In this installment of the James Bond series, Agent 007 (Timothy Dalton) is assigned to protect a Russian defector (Maryam d'Abo) from the KGB. When the defection proves to be an elaborate ploy, Bond woos her anyway, and together they follow a trail to a crooked American arms dealer supplying weapons to Afghanistan. Dalton .. Read more
| Starring | Timothy Dalton, Maryam d'Abo, Jeroen Krabbe, Joe Don Baker |
|---|---|
| Director | John Glen |
| Genres | Action/Adventure, Thriller |
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This was Timothy Dalton's debut as 007 and it was already pretty clear that he lacked the necessary ironic touch that made the credibility-straining action seem fun rather than ridiculous. Director John Glen (making his fourth Bond, after second-unit and editing work on others) should have known better, and departed the scene along with Dalton after Licence to Kill. Although adapted from an Ian Fleming story, the plot is merely an excuse for a little globetrotting, as Bond tries to help Jeroen Krabbé's Soviet general to defect. Maryam D'Abo's Czech cellist and Joe Don Baker's arms dealer don't help much, either.
"...[Dalton] has enough presence, the right debonair looks and the kind of energy that the Bond series has lately been lacking....This cast is a good one..."
"...Timothy Dalton's a class act....The Fourth Bond registers beautifully on all key counts of charm, machismo, sensitivity and technique..."
Timothy Dalton gives one of the best, most focused and realistic Bond performances in an exciting and challenging film. He is a real person with all the dimensions you can expect but keeps the charm and the one-liners.
The opening sequence is one of the best I have seen with a really captivating first shot of the new Bond as he races across Gibraltar.
I love the interplay of the villains and the feeling - that is the last real Bond film. It was made shortly before the fall of the Iron Curtain so it was the last chance for Britain and the Soviets to battle it out.
Also this is how you would imagine a real spy thriller - not necessarily to rule the world but the stakes are high enough - someone is assasinating top British spies on a hit list and they must be stopped - at whatever cost.
The acting throughout is superb - highly recommended.
What makes ' The Living Daylights' such a great bond film? well, the opening sequence with parachute from a plane turned into an assassination scenario with 004 is pretty cool. the main song ' The Living Daylights' sung by A-Ha is fun. then we go back into the film which sees Bond & this man named Saunders sent to evaluate him. basically the plot sees Bond on a mission which nearly results in Bond's license to kill being taken away{ but they save that up for ' License To Kill'}: but the storyline involving the question which one is telling the truth: General Pushkin{John-Rhys-Davies} or General Koskov{Jeroem Krabbe} ? is like the plot in ' For Your Eyes Only'with Columbo & Aris Kristatos. basically there is also a henchman in the film: Necros played by Andreas Wisniewski who is an echo of Donald ' Red' Grant in ' From Russia With Love' + Maryam D' Abo 's Kara Milovy is her own original character but is a cross between Tanya Romanova in'From Russia With Love' {and} Domino in' Thunderball' this movie has a thrlling fairground sequence + much more.
With the amount of pessimism mentioned about this film, I was expecting very little. However I was pleasantly surprised. It was a refreshing new style to bond that none of the others have shown. It was darker, and the the film definately had an "espionage" feel to it, perhaps more than some of the other Bond films.
The plot was refreshingly unusual since there wasn't much of the "evil baddie" wanting to blow up everything and "take over the world". In fact, It was more of a realistic story. The opening sequence was good, even though Dalton could have been introduced as bond a little better. He seemed a little stiff at first, but he definately got more comfortable and more convincing as bond. I would recommend this film...especially to bond fans.
Timothy Dalton gives one of the best, most focused and realistic Bond performances in an exciting and challenging film. He is a real person with all the dimensions you can expect but keeps the charm and the one-liners.
The opening sequence is one of the best I have seen with a really captivating first shot of the new Bond as he races across Gibraltar.
I love the interplay of the villains and the feeling - that is the last real Bond film. It was made shortly before the fall of the Iron Curtain so it was the last chance for Britain and the Soviets to battle it out.
Also this is how you would imagine a real spy thriller - not necessarily to rule the world but the stakes are high enough - someone is assasinating top British spies on a hit list and they must be stopped - at whatever cost.
The acting throughout is superb - highly recommended.
What makes ' The Living Daylights' such a great bond film? well, the opening sequence with parachute from a plane turned into an assassination scenario with 004 is pretty cool. the main song ' The Living Daylights' sung by A-Ha is fun. then we go back into the film which sees Bond & this man named Saunders sent to evaluate him. basically the plot sees Bond on a mission which nearly results in Bond's license to kill being taken away{ but they save that up for ' License To Kill'}: but the storyline involving the question which one is telling the truth: General Pushkin{John-Rhys-Davies} or General Koskov{Jeroem Krabbe} ? is like the plot in ' For Your Eyes Only'with Columbo & Aris Kristatos. basically there is also a henchman in the film: Necros played by Andreas Wisniewski who is an echo of Donald ' Red' Grant in ' From Russia With Love' + Maryam D' Abo 's Kara Milovy is her own original character but is a cross between Tanya Romanova in'From Russia With Love' {and} Domino in' Thunderball' this movie has a thrlling fairground sequence + much more.
I think Timothy Dalton was under rated as bond, ok he was alot more serious than either the other bonds, but this film is one of the better bond films, only let down was the ending became a let down. maybe if a better director was involved then i think this would of been probably been alot better.
I still say that Timothy Dalton was one of the best actors in this part, this film just proves that fact, as Mr.Dalton strolls through the part with such ease, the film packs a huge punch, and the plot is deep, i would rent this movie in a momment.
as with all james bonds the effects improve with every film though i didnt rate tim dalton as good as sean or pierce brosnan film still brilliant as are all his films
Yet another good James Bond film,Timothy Dalton at his best,I really enjoy the Bond films,There is always plenty of action and a good story to them.
Really underrated bond film. Dalton is definately the most realistic bond but had the worst scripts. Having said that The Living Daylights is one of my favourite in the series of bond films.
It manages to retain the charm and relative realism that the current films in the series (especially the last one) seem to be missing.
Not my favourite bond but still good..Agent 007 (Timothy Dalton) is assigned to protect a Russian defector (Maryam d'Abo) from the KGB. When the defection proves to be an elaborate ploy, Bond woos her anyway, and together they follow a trail to a crooked American arms dealer supplying weapons to Afghanistan.
Yet another good James Bond film,Timothy Dalton at his best,as with all james bonds the effects improve with every film
This was Timothy Dalton's debut as 007 and it was already pretty clear that he lacked the necessary ironic touch that made the credibility-straining action seem fun rather than ridiculous. Director John Glen (making his fourth Bond, after second-unit and editing work on others) should have known better, and departed the scene along with Dalton after Licence to Kill. Although adapted from an Ian Fleming story, the plot is merely an excuse for a little globetrotting, as Bond tries to help Jeroen Krabbé's Soviet general to defect. Maryam D'Abo's Czech cellist and Joe Don Baker's arms dealer don't help much, either.
"...[Dalton] has enough presence, the right debonair looks and the kind of energy that the Bond series has lately been lacking....This cast is a good one..."
"...Timothy Dalton's a class act....The Fourth Bond registers beautifully on all key counts of charm, machismo, sensitivity and technique..."
Confused plot and digressive globe trotting notwithstanding, the best Bond in years. A radical rethink on 007... read more on Time Out
25th-anniversary Bond heroics with more adult style than usual, and all technical aspects up to par.