Death Of Colonel Blimp

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  • 12 out of 12 people found this review helpful

    Rated - 5 stars [Highly rated reviewer]

    The greatest British film of all time

    Powell and Pressburger's masterpiece is actually slightly misleadingly titled. There is no character called Colonel Blimp in the film; there's not even a Colonel in it; and the central character (whose name is Clive Candy) doesn't die. Blimpishness, named after a cartoon strip character created by David Low, was a sort backward-looking pomposity, apparently espoused by Candy in the opening section of the film, but the Archers' idea was to expose not just the reality behind it (Candy is a VC-decorated hero and a thoroughly decent sort), but that the idea itself not only had died, but must die. The Nazis were not soldiers, in the old sense, but gangsters, and had to be dealt with as such.

    Given this, the propagandist elements of the film are present and correct, making it all the more incredible that Churchill should have disliked the screenplay so much that he refused to sanction Laurence Olivier's appearance in the central role. We may say thank goodness he did, since Roger Livesey, balancing artifice and art to a niceness, gives the single greatest performance you will ever see by a British actor. Perhaps Winston suspected he himself was being slyly satirised.

    Some of the components that go to making this the best ever British film are obvious: Georges Perinal's sublimely rich Technicolor cinematography, the acting, the rousing score, the thrilling motorcycle opening, but it goes deeper than that. P&P are also trying to examine the best of Britishness (hence, perhaps, the best of Blimpishness), the profoundly romantic yearning for something better for everybody set off against the flinty, stiff-upper-lip exterior. I defy anyone to watch the final section of this film without weeping.

    It really is that good.

      • Savage from London, England
  • Most recent members' review of The Life And Death Of Colonel Blimp

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  • 10 out of 11 people found this review helpful

    Rated - 4 stars [Highly rated reviewer]

    Dated but still very good

    he third Powell/Pressburger film that I've seen and although not as impressive as The Red Shoes, it is very interesting. If you know about the Colonel Blimp character then you'll appreciate this film more than most as the film covers the Boer War, WWI and WWII providing a background story to the supposed Blimp person. Although the film is witty and pokes fun at the upper classes involved in the military around these times, it's not a comedy and it has dated. What the film does well, aside from the technical aspect, is trace the formation of the main character as he grows older and becomes less and less relevant to the society is he is living in. This film is rated highly yet I'm not sure I share the same sort of love as others have because although it does highlight some class issues, I still found it to be somewhat weak, still I think that's merely because of the passage of time. Released during WWII, Churchill was not pleased with this film and put in that context I can understand how it is appreciated because I would consider it to be relatively subervise. A very, very good film that covers a number of issues and is very thought provoking without trying to make too many statements about them.

      • McClennan from St Helens
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